In Black Friday Subliminal, an action packed suspense thriller from Robin Troja Films and the subconscious of Chauncey D. Henry, Esq., when an African-American NYPD officer adopts a fallacious disregard of the conspicuous, he becomes consumed by more than meets the eye.

Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.

Flint is again called out of retirement when his old boss finds that he seems to have missed 90 seconds while golfing with the president. Flint finds that the president has been replaced by an actor (Flint’s line [with a wistful look] is “An Actor as President?”) Flint finds that a group of women have banded together to take over the world through subliminal brainwashing in beauty salons they own.

Before eleven years old Tilda’s parents can put her beloved grandfather in an old people’s home due to his progressing Alzheimer disease, she takes him on one last adventure that subliminally threatens to tear her family apart.

A documentary that argues that many pieces of Catholic religious art have for hundreds of years contained embedded (subliminal) images that have promoted sex, violence, and the degradation of the Church.