At Kinetech Labs, an inventor named Allan Topher designs a robot for search and rescue, but when he finds out that the robot will be used for military purposes, he programs the robot to flee. The robot escapes but is damaged in the process. It is discovered by 12-year-old Henry Keller, who fixes it and names it Cody. The robot does not remember its past, and Henry and Cody develop a friendship. Eventually, Kinetech and the inventor find Cody and bring the robot back to the laboratories. The inventor feels guilty for taking Cody away, so he returns the robot to Henry. The inventor meets Henry’s mother, Joanna, in the process and falls in love. Kinetech wants the robot back, so it kidnaps the inventor and Joanna. Henry and Cody embark to save them and to bring down Kinetech.

What starts off as a typical day on the streets of Seattle soon becomes a terrifying bloodbath, when a great white shark devours an alien space probe…and ROBOSHARK is born. The U.S. military comes after it with guns blazing, but it’s the power of social media that puts an ambitious newscaster and her tech-savvy daughter ahead of everyone else in the race to stop the destruction.

Tokyo. Tomobiki Town. Lum, the gorgeous daughter of an invading race of Oni Aliens is smitten with High School student Ataru Moroboshi. A dedicated womanizer, Ataru is unfazed by Lum’s fierce electric shock attacks and continues his daily hunt for pretty girls. With a host of other unique characters, including classmate Shinobu, elegant shrine maiden Sakura, Lum’s best friend’s Oyuki, Benten and Ran, Buddhist Monk Cherry, Ten, the little brat, heir to a wealthy family Shutaro Mendo and the secretly female beauty Ryunosuke… A classic slapstick love comedy where anything goes!

Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (​Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–​chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, ​Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre. ​