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Herbert West is totally out of control on campus, sticking his glowing green reagent into every corpse he can find!
An artist gains the power to draw the future and erase the past.
A dedicated student at a medical college and his girlfriend become involved in bizarre experiments centering around the re-animation of dead tissue when an odd new student arrives on campus.
Once again tampering with mother nature to disastrous results, Dr. Herbert West continues his research while serving time in a maximum security prison for his previous exploits. West’s limited prison-cell experiments are suddenly interrupted by the arrival of a new prison doctor and the brother of the girl who suffered from West’s experiments 13 years earlier.
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.
With mesmerizing footage and time lapses of animators at work, this behind-the-scenes special captures the artistry of a unique tale years in the making.
The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou’s interactions with a different animals. It is however unique among Michel Ocelot’s films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).
Horny Teenagers Must Die is an over-the-top homage to ’80s slasher fare with a difference, pitting a tale of sexual intrigue and weekend hedonism against a violent and bloody dead-teens-in-the-woods backdrop. A group of recent high school graduates head out into the woods for a weekend of sex, drugs and booze-drenched debauchery…only to meet their maker at the hands of a demented killer who uses anything from farm tools to sex toys in a non-stop orgy of eye-popping slaughter. Part pitch black comedy, part body count horror, Horny Teenagers Must Die. fuses the narrative structure of the Friday the 13th movies with the caustic wit of Heathers and the gory, anarchic insanity of cult classics like Re-Animator, Street Trash, Cabin Fever and The Evil Dead.
Scottish animators Will Anderson and Ainslie Henderson star in and co-direct this inventive documentary. Albeit framed as a film for Will’s mother, we too are invited to witness how Will deals with the grief of his mother’s cancer. The duo work on their animations and face the frustrations of trying to make this documentary. Whilst alone, Will turns to DOM, the animated cat that lives on his laptop screen.
This Oscar-winning short tells of a bull who preferred to sit under trees and smell flowers to clashing horns with his fellow animals. As luck would have it, an untimely bee reveals Ferdinand’s ferocious side via pained howls and wild stomping. This lands him in the bull-fighting arena amidst characters based on Walt’s animators with a matador reportedly modeled after Walt himself.
Ella Blake, a stop-motion animator struggling to control her demons after the loss of her overbearing mother, embarks upon the creation of a film that becomes the battleground for her sanity. As Ella’s mind starts to fracture, the characters in her project take on a life of their own.
Leroy, Reggie and Cheruce Paloni host a Halloween special full of spooky shorts from a group of up-and-coming animators.
Tragedy + Time + Comedy = Healing. From the immediate aftermath of 9/11 to today stand-up comedians, talk-show hosts, sketch performers, television animators and other entertainers have used often-controversial jokes to unite and heal in the face of tragedy.
More than two decades after catapulting to stardom with The Princess Bride, Robin Wright decides to take her final job: preserving her likeness for a future Hollywood. Through a deal brokered by her loyal, longtime agent and the head of Miramount Studios, her digital doppelganger will be controlled by the studio, and will star in any film they want, with no restrictions. In return, she receives healthy compensation so she can care for her ailing son. Twenty years later, under the creative vision of the studio’s head animator, Wright’s double rises to immortal stardom. With her contract expiring, she is invited to speak at Miramount’s “Futurological Congress”. However, a group of terrorists plot an attack on the convention.
Wallace, a medical school dropout, has been repeatedly burned by bad relationships. So while everyone around him, including his roommate Allan, seems to be finding the perfect partner, Wallace decides to put his love life on hold. It is then that he meets Chantry, an animator who lives with her long term boyfriend Ben. Wallace and Chantry form an instant connection, striking up a close friendship. But there is no denying the chemistry between them, leading the pair to wonder: what if the love of your life is actually your best friend?
There’s only one person who so accurately personifies movie magic in the history of film, and that man is special effects maestro Ray Harryhausen. Focusing on the man behind the landmark effects on films like Clash Of The Titans, One Million Years B.C., Jason And The Argonauts and many more, this in-depth film features interviews with the great man himself, and with an array of animators and directors influenced by his work including Guillermo del Toro, Peter Jackson, Nick Park, Terry Gilliam, James Cameron and Steven Spielberg. The film also features unseen footage of tests and experiments recently uncovered.
Struggling In his freshman year of college, Brandon tries to focus intently on his studies but keeps coming to the same conclusion: dance is his passion. His geeky roommate Nate proposes they start a dance crew, but their search for other freestyle dancers proves fruitless. So they expand their search across town, finding a break-dancer, a performance artist, a Bhangra dancer, an animator, a ballerina, and a ballroom dance mom willing to join the new crew. A national dance battle headlined by Brandon’s previous crew, Levelz, provides the first opportunity for Brandon to prove to himself and his family that he and his crew have what it takes to make it as dancers.
In Late Night Work Club’s 2nd project, animators from around the world come together to create an anthology of animated shorts centered around the theme: Strangers. Released on Vimeo.com.
Oliver Hayes, an aspiring animator whose confidence is at a low point, meets the captivating and impulsive Lily Blush, who encourages him to drop everything and go with her to Northern California in the hopes of fulfilling his fantasy of working for Pixar Animation Studios. As they travel up the coast, Oliver falls deeply in love but upon making certain startling discoveries he must decide if he wants to face reality or stay in dreamworld.
A team of filmmakers take a tour of South America with mural artist and animator Blu, looking to see how his art and mind will be influenced through total immersion in foreign cultures. The team traveled through Mexico, Guatemala, Nicaragua Costa Rica and Argentina, and named the film after those countries. In the director’s words, “What came out was an unscripted film about improvisation, inspiration (and perspiration), innovation, self-exploration and all the other good things in life that end with -ion.”
Death Billiards is one of the four anime works that each received 38 million yen (about US$480,000) from the “2012 Young Animator Training Project.” Just like in 2010 and 2011, the animation labor group received 214.5 million yen (US$2.65 million) from the Japanese government’s Agency for Cultural Affairs, and it distributed most of those funds to studios who train young animators on-the-job. An old and a young man find themselves in a mysterious bar where they have to play a game of billiard. The bet: their lives.
