Sexual Parasites, Disembowelment, Zombies, Serial Killers, Demon Children, Violent Vixens, Rabid Office Workers and Angry Embryos all spring to life from the flesh covered sketch books featured in Anthony G. Sumner’s (Gallery of Fear) SLICES OF LIFE.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

A slice of life story that follows a large Italian family on Christmas Eve as they prepare for the traditional Feast of the Seven Fishes, reminisce about the past and seek love in the future.

Fat Pizza the Film is yet another slice of life at a dodgy suburban Sydney take away. Bobo Gigliotti the psychotic pizzeria owner/pizza chef is awaiting the arrival of his mail-order refugee bride Lin Chow Bang, and a new pizza deliverer is on the block. Channel V’s Jabba almost steals the show as token skip delivery boy Davo Dinkum, a stoner with a bong strapped to his face like a feedbag.

Naveen Richard combines his slice of life comedy along with his iconic facial expressions and striking character work that his audiences have grown to love.

A haunting portrait of a down and out comedian, part tale of redemption, love story and classic America family saga. A slice of life straight from the glass that cuts us.

TUCKED is a raw and tender drama about an aging 80 year old drag queen who forms an unlikely friendship with a younger queen, both struggling with their own issues of gender identity and mortality. As they discover more about each other, they realize how to truly be themselves. It’s a ‘slice of life’ drama about love, loss and friendship; a feel good film with a great charm and sense of humour.
Tucked was screened at Outfest Los Angeles in July 2018 and won two awards – AUDIENCE AWARD – BEST NARRATIVE FEATURE
GRAND JURY PRIZE – INTERNATIONAL NARRATIVE FEATURE

A pre-Depression slice of proletarian life from Weimar Germany, Harbour Drift is unusually interesting for its indifferent pessimism, rejecting even the minor rays of hope which permeate the other low-life ‘street films’ of the period. A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on. The film is remarkable for the innovative camerawork of Friedl Behn-Grund, which manipulates light and shadow to create a nightmarish atmosphere of fear and premonition.

Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself.

Greg Heffley is headed for big things, but first he has to survive the scariest, most humiliating experience of any kid’s life – middle school! That won’t be easy, considering he’s surrounded by hairy-freckled morons, wedgie-loving bullies and a moldy slice of cheese with nuclear cooties!

Slice-of-life look at a sweet working-class couple in London, Shirley and Cyril, his mother, who’s aging quickly and becoming forgetful, mum’s ghastly upper-middle-class neighbors, and Cyril’s pretentious sister and philandering husband. Shirley wants a baby, but Cyril, who reads Marx and wants the world to be perfect, is reluctant. Cyril’s mum locks herself out and must ask her snooty neighbors for help. Then Cyril’s sister Valerie stages a surprise party for mum’s 70th birthday, a disaster from start to finish. Shirley holds things together, and she and Cyril may put aside her Dutch cap after all.

Ian Folivor, a depressed and reclusive 30-something, finds himself taking advice from a growth in his bathroom after a failed suicide attempt. The Mold, a smooth talking fungus who was born of the filth collecting in a corner of Ian’s neglected bathroom, works to win Ian’s trust by helping him clean himself up and remodel his lifestyle. With The Mold’s help, Ian attracts the attention of a neighbor he’s been ogling through his peephole, Leah, and he manages to find a slice of happiness despite his unnatural circumstances. But Ian starts to receive strange messages from his old and broken down TV set that make him realize that The Mold may not be as helpful as it seems to be, and strange characters combined with stranger events cast Ian’s life in the shadow of an epic battle between good and evil that Ian is only partially aware of.

Before forensics, DNA, and CSI we had dollhouses – an unimaginable collection of miniature crime scenes, known as the Nutshell Studies of Unexplained Death. Created in the 1930s and 1940s by a crime-fighting grandmother, Frances Glessner Lee created the Nutshells to help homicide detectives hone their investigative skills. These surreal dollhouses reveal a dystopic and disturbing slice of domestic life with doll corpses representing actual murder victims, or perhaps something that just looks like murder. Despite all the advances in forensics, the Nutshells are still used today to train detectives. Documentary film, Of Dolls and Murder, explores the dioramas, the woman who created them, and their relationship to modern day forensics. From the iconic CSI television show to the Body Farm and criminally minded college students, legendary filmmaker and true crime aficionado, John Waters narrates the tiny world of big time murder.

Based on the New York Times best-selling novel by award winning author Wally Lamb. A vivid slice of 1960s life, Wishin’ and Hopin’ is a wise-and-witty holiday tale that celebrates where we’ve been-and how far we’ve come. In the small town of Three Rivers, Connecticut, we go straight into the halls of St. Aloysius Gonzaga Parochial School with Felix Funicello, a Catholic school fifth-grader in 1964, whose claim to fame is his cousin Annette Funicello, the famous Mouseketeer and teen movie queen. But grammar and arithmetic move to the back burner this holiday season with the sudden arrivals of substitute teacher Madame Frechette and feisty Russian student Zhenya Kabakova. While Felix learns the meaning of French kissing, cultural misunderstanding, and tableaux vivants, Wishin’ and Hopin’ barrels toward one outrageous Christmas!

Life in a middle-class neighbourhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm. The presence of these men brings a sense of safety and a good deal of anxiety to a culture which runs on fear. Meanwhile, Bia, married and mother of two, must find a way to deal with the constant barking and howling of her neighbour’s dog. A slice of ‘Braziliana’, a reflection on history, violence and noise.

The bar in an old Pennsylvania steel town, housed with many of life’s losers and disillusioned men, is the main setting for this slice-of-life film. Michael Madsen is the bar owner, who is deep in debt to the town’s book-maker and loan shark Burt Young. Chris Penn is one of the bar’s main inhabitants as he hides from his failing marriage to Mary Stuart Masterson. The bartender’s sister (Virginia Madsen) is about to be married, and her former fiancé (Tom Sizemore) shows up in town, after leaving her at the altar years before. Con man James Belushi runs a con on Perry to steal the money for the wedding caterer. As every plot in this multi layered story seems to be at it’s worst, things look up because of an unlikely hero.