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Clark doesn’t care about you. He doesn’t care about the world. He barely cares about himself. But after an incident with an old bowl of spaghetti and a malfunctioning microwave, he becomes a superhero that can fight crime with the power of spaghetti. However, you have to pay him.
From the secret to his successful marriage to his dad’s spaghetti sandwiches, comedian Steve Treviño riffs on family life in this upbeat stand-up special.
Part of the Wu Tang Chess Boxing Collection, Seven Commandments stars Li Yi Min as the protege of Chang Yi, who teaches him the seven commandments of combat. However, Li breaks with his master when he learns of Chang’s dedication to violence, something Li cannot abide by, forcing the master and student to fight each other to the death. Based on the spaghetti western Days of Wrath.
Nurse Lena Simon seems to have found the perfect man in savvy businessman Scotty Sharpe, but when she suspects him of seeing someone else she takes the unusual advice of her best friend Toni and does a voodoo spell on him.
In this tribute to the old time spaghetti westerns with a liberal dose of modern Hong Kong film-making thrown in, Emilio Estevez assumes Clint Eastwood’s “man with no name” role. Estevez plays a super-quick gunman on the run from a rancher (Long) and his men out to kill him for killing his son. The gunman gets mixed up with a former Confederate soldier (William Forsythe) who has knowledge of hidden gold. The only trouble is he is also pursued by Union soldiers. When they free a man (Ed Lauter) with part of the map to the gold, they then are also pursued by Spanish soldiers. It all leads to a small Mexican town terrorized by soldiers and led a by a good priest (Joaquim De Almeida) who also has knowledge of the gold.
Big Land, Flying Eagles is a spaghetti western-sequel desert intrigue film set on the Mongolian-Chinese border. Xiao Fung, a notable swordsman, has killed the son of a local warlord, Lee San, and the 3,000,000 tael that Lee’s son was transporting, now seems to have gone missing. Xiao Fung is now marked for death by Lee San, but finds protection from “Killer Eagle” another swordsman of great repute, and a band of nomadic Mongolian traders. Nevertheless, Lee sends killers of unusual backgrounds, including Buddhist monks, to hunt Xiao Fung down, while Xiao Fung seems curiously preoccupied with a woman who’s embroiled in unstated conflicts with practically everybody.
One of Cannon Films’ two 1976 Italian-Israeli co-productions starring Lee Van Cleef and Leif Garrett (Gianfranco Parolini’s Pistola di Dio was the other), this spaghetti western was actually shot in the Middle East by American director Joseph Manduke. Pop star Garrett plays Tom, a teenager who teams with a black gunfighter named Isaac (Jim Brown) to avenge his family. The culprit was McClain (Van Cleef), a sadistic outlaw who carried out the brutal rape-massacre, but his role is minor, as most of the film deals with Tom’s maturation and coming to terms with his feelings. Omnipresent 1970s character actors Glynnis O’Connor and John Marley co-star. If there is anything remarkable about Kid Vengeance, it is Francesco Masi’s fine musical score, but the film is otherwise anemic.
Who was Joe D’Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.
Death Rides a Horse (aka Da uomo a uomo, or As Man to Man) is a 1967 spaghetti western directed by Giulio Petroni, written by Luciano Vincenzoni, and starring Lee Van Cleef and John Phillip Law. Bill Meceita, a boy whose family was murdered in front of him by a gang, sets out 15 years later to exact revenge. On his journey, he finds himself continually sparring and occasionally cooperating with Ryan, a gunfighter on his own quest for vengeance, who knows more than he says about Bill’s tragedy. The film has lapsed into public domain.
