She’s chic, slim and sexy like Brigitte Bardot. She’s French. But she’s not all French women, right?

Mewsette is a starry-eyed cat who grows weary of life on a French farm and heads for the excitement of 1890s Paris. Her tomcat suitor, Jaune-Tom, and his furry cohort, Robespierre, chase after Mewsette, but she’s already fallen under the spell of a feline modeling-school racket run by Madame Rubens-Chatte and her slimy assistant, Meowrice.

The Girl on the Train is a 2009 French drama film directed by André Téchiné. Jeanne is a young woman, striking but otherwise without qualities. Her mother tries to get her a job in the office of a lawyer, Bleistein, her lover years ago. Jeanne fails the interview but falls into a relationship with Franck, a wrestler whose dreams and claims of being in a legitimate business partnership Jeanne is only too happy to believe. When Franck is arrested, he turns on Jeanne for her naivety; she’s stung and seeks attention by making up a story of an attack on a train. Is there any way out for her?

LAGOS LANDING is a Romantic thriller, a love story inspired by true events. Jacqueline an uptight middle class French lady (Kayla Eva), joins a dating site in search of the perfect novel-like romance and adventure she’s always imagined, she connects with BAYO (Ramsey Nouah), a self-made young, rich lawyer in far away West Africa who has a seemingly boring life.

The comedy icon sounds off on parenting with her French wife, the perils of public bathrooms and why she’s tired of going high when others go low.

Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar. She’s both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.

It’s a long hot summer for Charlie Boyd. He’s sixteen, his hormones are raging and he’s just found out his mother is having an affair with his father’s best friend. One thing takes his mind off his problems, the mysterious woman down the street who has visitors day and night, and has just advertised for a gardener. But she is forgotten when a tragic family event tumbles Charlie into a world of pain, a pain so intense Charlie thinks no-one can help him. He’s wrong. Someone can. Maggie, the beautiful French stranger. She’s a professional, and she specialises in pain. Giving it, exploring it, sharing it, all for money. So Charlie falls in love, and despite herself so does she, drawn to this troubled boy who takes all the pain she can give and uses it to heal himself. And as Charlie heals, he turns that healing back onto her, his Mistress.

Artie is pure bred trailer trash. He has zero ambition, is everyone’s favorite punching back at school and bears the burden of his virginity in silence. And then April moves out of the state. She’s his best friend and support since kindergarten and the love of his life. Three years later Artie finally has the courage to take to the road and go see April to tell her how he feels about her. One car-crash later Artie wakes up in the middle of the zombie apocalypse. But this time he’s not going to hide. Artie’s love for April doesn’t give him wings, but does give him the courage to hack, slash, punch and kick himself a part towards the girl he loves. Time is of the essence, because that bite on his hand will make the difference between a French kiss and a bite out of April’s brains.

Sue Silverman feels ‘neglected’ in bed by her hard-working husband Andrew and serially seduces men to ‘meaningless’ motel sex, even Rick Hudson, a contractor and fellow fund-raiser. After being swept into bed at work by French architecture writer Laurent Dekker, Sue seeks help from Dr. Robert Gardener, who discovers a childhood root cause. Andrew is no longer interested by the time she’s ready for addict clinic, and temptation lurks even there.

Nora Wilder (Parker Posey), a single, career woman works at a Manhattan boutique hotel where her excellent skills in guest relations lack in the romantic department. If it is not her loving and dominant mother (Gena Rowlands) attempting to set her up that consistently fail, she has her friend’s (Drea de Matteo) disastrous blind dates to rely on as a backup for further dismay. She’s surrounded by friends who are all happily engaged or romantically involved and somehow, love escapes Nora — until she meets an unusual Frenchman (Melvil Poupaud) who helps her discover life beyond her self-imposed boundaries.