A hotel room in the center of Rome serves as the setting for two young and recently acquainted women to have a physical adventure that touches their very souls.

With credits including Strictly Ballroom, Muriel’s Wedding, The Dish, Moulin Rouge!, Romeo + Juliet and Road to Perdition Jill Bilcock is regarded as one the world’s great film editors. Axel Grigor’s hugely entertaining documentary traces Bilcock’s journey from Melbourne film student in the 1960s to working as an extra in Bollywood movies and learning her craft when Australia had virtually no feature film industry. Bilcock’s cheeky charm and illuminating appearances by key collaborators make this a must-see for film lovers.

In ancient Rome, bathhouse architect Lucius (Hiroshi Abe) becomes famous with designing the original “thermae” (bathhouse). He receives an order to build a thermae in the colosseum to help gladiators recover from their wounds, but faces difficulties. Thus, Lucius travels again to modern day Japan through the time slip. He meets Manami (Aya Ueto) again, who is now a reporter for a magazine which covers bathroom. With the help of the flat face Japanese tribe, Lucius again designs a new thermae. Meanwhile, Emperor Hadrian (Masachika Ichimura) wants to keep the peace with the thermae, but the Senate wants to extend the land by using force. Emperor Hadrian and the Senate now have a confrontation and Rome becomes divided.

“I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot.” -JM

After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.