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During a night of 1989, in the middle of the Salvadoran civil war, six Jesuit priests were murdered at the UCA University. The news has an immediate international repercussion since their contribution was key in the foreseeable peace agreement after a decade of bloody war. Who killed them? The government immediately blamed the guerrillas but an eyewitness debunked the official version. Her name is Lucía and she works as a cleaning employee at the UCA. She has seen who were the real killers: the army. Now she will have to choose between testifying for the truth or protecting her family.
Alejandro is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.
In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps the aging genius Salvador Dali prepare for a big show in New York.
A mother and daughter who fled violence in El Salvador must find their way back to each other after being separated at the U.S. border and detained in detention centers in different states.
Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.
A female attorney learns that her husband is really a marine officer awol for fifteen years and accused of murdering fifteen civilians in El Salvador. Believing her husband when he tells her that he’s being framed as part of a U.S. Military cover-up, the attorney defends him in a military court.
Left for dead in Vietnam, Lieutenant Cotter became a guinea pig for KGB baddie Mitovitch. Implanted with a mind control microchip, he is turned into a mindless killer. His colleague Lieutenant Sanders goes looking for him in Cambodia, then in El Salvador, where they kill pretty much everyone they meet.
Accused of killing his brother during adolescence, Salvador lives alone in the middle of Patagonia. Several decades later, his brother Marcos and his sister-in-law Laura, come to convince him to sell the lands they share by inheritance.
To a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. From the melting clocks and hourglass sand, to the figure rendered in strips, to the character covered in eyeballs, the style and themes of Dalí are clearly recognizable throughout. Destino is an animated short film released in 2003 by The Walt Disney Company. Destino is unique in that its production originally began in 1945, 58 years before its eventual completion. The project was originally a collaboration between Walt Disney and Spanish Surrealist painter Salvador Dalí, and features music written by Mexican songwriter Armando Dominguez and performed by Dora Luz. It was included in the Animation Show of Shows in 2003.
The lives of a street punk, a millennial couple, and a Salvadoran teenager being recruited by a local gang collide, forming an interlocking story of class and identity in Echo Park, Los Angeles.
Best friends Deco (Lázaro Ramos) and Naldinho (Wagner Moura) co-own a cargo boat in Brazil’s Salvador de Bahia. They give a ride to a sultry prostitute named Karinna (Alice Braga), and soon both men fall prey to her considerable sexual charms, pushing the bonds of their friendship to the limit.
Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious “collegio” (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante’s liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro’s slum family and gang. But the adults spoil that too, not in the least when general Pinochet’s coup ousts Allende, and supporters such as McEnroe.
