Sex is a huge part of our lives, our very existence depends on it. Yet it’s treated and practiced differently in every society. Explore sexuality down under, from the extraordinary to the taboo, in this fascinating must see documentary revealing the sexual traditions and practices of people in Australia.

A down-and-out businessman travels to a seaside town, where he meets a woman with unusual sexual powers.

Essex has been the central hub for many famous criminal activities. For generations Essex Boys have ruled the streets of Essex and East London in their underworld empires. Many people thought this ended in a Range Rover in 1995. They were wrong… Danny – an ex hooligan is driven back into a life of crime after his world is turned upside down on the streets of Essex.

Investigative journalist, Nick McKenzie, gets a tip that something bad is going down at a brothel in South Melbourne. It’s a story he knows all too well – Nick reported extensively on sex trafficking of Asian women to Australia a decade ago, blowing open the issue to global audiences. Undercover surveillance suggests that the same notorious players might be back to their old tricks. This raw, gritty observational documentary follows Nick deep into the murky world of brothels, motels, and massage parlours as he attempts to confront the trafficking bosses, hear the stories of survivors, and ultimately compels the government to act on an underreported/ignored crime that is rife on Australia’s shores.

Emily, a preacher’s wife, is as faithful a spouse as they come — until her hubby, Ted, takes in a handsome drifter who’s down on his luck. (Red flag!) Emily finds herself drawn to this sexy wanderer, and it doesn’t take long for the pair to begin a steamy affair — right under unsuspecting Ted’s nose. When a guilt-ridden Emily eventually tries to call it quits, the real drama begins!

Two ex-revolutionaries living underground have their lives turned upside down by a sexy young radical who goes from smashing SUVs to fighting gentrification with firebombs.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

Angel is a disturbed teen who becomes obsessed with her nice stepfather Steven. After her mother dies under unusual circumstances, Angel is sent to an institution. Years later, she is let out and tracks down her dear step-dad who now lives with his new girlfriend Michelle. He is technically her only kin so he takes her in, but his girlfriend doesn’t like Angel one bit. Angel’s obsession with her “dad” is as strong as ever and she fantasizes about seducing him. After spying on him and his girlfriend having passionate sex, she begins playing a deadly game and even tries to seduce his hostile girlfriend. However, Steven has a more immediate and obvious problem – a drug dealer called Johnny Ventura.

CHOIR GIRL is a gritty drama about a lonely photographer, Eugene, who becomes obsessed with an underage prostitute, Josephine, in his rundown neighbourhood. She has escaped a worn-torn country only to be trapped in the illegal sex trade by corruption and a powerful underworld criminal named Daddy. Yet for Eugene, Josephine represents a symbol of purity in the darkness – when he takes her photograph there is something captivating about her and she quickly becomes his muse.

Mike and Toni are on their way to the mountains for a romantic weekend, when their car breaks down. The couple take shelter in an empty cabin, unaware that it is being used by bisexual photographer Jan who is on an erotic shoot with model Kristin. Things get more complicated when Glen, a fashion editor, arrives. Soon inhibitions (and underwear) are being freely cast aside. But the lovers’ reverie is broken when Kristin’s psychotic boyfriend breaks in, seeking vengeance.

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.

Two down on their luck Liverpool cabbies, Tommy and Gerry, strike an unusual deal with a local gangster to take their sons on a trip of a lifetime, to watch their beloved football team play in the European Cup Final in Istanbul. Hoping to use the trip as a chance to bond with their sons, big trouble awaits them in the form of a sexy hotel chambermaid, two ruthless crooks on a mission and a bag of counterfeit cash. It is 3-0 down at half time and things could not be more desperate both on and off the pitch. Stevie G and the boys in red are trying to launch the most amazing football comeback in history, and Tommy is in deep water, being held hostage. With the clock ticking and time running out, a miracle is needed fast. In the end a bit of faith, and Gerry’s lucky underpants may be the only thing that can get them and the cup back home in one piece.

Street vendor Marcia is scraping together a living in the ghetto section of Kingston, Jamaica. Her young daughter is being hounded by a rich sugar daddy who has been supporting the family; her brother’s life is being threatened by a local thug. So, when the licentious patron threatens to abandon the family, and her brother breaks down under pressure, Marcia hits bottom. She needs to escape to a haven where she can get lost in fantasy; Marcia, don in sex-me-up clothing and outrageous glamour, finds refuge in the beats of the very dance hall outside of which she normally vends.