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Six years in the making, this documentary film follows outspoken indie-rock hero Bob Forrest, through his life-threatening struggle with addiction, to his transformation into one of the most influential and controversial drug counselors in the US today. BOB AND THE MONSTER crafts contemporary footage, animation and compelling interviews with archival performances and personal videos from Bob’s past to reveal the complex layers of this troubled, but hopeful soul. Testimony from his peers, including Courtney Love, Anthony Kiedis and Flea add texture, but it’s the depth of Bob’s music, interwoven throughout the film, that illuminates this unforgettable and inspirational story.
Miles Carter, a successful Investment Banker, seemingly has it all: a great job, a beautiful fiance, and a loving family. However, his life takes a dark turn when he receives a mysterious text: ‘I need you to do something or someone close to you will die.’ Dismissing it as a prank, Miles ignores the message. But when more threats follow, and his loved ones become victim of mysterious crimes, Miles is thrust into a race against time to uncover the truth. Could it be a resentful former colleague seeking revenge for a job loss, or perhaps a disgruntled neighbor seeking retribution for financial losses? Miles must untangle a web of deception before it’s too late.
It’s the summer before 6th grade, and Clark is the new-in-town biracial kid in a sea of white. Discovering that to be cool he needs to act ‘more black,’ he fumbles to meet expectations, while his urban intellectual parents Mack and Gina also strive to adjust to small-town living. Equipped for the many inherent challenges of New York, the tight-knit family are ill prepared for the drastically different set of obstacles that their new community presents, and soon find themselves struggling to understand themselves and each other in this new suburban context.
There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.