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Young businesswoman Elyse Samford’s life takes a turn when she inherits Samford Candy, a multi-billion dollar corporation, from her retired father. A trademark infringement lawsuit against a rival company brings Elyse to Higgins Attorneys and Sons, where Rob Carelli, a young, too-nice-for-his-own-good lawyer, is bullied by his boss, firm founder Carter Higgins, and his two arrogant sons. Despite his workplace woes, Rob becomes instantly smitten with Elyse. With Halloween just around the corner, Elyse invites the Higgins law firm staff to an opulent masked Halloween costume ball. Rob obeys an order to remain in the office working that night, but has a change of heart when his spunky, 12-year old niece Ruby, convinces him to attend the ball wearing a prince costume. After a magnificent waltz and magical exchange with the handsome “prince,” Elyse yearns to locate this mysterious man and hopefully find the romance her life has been missing.
Maggie and Jack are childhood family friends and now as adults give dating advice together on their popular local radio show. When they find out their show is being shopped around for national syndication, their boss encourages them to introduce their significant others to their families for a live, on-air New Year’s Eve special. Knowing their fathers’ local jazz club, The Magnolia, is struggling financially, Maggie and Jack agree to the special as long as it’s hosted at the club. But when Maggie and Jack are both dumped before the big event, Jack suggests they pretend to be a couple and surprise their listeners with the news during a midnight kiss on New Year’s Eve!
In Mexico City, the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services.
The photographer Leon lives with his girlfriend and waitress Maya waiting for a chance to get in the photo business. When Maya contacts their friend Jurgis, he schedules a meeting for Leon with the successful owner of arts gallery Susan Hoff; she analyzes Leon’s work and asks him to improve the quality of his photos. During the night, the upset Leon decides to wander on the streets taking pictures with his camera, and he follows three punks down to the subway station; when the gang attacks a young woman, Leon defends her and the guys move on. On the next morning, Leon discovers that the woman is missing. He goes to the police station, but Detective Lynn Hadley does not give much attention to him and discredits his statement. Leon becomes obsessed to find what happened with the stranger and he watches the subway station. When he sees the elegant butcher Mahogany in the train, Leon believes he might be a murderer and stalks him everywhere, in the beginning of his journey to the darkness.
This 1960 thriller, set in London, stars Doris Day as a wife who begins to unravel when she receives threatening telephone calls informing her she’s soon to be murdered.
Billy Hayes is caught attempting to smuggle drugs out of Turkey. The Turkish courts decide to make an example of him, sentencing him to more than 30 years in prison. Hayes has two opportunities for release: the appeals made by his lawyer, his family, and the American government, or the “Midnight Express”.
They say the cobbler’s children go barefoot, but must the matchmaker’s children go motherless? After their widower father moves to a new town and sets up a computerized matchmaking business, two girls set out to find a stepmother. They create a dating application in the company computer for him. Then they cull through all new women applicants to hand pick the perfect woman for him and force the computer to match them. They don’t know the woman they picked is the proprietor of the old-fashioned matchmaking service in town who is planning to prove the computer matching is incompetent.
Based on the real-life Richard Speck murders, amoral, nearly psychotic killer Warren Stacey (Gene Davis) is a serial killer who has murdered a number of women; he stabs them while they are naked to minimize leaving any physical evidence. Police detective Leo Kessler (Charles Bronson) is convinced of Stacey’s guilt and, over the objections of his partner, plants evidence to get him behind bars. When Stacey is released on a technicality, he threatens to go after Kessler and his family, leaving Kessler to defend himself against a killer with little help from the police.
Ben Stiller plays comedy writer Jerry Stahl, whose $6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl explores memories with survivor Kitty, who listens patiently to Stahl’s flashback. Other women in Stahl’s life are his British wife Sandra and his agent Vola.
Most comedians are tortured artists and there are few more tortured than Artie Lange. The 46-year-old veteran comic, former Howard Stern Show star and two-time best selling author has been to hell. But he’s come back, albeit scathed both physically and psychologically, over the last few years. The culmination of Lange’s storied return to the stage takes form Oct. 18 at midnight on Comedy Central, when Artie Lange: The Stench of Failure premieres.
MIDNIGHT SON is the story of Jacob, a young man confined to a life of isolation, due to a rare skin disorder that prevents him from being exposed to sunlight. His world opens up when he meets Mary, a local bartender, and falls in love. Tragically, Jacob’s actions become increasingly bizarre as he struggles to cope with the effects of his worsening condition. Forced by the disease to drink human blood for sustenance, he must control his increasingly violent tendencies as local law enforcement narrow their focus on him as a suspect in a series of grisly murders.
For the first time in more than 3 decades, this reclusive artist lets a camera into his life in this amazin opportunity to meet the mysterious man behind the guitar. Ina series of candid interviews, Cale describes his childhood and his wild years in psychedelic California. Cale also shares his insights about his influences, songwriting, success, life on the stage and on the road – all interlaced with outstanding live performances, archival footage, interviews with band members and friends, and awe-inspiring images of American landscapes. Eric Clapton appears in some performance footage. While credited with such hits as “After Midnight,” “Same Old Blues,” and “Cocaine,” Tulsa-pioneer J.J. Cale has never been one to accept the limelight. Hiding from the press, Cale emerges here for the first time in three decades for an extensive documentary filled with music and revealing interview material.
In the spring, male student Makoto Yuki transfers to Gekkoukan High School. However, as he heads to his new dormitory, listening to the music on his headphones, he is stopped. More precisely, time has stopped, and the people who were around him turn into coffins. Makoto learns that this period of time hidden between the minute of midnight is called the Dark Hour, a time when monsters called Shadows appear. Suddenly made the leader of his fellow classmates Yukari and Junpei by his upperclassmen Mitsuru and Akihiko, Makoto must learn empathy, his connection to his comrades, and the meaning of death. With the power of his Evoker aimed at his head, Makoto fights against the Shadows threatening to attack his world from the mysterious tower of Tartarus.
In a cursed town, the annual harvest becomes a brutal battle for survival. On Halloween 1963, Sawtooth Jack, a terrifying legend, rises from the cornfields, threatening the town’s children. Groups of boys unite to defeat the murderous scarecrow before midnight. Richie, a rebellious outcast, joins the run, motivated by his brother’s previous victory. As the hunt progresses, Richie makes a shocking discovery and faces a pivotal choice to break the relentless cycle.
The tale of satanic vampire sorceress Eva, whose sexually-charged midnight rituals are interrupted when God-fearing local villagers burst into her lair and murder her. A century later, motorcycle-riding writer Lisa moves into the same cabin where Eva was executed, with the intent to write a book about the supposedly haunted spot’s history. Soon, Lisa is having vivid, perverse dreams and slowly, surely, Eva begins taking over the young woman, using her body as a vessel to commit even more atrocities in the name of resurrecting an ancient monster from the underworld.
12 Dates of Christmas is a romantic comedy that follows Kate (Amy Smart), a young woman who re-lives the same first date on Christmas Eve over and over again. In an attempt to win back her ex-boyfriend on Christmas Eve, Kate ends up ruining her blind date with Miles (Mark-Paul Gosselaar), a handsome guy she’s been set up with. In a strange twist of fate, Kate is given the chance to re-live Christmas Eve twelve times! Kate decides to embrace what Christmas Eve has given her — a loving family, great friends and Miles, who turns out to be a great guy! However, just as she seems to think she has gotten it right, the clock strikes midnight and Kate must live Christmas Eve once again. Under these weird new circumstances, Kate learns to take risks and enjoy what she’s been given. Thanks to the gift of Christmas Eve, Kate finds happiness by finally trusting fate.
Detectives Jonas and Erik are called to the midnight sun country of northern Norway to investigate a recent homicide, but their plan to arrest the killer goes awry, and Jonas mistakenly shoots Erik. The suspect escapes, and a frightened Jonas pins Erik’s death on the fugitive. Jonas continues to pursue the killer as he seeks to protect himself; however, his mounting guilt and the omnipresent sun plague him with an insomnia that affects his sanity.
John Hall is a drifter who wanders into a small town in Maine. He needs a job and decides to seek employment at the community’s top business: a large textile mill. He is hired to work the “graveyard shift” — from around midnight to dawn — and, along with a few others, he is charged with cleaning out the basement. This task strikes the workers as simple enough, but then, as they proceed deeper underground, they encounter an unspeakable monstrosity intent on devouring them all.
1920, rural Ireland. Anglo-Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; and if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother – and with the curse that haunts them.
Ji-yeon, a tollgate ticket girl, is frightened by a mysterious black car, which pays a bloodstained ticket fee at midnight. Her fear deepens after her colleague, Jong-sook, tells her that 12 years earlier a prisoner transport vehicle caused a traffic accident wherein all the prisoners involved died – and some of the corpses disappeared. Afterwards, a murder occurred near the tollgate on February 29th every four years. Soon, odd events become increasingly frequent, usually involving a doppelganger of Ji-yeon. When Jong-sook is killed on the fateful February 29th, Ji-yeon – with the help of two detectives – starts looking into matters herself.
The lives of four twenty-somethings collide one fateful New Year’s Eve in this twisty, blackly comic crime thriller set amidst the ancient walls of Derry, Northern Ireland, in a night of fast talk, accidents and intrigue. Johnny, a small-time crook, and Marie, a dissatisfied shop assistant, are both looking for a fresh start. Greta is on the verge of taking her own life and Pearse has a bounty on his head for asking difficult questions about his missing brother Eddie Kelly. As the clock ticks down to midnight and the night’s events expertly fall into place, Jump weaves an existential portrait of the characters’ lives as their hopes, fears and secrets are revealed
Various citizens of Toronto anxiously await the end of the world, which is occurring at the stroke of midnight on New Year’s Day. While widower Patrick Wheeler braces for his fate, he meets Sandra, the wife of a businessman who is intent on committing suicide. Meanwhile, Patrick’s friend Craig decides to have as much sex as he can while there is still time.
