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Cal Weaver is living the American dream. He has a good job, a beautiful house, great children and a beautiful wife, named Emily. Cal’s seemingly perfect life unravels, however, when he learns that Emily has been unfaithful and wants a divorce. Over 40 and suddenly single, Cal is adrift in the fickle world of dating. Enter, Jacob Palmer, a self-styled player who takes Cal under his wing and teaches him how to be a hit with the ladies.
Well-intentioned, eternally bumbling Ernest P. Worrell accidentally releases an evil demon from its sacred tomb. As the demon flexes its power and goes on a ruinous rampage, good-guy Ernest tries to step in to save the town from mass destruction. Trouble is, a 200-year-old curse has scared Ernest stupid, and that means hilarity all around! So, kick back and let the laugh-ridden adventures begin.
An incredibly dull-witted family unknowingly stumble upon an illegal weapons deal while on the trail of their “stolen” garbage.
A jealous piano teacher Orville Spooner sends his beautiful wife, Zelda, away for the night while he tries to sell a song to a famous nightclub singer Dino, who is stranded in town
The National Lampoon name became globally recognized after the monumental success of Animal House—but before the glory days, it was a scrappy yet divinely subversive magazine and radio show that introduced the world to comedic geniuses like Bill Murray, Chevy Chase, John Belushi, and Gilda Radner. The driving force behind National Lampoon was Doug Kenney (Will Forte), and his truly wild and crazy story unfolds in A Futile and Stupid Gesture from Harvard to Hollywood to Caddyshack and beyond.
The Age of Stupid is the new movie from Director Franny Armstrong (McLibel) and producer John Battsek (One Day In September). Pete Postlethwaite stars as a man living alone in the devastated future world of 2055, looking at old footage from 2008 and asking: why didn’t we stop climate change when we had the chance?
My Stupid Boss recounts the story of an absurd boss and his employees. Bossman (Reza Rahadian) is an Indonesian who owns a company in Kuala Lumpur. A large but disorganized company. The culprit for the disarray in the organization is the bossman himself. His first principle of management is that Bossman Is Always Right. Which means whatever the Bossman fancies, he’ll get it done. And that is his following principle: Impossible We Do Miracle We Try. In the midst of this is Diana, the Bossman’s secretary, who has to juggle at every turn with the odds that never seem to add up in the company. Diana’s daily confronted with her boss’s antics and her patience and good sense are all put to the test.
In the German comedy Jagdsaison, a wellness weekend for three friends is in danger of derailing: Marlene is in a serious midlife crisis and is looking for a sex date. She accompanies the divorced Eva and her ex-husband’s new wife to protect them from stupid things. Unfortunately, the three seem to attract chaos almost magically.
Every town on Discworld knows the stories about rats and pipers, and streetwise tomcat Maurice leads a band of educated rodent friends (and a stupid kid) on a nice little earner. Piper plus rats equals lots and lots of money. Until they run across someones playing a different tune. Now Maurice and his rats must learn a new concept: evil…
It’s been described as “brave, daring, and courageous” by our friends and “stupid, dangerous, and foolish” by our parents, but we’d like to believe that ‘The Slow Ride Home’ is much more than just a crazy idea; it’s a microcosm of what we all need a little more time with – slowing things down and challenging yourself to accomplish something that once seemed impossible… like riding scooters across the country in 11 days. This adventurous and often hilarious film documents the story of eight Soldiers of Destiny Scooter Club members as they traverse from the white sand beaches of FL through some of the most beautiful – and sometimes most desolate – pockets of the United States.
Australia’s favourite double act Colin Lane and Frank Woodley have reunited to create the comeback masterpiece FLY. No more stupid silly nonsense, it’s time to make THEATRE! An epic show about the history of aviation, no less. There is no reason whatsoever to think this will go as planned.
The Big Bad Fox recounts the misadventures of a young clumsy Fox and a feisty little red Hen. The Fox, both a little stupid and naïve, tries daily to devour the little Hen, without success. Tired of the repeated humiliation, the Fox is persuaded to steal the Hen’s eggs to raise and then eat. This plan seems perfect, until the moment the chicks hatch…
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.
Seven disgusting kids but nevertheless of interesting personality are being made of the green mud coming out of garbage can. Once alive their master gives them rules to obey although they think that life is funnier without following stupid regulations like no television or no candy. Naturally this will cause some conflicts.
Four loser gangsters devise a scheme that is eviously ingenious (or profoundly stupid): to disguise a minibus as a police vehicle to rob cross-border rucks that carry human carcasses with money inside. The ploy kicks into action one evening in the New Territories, and the plot thickens with spooky and deadly encounters, including one with an identical police car – also a fake, but manned by killer gangsters who are after the same dead bodies.
Lloyd and Harry are two men whose stupidity is really indescribable. When Mary, a beautiful woman, loses an important suitcase with money before she leaves for Aspen, the two friends (who have found the suitcase) decide to return it to her. After some “adventures” they finally get to Aspen where, using the lost money they live it up and fight for Mary’s heart.
In this comedy, Atouk becomes leader of the misfit cavemen. Disgraced and cast out of his tribe for lusting after Lana, the mate of tribe’s head muscle man, Atouk stumbles along gathering other misfits and learning a bit about the world outside of his cave. Eventually he and friends Lar, and Tala learn the secrets of fire, cooked meat, and how to defend themselves from the brutal, yet very stupid
Brian Regan is back in his second all-new Comedy Central special, “The Epitome of Hyperbole.” Watch as he exposes the truth behind psychics, discusses the stupidest crimes, and offers his suggestions on how to improve the opera. With his easygoing manner and physical brand of humor, it’s clear why Brian Regan is one of today’s most respected comedians.
After the unexpected death of his best friend, a man examines his life and finds it incredibly lonely. Inspired by an encounter with a beautiful and sexy model, he embarks with his three friends on what turns out to be a crazy (and slightly stupid) endeavor on a path towards fulfillment.
A businessman shows up in Washington to lobby agendas that are friendly to his construction plans. His ditsy ex-showgirl bimbo proves to be an embarrassment in social situations, so he hires a reporter to teach her how to appear more intelligent. Soon it becomes apparent to the reporter that she isn’t so stupid after all, and things become more complicated as she begins questioning the papers her sugar daddy keeps getting her to sign, and the reporter begins falling in love with her.
The “Tucci” are a poor Italian family living in a small village in Lazio. Father, mother, a conceited daughter and a genius son, forced to pretend being stupid to keep up with the family. One day something unexpected happens: the family wins one hundred million Euros. Excited, they decide to keep the winning a secret, but as soon as a single word slips out from the mouth of the householder, they only have one choice to avoid being persecuted by friends and acquaintances: run away. They leave at night, heading to Milan. They will realize as soon as they arrive that today’s rich people behaves very differently from the past, and being rich has become a real bother… this discovery will make things way different from what Tuccis’ expected.
It’s Tim Vine recorded live doing what he does best, peppering gags at a defenseless audience. Armed with an arsenal of rapid fire one-liners, a bag of cheap props and a pocket full of stupid ditties. Watch Tim in full flight…. resistance is futile.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
Stagknight is derived from the uncensored lusty straight-to-Drive-In horrors of the 70’s and 80’s, I Spit on your Grave, The Beast, Samurai Assisan, movies that spawned the mighty Evil Dead, American Werewolf in London, later Aliens. Set deep in dark mythical English woods Stagknight presents a uniquely stupid look at this genre through the cracked “Weekend Warriors” paintball team. This is mansville not boytown on a blow-out bachelor paintball weekender bender of dirty tricks, hot babes and truly splatter-tastic medieval kills to die for.
Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid
Fifteen stories, contemporary and some historical, where humorous, sarcasm and courage passed bills to pain, old age, death and love, but above all with human stupidity, without concessions, watching her face the difficult life balance and human misery.
Two families, Sebkovi and Krausovi, are celebrating christmas, but not everyone is in a good mood. Teenage kids think their fathers are totaly stupid, fathers are sure their children are nothing more than rebels, hating anything they say. Written by Antonín
Stupid Young Heart is a story about the first love of lightly built, carefree Lenni and gorgeous and popular Kiira. Not yet even properly in a relationship, they discover that they are expecting a baby, and decide to keep it – partly as a statement to their families who have lost touch with what goes on in the teenagers’ lives. Lenni then has nine months to become a man. Having grown up without a father figure, Lenni receives some yearned for adult attention from an unlikely friend; 40-year old Janne, a member of a right wing activist group. After taking part in a scrambled attack on a local Mosque, while Kiira is rushed to the hospital to give birth, Lenni realises that he can be a man in his own way, even if he never had a chance to be a child himself.
