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Suzanne Joe Kai’s intimate documentary shows us how the Rolling Stone writer and editor defined the cultural zeitgeist of the ’60s and ’70s.
A psychological thriller surrounding the real murders of Manfred and Marísia von Richthofen orchestrated by their own daughter, Suzane, along with her boyfriend and brother-in-law, the Cravinhos brothers.
Suzanne Cruz’s perfect life of a mother, wife, and lawyer is shattered by Cassie, who vows revenge on the lawyers who destroyed her family when she was a girl. Suzanne must learn who is tearing her life apart before Cassie comes in for the kill.
Follows Suzanne McBride and her three adopted daughters, this looks like a great time for a family reunion, but the sisters are each wrestling with unique challenges that threaten to derail this special occasion.
A portrait of youth in bloom; a tale of one family’s dissolution; a reflection upon the danger and the mystery in living. Sandrine Bonnaire plays Suzanne, a free spirit and the vessel for an almost Brontëan choler. She’s 16, and men exist — diverse lovers, an overbearing brother, and the father portrayed by director Maurice Pialat himself in an unforgettable turn that displays the full magnitude of the cinema giant’s tenderness, force-of-will, and presence of being.
Newlyweds Nick and Suzanne decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor with a bizarre approach to business.
The fledgling romance between Nick, a playboy bachelor, and Suzanne, a divorced mother of two, is threatened by a particularly harrowing New Years Eve. When Suzanne’s work keeps her in Vancouver for the holiday, Nick offers to bring her kids to the city from Portland, Oregon. The kids, who have never liked any of the men their mom dates, are determined to turn the trip into a nightmare for Nick.
Suzanne Waters (Karen Abercrombie) has just passed the baton as the principal of the local high school. Having spent a lifetime teaching life lessons, the journey into retirement is about to bring her one of her greatest lessons. Her lesson plan will come from a troubled young man, Eli, as she invests in his life. Suzanne also becomes a first-time grandmother, and the new life of the baby brings renewed hope to the family as each member discovers their core value in God’s path for their lives. As Suzanne reflects back on her life of faithfulness, we are reminded that there are no accidents in God’s Kingdom, no chance meetings, no purposeless steps taken.
“Muffin Top: A Love Story” is the story of Suzanne (Cathryn Michon) a Women’s Studies Pop Culture professor at Malibu University, who studies images of women in the media for a living, and yet is made insecure by the constant parade of female perfection that is our airbrushed culture. She has been going through IVF treatments to get pregnant by her network executive husband (Diedrich Bader), but discovers on her birthday, that her husband has knocked up his younger, skinnier, co-worker (Haylie Duff) and wants a divorce. Happy Birthday! She goes on to find a more authentic version of who she really is, despite the delights of being suddenly single in Los Angeles, where low self-esteem for women is our number one export to the world.
Nightmares of the past haunt the beautiful, mysterious Olivia (Suzanna Love), a London resident who begins a passionate affair with American businessman Mike (Easy Rider’s Robert Walker, Jr.). Trapped in a loveless marriage and traumatized by memories of her mother’s brutal murder, Olivia hopes her lover will offer a chance at a new life. However, ghostly voices and brutal murders ignite a fiendish, twist-filled story of double identities, deception, and erotic terror.
When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of the situation, collects the money and runs. During his getaway, things go wrong, and soon get worse when he runs into the real hitman, Lyle.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother’s shadow, and who finds her mother still treats her like a child. Despite these problems – and further ones to do with the men in in her life – Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too.
TRU, 37, is a serial bed-hopping lesbian who cannot commit to a relationship or a job for long…that is, until she meets ALICE, 60, a beautiful widow, who has come to town at the last minute to visit her daughter, SUZANNE, 35, a too-busy corporate lawyer and Tru’s friend. Alice and Tru begin to forge an unlikely friendship…and more. Suzanne, who has a deeply conflicted relationship with her mother and a complicated past with Tru, becomes increasingly alarmed at the growing bond between Tru and her mother. Tensions escalate after Suzanne witnesses an intimate moment between them. She tries to sabotage the budding romance, but it backfires, as Tru Love is hard to contain.
When Suzanne Stein has a genetic analysis done on her unborn child, she discovers that although she has a healthy baby, the child will most likely be born gay, like her brother, David. She must decide whether to keep the child, or to have an abortion. Her family enters a crisis about love and acceptance as she makes this difficult choice. Written by Phil Fernando
Daughters of the Sexual Revolution is the never-before-told story of Suzanne Mitchell, the fiercely-loyal den mother of the original Dallas Cowboys Cheerleaders.
Newly engaged, Thomas meets his future father-in-law Gilbert, who has been married for 30 years to Suzanne. Disillusioned Gilbert is convinced that his marriage has meant he’s missed out on life. He persuades Thomas not to marry his daughter Lola and encourages him to drop everything else in his life as well. The two men then throw themselves into a new brats’ life full of adventure, convinced that freedom is elsewhere. But at what cost do we rediscover our adolescent dreams?
Forty-something Pierre is serving a fourteen year prison sentence. His mother, who is approaching eighty, visits him every week. Suzanne, Pierre’s current wife, has moved on since he was sent away. Each character gives us a frank account of a period in their lives that seems suspended in time by the fragile connection between life on the inside and the world outside. Their destinies are linked by crime, guilt and loneliness, and like casualties of love and desire, they are dying to stick their heads above the water and breathe the air of life.
Suzanne, a single parent and succesful lawyer, returns home to find her daughter missing. About to call the police, she is confronted by a disembodied voice warning her that if she attempts to leave or seek help, her daughter will die. Suzanne discovers she is being monitored through surveillance cameras operated by the tyrannical voice. The voice informs her that in order for her daughter to live, Suzanne must commit suicide. In a race against time Suzanne must think of a scheme to get a message to the outside world…
Paris, in the early 1960s. Jean-Louis Joubert is a serious but uptight stockbroker, married to Suzanne, a starchy class-conscious woman and father of two arrogant teenage boys, currently in a boarding school. The affluent man lives a steady yet boring life. At least until, due to fortuitous circumstances, Maria, the charming new maid at the service of Jean-Louis’ family, makes him discover the servants’ quarter on the sixth floor of the luxury building he owns and lives in. There live a crowd of lively Spanish maids who will help Jean-Louis to open to a new civilization and a new approach of life. In their company – and more precisely in the company of beautiful Maria – Jean-Louis will gradually become another man, a better man.
