Raia is a famous writer who suffers from writer’s block. In order to get inspired again, he then went to New York. It was in that city that Raia met River and then got involved in a love story that was overshadowed by the past.

Sue Silverman feels ‘neglected’ in bed by her hard-working husband Andrew and serially seduces men to ‘meaningless’ motel sex, even Rick Hudson, a contractor and fellow fund-raiser. After being swept into bed at work by French architecture writer Laurent Dekker, Sue seeks help from Dr. Robert Gardener, who discovers a childhood root cause. Andrew is no longer interested by the time she’s ready for addict clinic, and temptation lurks even there.

Stockholm My Love is a city symphony, a love letter to Stockholm, the fiction debut of director Mark Cousins and the acting debut of musician Neneh Cherry. It follows one woman’s footsteps through the streets of her native city, on a journey of recovery from a bad thing that happened to her exactly one year before. It’s an exploration of grief, identity and the power of architecture and urbanism to shape lives, and a celebration of the power of walking and looking to make us all feel just a little bit better. With new music by Neneh Cherry, old music by Benny Andersson (of ABBA) and Franz Berwald, and images by Christopher Doyle and Mark Cousins.

Ten years ago, Ginny, an Architecture student, and Marco, a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco’s unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life.

Lucia is a consummate professional and the single mother of Leo, her beautiful and mischievous 6-year-old daughter, who is obsessed with Christmas and believes her birth was due to a Christmas miracle. Between her two full-time jobs (motherhood and architecture), she has neither the time nor the inclination to fall in love again, but when she reluctantly agrees to go on a blind date with Sergio, a handsome and likeable chef, the spark is undeniable.

Erik, a lecturer in architecture, inherits his father’s large old house in Hellerup, north of Copenhagen. His wife Anna, a well-known television newscaster, suggests that they invite their friends to come and live with them. In this way she hopes to evade the boredom that has begun to seep into their marriage. Before long, a dozen women, men and children move into the country house, make collective decisions, engage in discussions and go swimming together in the nearby Øresund strait. They also rub each other up the wrong way on account of their smaller and larger idiosyncrasies. Their fragile equilibrium threatens to come undone when Erik falls in love with his student Emma and the young woman moves into the house. Fourteen-year-old Freja, daughter of Erik and Anna, aloofly observes these goings-on and seeks her own way.

When Seung Min was on his first year at the Academy of Architecture, he met Seo Yeon. She was a musician student, and Seung Min totally fell in love with her. Years have passed, and now he meets Seo Yeon again – she asks him to rebuild her father’s old house.

The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The film’s central story ends up being the love story that develops between architecture, artistic inspiration and feelings.

Having previously investigated the architecture of Hitler and Stalin’s regimes, Jonathan Meades turns his attention to another notorious 20th-century European dictator, Mussolini. His travels take him to Rome, Milan, Genoa, the new town of Sabaudia and the vast military memorials of Redipuglia and Monte Grappa. When it comes to the buildings of the fascist era, Meades discovers a dictator who couldn’t dictate, with Mussolini caught between the contending forces of modernism and a revivalism that harked back to ancient Rome. The result was a variety of styles that still influence architecture today. Along the way, Meades ponders on the nature of fascism, the influence of the Futurists, and Mussolini’s love of a fancy uniform.