A seasoned team of bank robbers, including Gordon Jennings (Idris Elba), John Rahway (Paul Walker), A.J. (Hayden Christensen), and brothers Jake (Michael Ealy) and Jesse Attica (Chris Brown) successfully complete their latest heist and lead a life of luxury while planning their next job. When Ghost (Tip T.I. Harris), a former member of their team, is released from prison he convinces the group to strike an armored car carrying $20 million. As the “Takers” carefully plot out their strategy and draw nearer to exacting the grand heist, a reckless police officer (Matt Dillon) inches closer to apprehending the criminals.

A temporary house for abandoned children near the front line in eastern Ukraine is run by a small group of social workers determined to provide comfort and safety. It may be humble and somewhat run-down, but this house is filled with love and offers up to nine months of refuge to kids whose fate will be determined by the system. During this short time, the caretakers try to nurture within them a sense of stability and normalcy.

An eccentric professor takes four of his students to the mansion of the “Mad Hatter”, an urban legend driven insane by mercury poisoning and grief. He says that there’s nothing to worry about now: the strange, shambling “caretakers” that haunt the home are merely servants that have fallen to inbreeding, and the Hatter himself has been dead for years. But as the students start disappearing one by one, those that remain start to question if the professor’s experiment is truly scientific…and if the Hatter didn’t just succumb to his madness, but decided to spread it…

On a school trip at the local museum, class troublemaker Scott Collins experiences a bizarre psychic connection with one of its artifacts – a skull. The creepy skull allows him to for-see his grandmother’s death. Of course, nobody believes him, passing it off as one of his usual tales. But after gran dies suddenly, his younger sister, Trish, for whom he shares a mutual contempt, is stunned to learn that her brother’s premonition was true. With both parents out of work and their house on the verge of foreclosure, Scott, still affected by the powers of the skull, convinces his family to accept employment as caretakers for a large Victorian house in the countryside. When they arrive they meet the owner, Trelawney, a seemingly normal man with one exception – he has the ability to speak to Scott telepathically. Scott soon discovers that the cursed skull holds the key to both of their futures.

Molly (Martha O’Driscoll), her brother, Slats (Abbott), and his pal, Oliver (Costello), are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby’s progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school’s mortgage if Molly isn’t expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud’s nephew Lon admires Hud’s cheating ways, though he soon becomes too aware of Hud’s reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He’s a cheat, but, he explains, “I always say the law was meant to be interpreted in a lenient manner.”

In 1943, in a circus tent in Burbank, CA, a bunch of revolutionary thinkers first gathered together in secrecy to build America’s first jet fighter. They were rule benders, chance takers, corner cutters-people who believed that nothing was impossible. I

A mind-bending thriller set in Portland, Oregon about an unspoken tragedy and its effects on a house, its temporary caretakers and the owners, a classical music critic and his wife on a recuperative trip to Italy.

Jed Clampett and kin move from Arkansas to Beverly Hills when he becomes a billionaire, after an oil strike. The country folk are very naive with regard to life in the big city, so when Jed starts a search for a new wife there are inevitably plenty of takers and con artists ready to make a fast buck

An emotionally and sexually charged journey through the love, addiction, and friendship of two men. Documentary filmmaker Erik and closeted lawyer Paul meet through a casual encounter, but they find a deeper connection and become a couple. Individually and together, they are risk takers—compulsive, and fueled by drugs and sex. In an almost decade-long relationship defined by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries and dignity and to be true to himself.

As not-quite-orderlies who’re downright Disorderlies, rap-music favorites The Fat Boys rule. Playing the freewheeling caretakers of the frail Dennison (Hollywood legend Ralph Bellamy), they stir up a comedic culture clash in Palm Beach society that only proves laughter is the best medicine this side of a tax refund.

In Bombay’s seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.