Director Daniel Petrie’s riveting drama stars Sally Field in an Emmy-winning turn as New York City teacher Sybil Dorsett, who has developed multiple personalities as a result of physical and emotional childhood abuse. To blot out memories that continue to haunt her, Sybil manifests at least 16 distinct personas. Joanne Woodward portrays the compassionate psychiatrist who helps Sybil come to grips with her harrowing past.

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Sybille, a divorced mother, who refuses to accept that her 18-year-old son, Samuel, is sinking into violence. Prey to her own past and present demons, she decides to take Samuel on a long trip to Kyrgyzstan. Accompanied only by their two horses, mother and son go on an adventure where they will face the dangers and surprises of nature, which is spectacular, hostile and beautiful. Beyond encounters with the Kyrgyz people, the trip will provide the opportunity for an inevitable confrontation…

Christine gets her big chance at modelling when she applies at Sybil Waite’s agency. Together with Christine’s sister Betty they go to a castle for the weekend for a photo shoot. Sybil has lured Christine to the castle for more than modelling: she is recruiting a virgin for induction into a witch’s coven, led by the owner of the castle, Gerald. To their surprise, Christine is more than eager to join the coven, but begins her own secret battle for control.

After writing a tell-all book about her days in the dance troupe “Barry Nichols and Les Girls”, Sybil Wren is sued for libeling her fellow dancer Angele. A Rashômon style narrative presents the story from three points of view where Sybil accuses Angele of having an affair with Barry, while Angele insists that it was actually Sybil who was having the affair. Finally, Barry gives his side of the story.