Yoshida’s first big-budget production and colour film is a haunting tale of unrequited love and postwar disillusion. The story of the fatal attraction between a spineless intellectual and a strong woman is conventional, but its enactment is radically new.

“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

The 3-D action-thriller Sanctum, from executive producer James Cameron, follows a team of underwater cave divers on a treacherous expedition to the largest, most beautiful and least accessible cave system on Earth. When a tropical storm forces them deep into the caverns, they must fight raging water, deadly terrain and creeping panic as they search for an unknown escape route to the sea. Master diver Frank McGuire (Richard Roxburgh) has explored the South Pacific’s Esa-ala Caves for months. But when his exit is cut off in a flash flood, Frank’s team–including 17-year-old son Josh (Rhys Wakefield) and financier Carl Hurley (Ioan Gruffudd)–are forced to radically alter plans. With dwindling supplies, the crew must navigate an underwater labyrinth to make it out. Soon, they are confronted with the unavoidable question: Can they survive, or will they be trapped forever?

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry’s treasures, which Kowalski revels in.

Garbage Warrior is a feature-length documentary film telling the epic story of maverick US architect Michael Reynolds and his fight to introduce radically sustainable housing. An extraordinary tale of triumph over bureaucracy, Garbage Warrior is above all an intimate portrait of an extraordinary individual and his dream of changing the world. Written by The Works International

Desperate Housewives is an American television comedy-drama-mystery series created by Marc Cherry and produced by ABC Studios and Cherry Productions. It aired Sundays at 9 P.M. Eastern/8 P.M. Central, on ABC from October 3, 2004, until May 13, 2012. Executive producer Cherry served as showrunner. Other executive producers since the fourth season included Bob Daily, George W. Perkins, John Pardee, Joey Murphy, David Grossman, and Larry Shaw.

The main setting of the show was Wisteria Lane, a street in the fictional American town of ‘Fairview’ in the fictional ‘Eagle State’. The show followed the lives of a group of women as seen through the eyes of a dead neighbor who committed suicide in the very first episode. The storyline covers thirteen years of the women’s lives over eight seasons, set between the years 2004–2008, and later 2013–2017. They worked through domestic struggles and family life, while facing the secrets, crimes and mysteries hidden behind the doors of their — at the surface — beautiful and seemingly perfect suburban neighborhood.

The show featured an ensemble cast, headed by Teri Hatcher as Susan Mayer, Felicity Huffman as Lynette Scavo, Marcia Cross as Bree Van de Kamp, and Eva Longoria as Gabrielle Solis. Brenda Strong narrated the show as the deceased Mary Alice Young, appearing sporadically in flashbacks or dream sequences.