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An outwardly confident but unmarried woman on the verge of her fortieth birthday reflects on her past suitors and the choices she once made while attempting to help her marriage minded niece choose between a number of potential suitors in this tale inspired by the life and letters of Jane Austen. Jane Austen is about to turn forty, but she still hasn’t found her ideal man. When Jane is approached by her niece Fanny and asked to help select the perfect husband for the young girl, the aging spinster begins to wonder why it is that she never found a man to share her own life with. Perhaps if Jane had accepted the proposal of a wealthy landowner she could have saved her family from financial ruin, and what of the handsome young physician who once warmed to Jane after tending to her ailing family members?
An incarcerated former boxer tries to reconnect with his daughter only to find out she is just as stubborn as him. Lost in the foster care system, we follow this teen as she navigates the relationships she has with her father figures and discovers that it is never too late to find yourself.
The short film project “Regrets of the Past” was realized by a team of local filmmakers whose goal it was to create a high-quality sci-fi movie in Austria, based within the Star Wars universe. The crew diligently focused on the visual language of the film which tries to adhere as closely as possible to the original trilogy developed by George Lucas in the 1970s. The story is set after the events that led to the inception of the Galactic Empire (Star Wars – Episode III) and follows the fate of two fugitive Jedi knights. Pursued by a bounty hunter, Pash Sularen and his Padawan Kaila Dain crash on a remote plant and are confronted with their past. Principal photography took place in Austria from 2013 through 2015, followed by one year of post production. The crew of 150 consisted mainly of working professionals in the Austrian film industry who supported the project in their spare time.
This film is a romantic comedy about a stewardess (Calhoun), who after 12 years of dating (Joseph) as college sweethearts (along with several marriage proposals in between), meets a business man going through a divorce (White) on one of her job layovers. As expected, sparks fire and unexpectedly a traumatic past is revealed, and the couples lives are changed for ever.
A vulnerable woman is held hostage by an armed gunman, who awakens a dark past in her and soon regrets his actions.
An orphaned girl, driven by poverty at such a young age, makes a promise with an enchantress. In return for beauty and the admiration of every man, she will never be with the man she loves. This spell cannot be broken unless the impossible happens: snow falling in spring and the dead coming back to life. Now a grown and beautiful princess, she regrets her promise, for all of the men she’s loved has always been met with tragedy.
Jean-Francois and Angie have known each other for 25 years and have been lovers on and off for most of that time. After two marriages (one ending in divorce, the other with her husband’s death) and two children, the free-spirited Angie has returned to Jean-Francois, only to announce after a year of living together that she’s leaving him to open a antique business in the United States. Jean-Francois regrets Angie’s decision, but also knows her well enough to know there’s little he can do to change her mind. Five years later, Jean-Francois has become friends with Angie’s daughter Winnie, who now lives in Paris and has fallen in love with Laurent, a carefree artist who lives in a studio given to him by his father. However, after sleeping with Laurent, Winnie is convinced he can’t be trusted and keeps him at a distance. Over the next few years, Laurent keeps running into Winnie, and Angie periodically arrives at Jean-Francois’ doorstep only to leave again shortly after.
What was once a superlative varsity baseball coach is now a jaded middle-aged man. He and a former student meet and the older man discovers that his now married pupil is afflicted with terminal cancer. Full of regrets of how he once treated the student the man ponders how to make it up to the man whom he once coached
Andrew Scott brings multiple characters to life in Chekhov’s Uncle Vanya, filmed live in West End, London. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions.
The mini beetle Mini appears in a flea circus together with Egon and Dagmar. The flea-girl Miranda bullies Mini and tricks him into interfering in Dagmar’s line dancing, making her fall and sprain her foot. Deeply ashamed, Mini runs away and meets a gang of robbers. The brutal beetle, Basse, who orders Mini to break into the bees’ honey stock, leads the gang. However, the bee-soldiers catch him, and he is sentenced to life-long hard labour. Meanwhile, Miranda regrets her bullying of Mini and together with Mini, who has managed to escape, and their brave friends, the ants, they succeed in recovering Egon’s beloved racing bike, which has been stolen by the robbers.
Five tales of dread interwoven when a sociology student gathers several of his friends on Halloween night at the local library to help him create a new urban legend with deadly consequences; Lily is in for a late night of researching and needs something to keep her going. It isn’t until she’s approached by a mysterious stranger that her luck may change… for the worse; a typical night of work for a librarian becomes a classic ghost story with a modern twist. Sometimes you can’t keep a bad book down; Sidney is allowed to stay after hours to study for a test. It’s not until she suddenly awakens in the darkened library that she realizes the horrifying truth of what lurks among the stacks of books after midnight. She better pray she doesn’t become the prey; Paige faces regrets that she’d do anything to take back. When an ancient and arcane spell book literally falls into her lap, she decides to make a grave decision. Be careful what you wish for, it might just kill you.
The movie tells the story about love and forgiveness. This story of opposites of feelings – love and hate, faith and doubt, grace and guts, triumphs and regrets.
Set entirely at night, Field Niggas takes us to the corner of 125th Street and Lexington Avenue in Harlem and introduces us to its faces. The non-synch audio track consists of conversations with and among those faces: dreams, regrets, arguments, affection, observations, opinions.
Chicken, a desperate hippie junkie living in a small Spanish village, is finding it difficult to separate fantasy and reality. This isn’t helped by the villagers practising magic and child sacrifice, or his involvement with a group of boozy expatriates lost in their own dreams and regrets.
In 2009, 28-year-old Li Zi Wei and 17-year-old Huang Yu Xuan met each other. These are two innocent and unaffected lives that could each feel like marks from their past and present lives. However, they could not find sufficient proof to fill up the emptiness at the bottom of their hearts. An accident let them fall into another Mobius loop that had already happened countless times. Only then did they realize that in different times and spaces, they once had a deep, true love that had passed through countless timelines to search for each other with no regrets. But in that story, their deepest love came at the highest price. If they could start again, would they choose to meet by chance in ordinary life or be scarred by the memories etched in their heart and bones? Or perhaps they can choose to hurt and love all over again, betting on a different ending?
With a new Haunted Mansion movie coming from Disney, we thought weandapos;d take a look at the previous one, and now we have regrets. But at least we made a sins video out of it.
Eight short films explore the subject of male infidelity. Serial cheaters, Fred and Greg, spend a night on the town doing what they do best, and with absolutely no regrets. The duo play various characters in assorted extracurricular situations, ranging from sexist to the darker sides of carnal desires.
A young drug addict who has lost touch with her rich family hits rock bottom when she sells her new-born baby to child traffickers. She soon regrets her decision and finds the courage and strength to get him back. To do so, she must follow a trail into the woods and find an eerie house where the old lady she met, her albino servant and a girl with a strange gait, all live together. Nothing could have prepared her for the horror she is about to discover.
On her 40th birthday, Amelia makes a fateful wish to be 18 again back in 2002 but soon regrets it when she’s stuck reliving the day over and over again.
In the end of 1809, Natasha attends her first ball. Andrei falls in love with her and intends to marry her, but her father demands they wait. The prince travels abroad, and Natasha desperately longs for him. But she then meets Anatol Kuragin and forgets of Andrei. At the last minute, she regrets and abandons her plans to elope with Anatol. Bolkonsky hears of this and declares their betrothal is over. Pierre, trying to calm her down, suddenly announces he loves her.
Bimo need to make a decision to change his fate in Muara Tapah Village or he will regret for the rest of his life. Now, he has to face the reality, a creature allied with the devil is targeting his wife and future child. There were many regrets piled up in his heart. He also can no longer decide who is worthy of trust. Pak Kasno and Pak Tingen, his teaching friends? Mr. Village Head and his wife? Or the midwife who has been helping his wife?
Eleven-year-old Oliver has a unique ability to see “full-bodied apparitions,” otherwise known as ghosts. When his family moves from the bustling city to an older home in the suburbs, only Oliver is able to see the spirit of Clive Rutledge (Martin Mull), the previous owner. Clive causes every manner of destruction to force Oliver and his family to leave. But perhaps Oliver’s special talent, along with the help of a kind neighbor (Rhea Perlman), will show Clive how to release his earthly regrets so he can leave the house and the family in peace.
Dane ‘Marbles’ Marbeck can see ghosts, thanks to a homemade drug: his late father’s neurological medication mixed with marijuana. Officer Jayson Tagg, a wannabe super-cop on the trail of a serial killer, ends up murdered. So when Marbles’ mum plans to sell the family farm, and the only way of buying the house off her is taking the money offered by Tagg in exchange for his help, Marbles accepts. The unlikely duo of stoner medium and ghost cop struggle to reconcile their differences while they navigate their way through ghouls, perverts, a mysterious hooded figure, and an unexpected shot at love. It becomes clear the only way Marbles and Tagg will solve the case with their souls intact is to confront their deepest regrets and overcome their prejudices.
Emily is a top newscaster who has achieved her career dreams but still has regrets about the guy who got away five years earlier. When the Christmas carnival comes to town, a ride around the carousel takes her magically back in time to the carnival five years before…giving her a second chance at love before she must return to Christmas present.
Eva, who vows to live without regrets following the death of her best friend, Liz. The two girls had alter egos, Vicky and Veronica, and would imagine doing highly questionable things that they would never do in real life that they compiled into The Never List, which Eva vows to complete.
An unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
Russell Walker is a young, successful manager of rap performers, handling acts for the Krush Groove label, including Run-DMC and The Fat Boys. When Run-D.M.C. has a hit record and Russell needs more money to press more copies, he borrows it from a street hustler and soon regrets his decision.
The lives of three women have a commonality: adoption. Karen is a physical therapist who regrets that, as a teenager, she gave up her daughter for adoption. Elizabeth was an adopted child and is now a successful lawyer, but her personal life lacks warmth. Lucy and her husband have failed to conceive and now hope to adopt a baby to make their family complete.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
When single mom Megan Nolan moves to a new town, she feels guilty for uprooting her ten-year-old daughter Caitlin. Seeing that the little girl’s only friend is a neighbor’s dog, Megan decides to adopt a shelter pet for Caitlin. She immediately regrets her decision when Caitlin gravitates to the biggest, sloppiest dog in the pound, Jake. Megan’s beautiful new home is now in shambles and, as Megan considers returning Jake to the shelter, handsome ballplayer Ben shows up claiming Jake is his dog, the regrettable outcome of his roommate leaving a gate open. Megan and Ben butt heads. Ben wants to take his dog and leave, until he sees that Caitlin loves Jake as much as he ever could. Now it is clear: the pound puppy everyone loves deserves no less than joint custody.
On the day of her wedding, as Selena Jackson comes to terms with the long-lost love she’s never quite gotten over, many of her guests, including her best friends and her own mother, also struggle with past loves, past regrets and past mistakes.
Based on Mary Shelley’s novel, “Frankenstein” tells the story of Victor Frankenstein, a promising young doctor who, devastated by the death of his mother during childbirth, becomes obsessed with bringing the dead back to life. His experiments lead to the creation of a monster, which Frankenstein has put together with the remains of corpses. It’s not long before Frankenstein regrets his actions.
When a famous writer (Huang Bo) decides to have his memories wiped to forget a divorce, he regrets it. Attempting to recover the memories, he becomes haunted by psychopathic thoughts, acting out in ways both he and those around him could never imagine. A companion film to director Leste Chen’s 2014 film The Great Hypnotist.
A reclusive, God-fearing 91-year-old man and a young Cuban refugee home-aid worker struggle to come to terms with their regrets, the unbearable pain of unacceptable loss, love and the most difficult and beautiful of human truths: life ends and life goes on.
If Paris is the city of lovers, it is also that … ex! Antoine does not dare to commit, Didier regrets his ex-wife, Father Laurent must celebrate the marriage of his ex, Julie, Serge is harassed by Lise, the ex of his girlfriend of the moment, while Greg consoles With the dog … of his ex! So many characters whose lives will be telescoped in a joyful disorder and who could fall back in love! But of whom? Whether they obsessed us or loved to hate them, deep down, it is difficult to forget their ex!
TV drama based on Richard Burton’s diaries, about his last performance in 1983 with ex-wife Elizabeth Taylor. They meet after several years and he agrees to her suggestion that they star in a stage revival on Broadway of Noel Coward’s comedy ‘Private Lives’, although Elizabeth Taylor has never before performed on stage. Burton soon regrets his agreement, however, when her pill-popping and lack of discipline causes problems already during the rehearsals. The play opens to a critical trashing, but is popular with audiences because they just want to see Taylor. After a two month troubled run, the curtain comes down and Taylor tells Burton she has always loved him and still does. A year later he is dead.
On Christmas weekend in a quaint Texas hotel, JOE BINGHAM, runs into the love of his life, AMY WALKER, the one that got away, she’s visiting home for the holiday. The kick is, it’s on the eve of Joe’s white-winter wedding nuptials to DAISY SPUR, the girl next door who he’s settling for. So, Joe has one night to find out if there’s a chance he can get back together with Amy before he marries Daisy with no regrets.
