Bounced from her job, Erin Grant needs money if she’s to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she’ll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.

As Zipper’s Clown Palace (a strip bar) closes, Neil wanders in and decides to hold the dancers, bartender, and remaining customers hostage. He torments them with little tasks he wants performed, playing on their weaknesses and relying on his gun for intimidation. Eventually the hostages begin formulating plans to thwart his control. Meanwhile, two policemen are observing the outside of the strip joint, realizing that something’s wrong and trying to decide if it’s worth ruining their buzz to intervene.

The Pinup Dolls are a hot retro act who put the tease back in striptease. But when an old friend (Suzi Lorraine) hires them to put on a show at a secluded campground, the girls find themselves being stalked by a homicidal maniac with a sick obsession with ice. As they’re hunted one-by-one, they soon realize they’ll have to rely on more than just their looks to survive this nightmare named Moe.

A sequel movie to The Diary (1999). The movie succeed to replicate the 30’s, between the two world war, between Paris and London. Anna (Lila Baumann) arranges Dr. Cristina Inger, a female physician for her paralyzed husband’s treatment and she joins the shows at nightclubs as a stripteaser and prostitute to pay her. Husband is cured but fell in love with Dr. Cristina.

Gorgeous IRA operative Maria flees the British authorities and finds herself in Mexico, where she meets a stunning woman also named Maria, a singer in a traveling circus. The new friends start a vaudeville act — one that grows exponentially more popular after they incorporate striptease into their routine. When the singer Maria falls for a charismatic Mexican rebel, the girls leave the circus behind and recreate themselves as wild-eyed revolutionaries.

Four performers in the neo-burlesque scene in New York City discover a new identity and belonging in a world of bawdy comedy and striptease. However, they find that this community does not insulate from the harsh reality of life in the city.

Léa lives in Le Havre, where she attends college whilst taking care of her elderly grandmother. To make ends meet, she works as a waitress in a night club. Her admittance to the Institute of Political Studies in Paris offers her new opportunities, but at a high price. Léa finds work as a striptease artist, so that each evening she can put into practice the theory of economic liberalism which she learns by day…