For over a hundred years, Mărculești was a vibrant Jewish agricultural and mercantile community in Bessarabia (now present-day Moldova). In July 1941, the village was the site of an unimaginable atrocity. Seventy-three years later, few speak honestly or completely about what happened. ABSENT is a cinematic portrait of the ghost village of Mărculești, its current inhabitants, and their very complex relationship to their own history. Filmed entirely on location, the film documents one of Europe’s poorest, most remote, and least-visited places.

The joke’s on absent-minded scientist Wayne Szalinski when his troublesome invention shrinks him, his brother and their wives so effectively that their children think they’ve completely disappeared. Of course, this gives the kids free rein to do anything they want, unaware that their parents are watching every move.

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers’ force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? “Sweetheart, come.” Written by

Hailed as one of Walt Disney’s most hilarious comedies, The Absent-Minded Professor contains two essential elements for laughter – Fred MacMurray and Flubber, his gravity-defying formula for flying rubber!

The town of Liberty has many secrets but the darkest is hidden between twin brothers. Vincent and Oscar Burton are only 10 years old when Oscar finds out his parents are trying to kill him for insurance money. Oscar takes it in to his own hands to protect himself and his twin.

Jonathan Agassi is a superstar in the world of gay porn. He lives the wild life in Berlin and Tel Aviv, where he works in films and live shows and has a second job as an escort. Sex, drugs and rock ‘n’ roll – and all of it in large quantities. But the industry is tough, and behind the confident smile is an insecure boy with an absent father and a very close relationship to his broad-minded mother. The contrast to the superficial success grows and grows, but in the world of porn there is no room for crises. Here, you must deliver the goods, every single time – and every single day. Otherwise you are done. The identity crisis is smouldering, Agassi is floundering and drugs become tempting as an easy way out. But how long can he hold onto himself? Over the course of eight years, and with much mutual trust, the director Tomer Heymann has followed Agassi right up to the culmination of his life’s biggest crisis.

Liang Xi Mei (Jack Neo) is finally back! Having retired, Liang Xi Mei spends her time looking after her two obedient grandsons. However, Liang Xi Mei still leads a colorful life thanks to her absent-minded BFF Guang Dong Po (Wang Lei), who frequently muddles things up, leaving Liang Xi Mei to resolve the mess; and Lion King (Henry Thia) who is now diagnosed with mild Alzheimer’s, causing confusion and frustrations for everyone. Robert (Mark Lee), Liang Xi Mei’s eldest son also adds to her woes. Robert is a dreamer who often schemes to get rich quick. This causes Liang Xi Mei to find him unreliable and puts all her hopes on her youngest son Albert (Benjamin Josiah Tan). Her favoritism stirs up jealousy within Robert, who vows to strike it rich to win back Liang Xi Mei’s approval.

Victor Valance, an absent father and gambler, works with shady casino operations abroad. When he returns to Paris in need of money, he plans to take advantage that Pauline, his eldest daughter now fully responsible for the whole family, has begun to work for the Ministry of Finance. Pauline thwarts his new projects but when she realizes gangsters are looking for Victor she will put her life at risk to help him and save their family.

Ivan Semciuc (a journalist), is a charismatic man nonetheless guilty of cynicism and lack of compassion. A seemingly meaningless sexual encounter with a translator in a hotel room in Kabul produces a vital revolution in Ivan’s unshakeable lifestyle. After Ivan’s arrival back to Bucharest, Ioana is found dead, with her wrists cut. Ivan starts living in the absent presence of Ioana, who is starting to be more vivid in death than in life.

Living alone since her beloved mum died, 12-year-old Georgie fills the flat they shared with her own special magic. But when her absent father Jason turns up out of the blue, she’s forced to confront reality.

On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn’t seen in years. The disheveled and absent friend comes to him with one request: “I need you to come with me but, I can’t tell you where we’re going.” Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew’s nightmare asks how far you would go to help a friend.

Maura Mackenzie (Carolina Bartczak) believes the world is hers to conquer. With her career as a concert pianist gaining momentum, it seems her beauty and talent will be strong enough to mask the demons that threaten to engulf her. But with an absent husband (Chris Jacot) and two young daughters at home, her precarious sanity begins to unravel until one summer day, burning with manic energy, she makes a terrible mistake — a mistake that will change her life forever. The consequences for Maura are catastrophic: her ambitious husband runs for his life, taking the children with him, leaving Maura to lapse into a full-scale breakdown. Life as she knew it is now over. With the help of her father, Ian (Peter MacNeill), Maura works to reclaim her life and waits for a miracle to bring her daughters home. But when the fates align, can the past be forgiven?

Harvie is a smart but a bit too lively boy with one ambition, to finish the last level of his computer game. Once in the Gamers Hall of Fame, his absent-minded father, would finally be proud of him. But finishing the game turns out to be only the start of a real adventure that takes Harvie, his dog Jerry, and his friend Monica deep into the forgotten realms of the city’s old puppet museum.

G.T. Benz, a Viet Nam vet and recent widower, tries to cope with the problems of aging and loneliness — while beset by an aggressive robo-caller. The tedium and aggravations in his life are only relieved by a weekly get-together with his old ‘Nam buddies, ex-fighter pilots like himself. He joyfully looks forward to a promised visit from his long absent daughter, “Tricia,” whom he describes as “my only reason for living.” A poor prognosis from his doctor gives urgency to his desire to see her at least one more time. However, Tricia, unaware of G.T.’s state of health, keeps putting off her visit. Meanwhile, a ‘Nam buddy dies, and the robocalls become more intense. When a manipulative woman emerges from G.T.’s past, his life is thrown into chaos and he is driven to a desperate act.

After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.

A lonely, down-on-her-luck waitress meets a handsome, quirky jewelry store clerk and thinks that maybe, finally, she’s met Mr. Right. The more Molly (Alexis Bledel) gets to know Gus (Zachary Levi), the more she’s intrigued by him. But she’s also mystified. Gus is absent-minded, preoccupied. Is he hiding something? The short answer is: yes. He’s reluctant to share with her that since suffering a brain aneurysm, he’s totally lost his short-term memory. Every day is a brand new day, his life starts anew. Every day he sees Molly he struggles to remember who she is and what she represents. Every day, he has to fall in love with her all over again.

A socially awkward but very bright 15-year-old girl being raised by a single mom discovers that she is the princess of a small European country because of the recent death of her long-absent father, who, unknown to her, was the crown prince of Genovia. She must make a choice between continuing the life of a San Francisco teen or stepping up to the throne.

Set in Harlem in 1987, Claireece “Precious” Jones is a 16-year-old African American girl born into a life no one would want. She’s pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother, an angry woman who abuses her emotionally and physically. School is chaotic and Precious has reached the ninth grade with good marks and a secret–she can’t read.

James Stewart plays aeronautical engineer Theodore Honey, the quintessential absent-minded professor: eccentric, forgetful, but brilliant. His studies show that the aircraft being manufactured by his employer has a subtle but deadly design flaw that manifests itself only after the aircraft has flown a certain number of hours. En route to a crash site to prove his theory, Honey discovers that he is aboard a plane rapidly approaching his predicted deadline.

After many years away, Ariel is summoned by his distant father to his childhood home in the bustling Jewish quarter of Buenos Aires, known as El Once. Over the course of seven days, during the vibrant holiday of Purim, Ariel seeks to reconnect with his father, who runs a Jewish charity and is regarded as a big macher in the close-knit community, but was frequently absent due to his obligation to fulfill the Jewish quorum of having 10 men present at all funerals.

After his eldest son is murdered in a gangland hit, an absentee father desperately tries to protect what’s left of the shattered family he abandoned.

Although he is only ten years old, Jack is responsible for himself and his little brother Manuel and this fills him with pride. Their single mother works during the day and often goes out at night. There’s no father in sight. One day, Manuel burns himself with boiling hot water while bathing and Jack is blamed for the incident. It’s reason enough for social services to put him in a home where he is dreadfully homesick. He soon gets into trouble and bolts, heading for home. He arrives back, only to find his mother is once again absent. Jack and Manuel roam the city in search of her. They sleep in parks and in an underground car park, run away from the police and encounter adults, some of whom help and others who are indifferent.

Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film’s plot.

Convicted felon Max Truemont (played by Josh Holloway) is hired to execute a kidnapping of the son of one of the richest women in the state. Along with his fiancée Roxanne (played by Sarah Wayne Callies), Max joins two other strangers who were also hired by the same absent mastermind behind the kidnapping.

A haunting and powerful psychological thriller. Set in icy upstate New York in the winter of 2002, “After” is about the Valentinos, a middle class clan facing financial hardship–their family stone cutting business is slowly failing–and coping with the usual rivalries and resentments that affect all but their absent daughter, Samantha, who has recently escaped Rochester for a new life in lower Manhattan. At their center is matriarch Nora (Quinlan), whose cheerful exterior masks an emotional fragility of which the entire family is painfully aware and fiercely protective. But, their delicate balance is threatened by a carefully concealed secret that, once revealed, will change their lives forever.

Aaron’s lonesome life is thrown into adulthood when his little brother Jared surprises him with a post-graduation visit. Hoping to reconnect with their absentee father, Jared enlists Aaron’s assistance discovering his current whereabouts. Throw in a dropped phone number and some awkward matchmaking with an actual, responsible grown up named Amanda, the definition of love and what it means to be family slowly come into focus.