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Rob “Fish” Fishman is the drummer in ’80s hair metal band Vesuvius. He’s unceremoniously booted as the group signs a big record deal, is out of the music world for 20 years – and then receives a second chance with his nephew’s band.
Horsemouth, a drummer living in a ghetto of Kingston plans to make some extra money selling and distributing records. He buys a motorcycle to carry them to the sound systems around the island.
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
At first gas station attendant Poet is happy when the rockers gang “Hell’s Angels” finally accepts him. But he’s shocked when he learns how brutal they are – not even murder is a taboo to them. He gets himself in trouble when the leader’s girlfriend falls in love with him – and he welcomes her approaches.
A group of punk rockers kidnap a business man because they believe he is a werewolf.
Mitchie can’t wait to go back to Camp Rock and spend the summer making new music with her friends and superstar Shane Gray. But the slick new camp across the lake, Camp Star, has drummed up some serious competition — featuring newcomers Luke (Matthew “Mdot” Finley) and Dana (Chloe Bridges). In a sensational battle of the bands, with Camp Rock’s future at stake, will Camp Star’s flashy production and over-the-top antics win out, or will Camp Rockers prove that music, teamwork, and spirit are what truly matter?
Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also “offed” herself, he sets out on a road trip, with his Russian rocker friend, to find her. Their journey takes them through an absurd purgatory where they discover that being dead doesn’t mean you have to stop livin’!
Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for the Runaways — the now-legendary group that paved the way for future generations of female rockers. Under the Svengalilike influence of impresario Kim Fowley, the band becomes a huge success.
Punk-rocker turned suburban mom, Kelly, is nostalgic for a life she can no longer have and uncertain of a future she doesn’t yet fit in. Seventeen-year-old Cal is frustrated at his lack of control over the hand he’s been dealt. When the two strike up an unlikely friendship, it’s the perfect spark needed to thrust them both back to life.
A gifted songbird’s marriage to an aging rocker falls apart as her star rises and his falls.
A man, who once dreamed of becoming a punk rocker, is working as a low salaryman at a musical instrument parts company. He’s secretly in love with his colleague. One day, he finds a little turtle on the rooftop, naming it Pikadon.
New York magazine’s October 2005 issue sent shockwaves through the literary world when it unmasked “it boy” wunderkind JT LeRoy, whose tough prose about his sordid childhood had captivated icons and luminaries internationally. It turned out LeRoy didn’t actually exist. He was dreamed up by 40-year-old San Francisco punk rocker and phone sex operator, Laura Albert.
Music fans know Maynard James Keenan as the frontman of such bands as Tool, A Perfect Circle, and Puscifer, but in this documentary filmmakers Christopher Pomerenke and Ryan Page offer a closer look at one of the prolific rocker’s more unexpected hobbies — winemaking. Along with his business partner Eric Glomski, Keenan has managed to transform an arid stretch of Arizona desert into a lush vineyard that yields some particularly tasty grapes. Through unguarded conversations with Keenan and Glomski, Pomerenke and Page discover just what got the pair interested in winemaking, and why they chose such a hostile natural environment to serve as the site of their winery.
Four curvy college co-eds head south to Ft. Lauderdale on a spring break fun-seeking trek in this free wheeling comedy that’s an 80’s update on the original film! Carole (Lorna Luft, Grease 2), taking a separate vacation from her steady, winds up as a contender in a Hot Bod Contest! Jennie (Lisa Hartman, Knots Landing) is doubly lucky, courted by both a rich, classic pianist as well as a devil-may-care rocker (Russell Todd, Chopping Mall).
TRAILER TRAUMA was only the beginning – now you must prepare yourself as a fresh assault of gruesome ghouls leaps off of the screen and into the driver’s seat! Return to the horrific heyday of drive-in theaters and dusk-till-dawn spook shows with TRAILER TRAUMA 2: DRIVE-IN MONSTERAMA, a celebration of psychotronic cinema and monster movie mayhem! This disc has it all: campy classics (WAR OF THE GARGANTUAS, THE BOY WHO CRIED WEREWOLF), Hammer Films favorites (CAPTAIN KRONOS: VAMPIRE HUNTER, FRANKENSTEIN AND THE MONSTER FROM HELL), absolute absurdities (BRAIN OF BLOOD, THE COMPUTER KILLERS), and much, much more! Featuring commentary by genre aficionados Keith Crocker and George Reis (dvddrive-in.com) and digitally mastered from vintage 35mm film sources, TRAILER TRAUMA 2 is a mutant movie massacre destined to blow your mind and eat you ALIVE! 95 RARE AND HARD-TO-FIND TRAILERS MASTERED IN HD… MANY FOR THE FIRST TIME ANYWHERE! NEARLY 3.5 HOURS OF MONSTROUS MAYHEM!
In England, the times are a changing: it’s mods and rockers. On the day Nancy gets off the London train, cases in hand, looking for the YWCA, Colin has had enough of missing out on the sexual revolution. He begs his smooth (and misogynistic) pal Tolen to teach him ‘the knack’ – how to score with women. Serendipitously, Colin and his new lodger Tom meet up with Nancy while Colin’s buying a bed larger than Tolen’s. The three hit it off, but their simple fun ends when Tolen meets Nancy. Colin is jealous but impotent, and Tolen both attracts and repels her. She swoons, wonders what happened, and cries ‘rape.’ Impish serendipity rubs against unsettling ambiguity.
The sensational follow-up to “London in the Raw,” “Primitive London” sets out to reflect society’s decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
A small town loner and a rebellious punk rocker unexpectedly fall in love as they are forced on the run and soon discover violence follows them everywhere.
Where is Erika Spawn and does she have blood on her hands? The Devil’s Music documents the strange story of the notorious shock-rocker whose rise to fame was marred by a series of violent incidents and terrifying rumours.
A crime-drama, about the cultural aversion of a group of punk rockers in a conservative Texas town. Their ongoing battle with a rival, more-affluent clique leads to a controversial hate crime that questions the morality of American justice.
The television movie is set in the city of Dimmsdale and centers on the series’ main protagonist Timmy Turner with his fairy godparents Cosmo and Wanda and his fairy godbrother Poof. In the movie, Timmy is now 23 years old but is still in fifth grade with his fairy-obsessed fifth grade teacher Mr. Crocker. Despite being grown up, Timmy finds a loophole in the fairy rulebook Da Rules: if he continues to act like a kid, he will still get to keep his fairies. However, the dilemma rises when Tootie, who was once a dorky girl when she was 10 years old, returns to Dimmsdale as an attractive woman. Timmy falls in love with her, a sign that he is growing up to an adult, which means he is closer to losing his fairies. Meanwhile, an oil business tycoon named Hugh J. Magnate, Jr., who teams up with Mr. Crocker, plans to use Timmy’s fairies’ magic in order to promote his oil business.
In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial.
Eevi works in a beauty parlor, leading a humdrum life in the suburbs of Helsinki with his husband Kari, a wannabe rocker. After the jackpot, the couple agrees to carry on with their lives as before, without telling anyone about the stroke of luck. But the money is burning holes in their pockets and that’s hard to hide. Their opinions about themselves and their relationship are put to the test. Everyone seems now to have a strange attitude towards them – although they try to pretend to be the same people as before. Do the millions bring happiness after all?
Get ready for the oddest summer yet! Timmy Turner and his fairies are going on a summer vacation to Hawaii. But, unfortunately for Timmy, something tells us this won’t be a very relaxing holiday. With all the magic in Fairy World at stake and villains like Vicky , Foop and Crocker on his tail, there’s no way he’ll be able to enjoy himself…
Cobie Smulders (How I Met Your Mother) is on raucous and funny form in this British comedy, playing Joanne, lead singer of once-popular 1990s Britpop band The Filthy Dukes. After a drunken night out with her friend Sara (Jessica Hynes), Joanne finds she mistakenly enrolled in university. Determined to give the young students a run for their money as a party animal, she finds they aren’t interested in rock ’n’ roll. However, love and new beginnings might be on the cards for rocker Joanne.
Annie is stuck in a long-term relationship with Duncan – an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s hit record from 25 years ago surfaces, its release leads to a life-changing encounter with the elusive rocker himself.
George Nottoli, is a regular guy extraordinaire: family man, rocker, stunt man, and Sausage King of Chicago. At age 35, in need of a new challenge, George re-invents himself as professional wrestle, Vito ‘Two Finger’ Fontaine. Follow him into the world of pro wrestling where the more you love someone the harder you hit them….even if its with a rubber chicken!
In this film, childhood friends come face to face with the demons of rock and roll (lust, drugs, and passion) on a cross-country road trip that compels them to face their past, present, and future. Rocker Spyder, whose debut album was a huge hit saw his follow-on album bomb, causing him to retreat to his small hometown and give up. Seven years later, 27-year-old Spyder reconnects with his long-lost best friend and writer of his debut album Eric, son of a late great punk rock guitar legend, who has long settled into the sedate life of a suburban middle school music teacher. The reunion forces the two to recall their youthful ambitions and re-examine the choices they’ve made.
A fashion shoot in the desert goes horribly wrong when two hard-up rockers try their luck at robbing it.
A feature-length documentary film about hip-hop DJing, otherwise known as turntablism. From the South Bronx in the 1970s to San Francisco now, the world’s best scratchers, beat-diggers, party-rockers, and producers wax poetic on beats, breaks, battles, and the infinite possibilities of vinyl.
What happens when a generation’s ultimate anti-authoritarians — punk rockers — become society’s ultimate authorities — dad’s? With a large chorus of Punk Rock’s leading men — Blink-182’s Mark Hoppus, Red Hot Chili Peppers’ Flea, Rise Against’s Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band’s anthem, ‘Fuck Authority’, to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.
A day in Hollywood, 1972, with young people looking for the 24 hours that will change their lives. Zach will open that night for a British rocker at Whisky a Go-Go; he lives in a canyon and plays impromptu duets with a mysterious guitarist he doesn’t see. Tammy is a costume designer, open to quick sex with the various rockers she works with and loved from afar by Michael, a photographer recovering from a case of the clap. His good friend is Felix, a morose, alcoholic songwriter. On hand for comic relief is Marty Shapiro, a fast-talking record producer. Getting ready for the gig at the club, Zach’s performance, and the early-morning aftermath comprise the film.
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
In the summer of 1969, Bernard, a Gaspesian fisherman’s son, arrive in Perce to fin work. He meets Paul, Jacques and Francis, Quebec Independence activists who have come to open the ‘Fisherman’s House’. They aim to organize public conferences and offer lodgings to young travelers. A motley crowd of Quebecers from all over the province soon flocks to Perce: artists, hippies, rockers, hitchhikers and the like shake local authorities. Bernard is won over by the trio’s ideas and gets increasingly involved in their project. The following year, the will join the Front de liberation du Quebec (FLQ) and play a pivotal role in the Summer Crisis 1969.
The ambitious punk rocker Max and the eco-activist Inge cannot stand each other, ever since Max publicly exposed her by singing the offensive song “When Inge is Dancing” in front of the whole school. But for Max and his classmates Fabio, Joscha and Lukas this song in particular has become a real hit at school as well as in the regional music scene: Their band called Systemfehler is on the verge of a breakthrough. But just before the important gig, which could get them a record deal, guitarist Josha is injured and can’t play. Inge happens to be an excellent guitarist, and the only person who can fill in at such short notice. But when Max asks for her help, she imposes one non-negotiable condition: If she decides to play with the band, they will not perform the song “Wenn Inge tanzt”.
