The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.

After writing a tell-all book about her days in the dance troupe “Barry Nichols and Les Girls”, Sybil Wren is sued for libeling her fellow dancer Angele. A Rashômon style narrative presents the story from three points of view where Sybil accuses Angele of having an affair with Barry, while Angele insists that it was actually Sybil who was having the affair. Finally, Barry gives his side of the story.

Brimming with action while incisively examining the nature of truth, “Rashomon” is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man’s murder and the rape of his wife.

Adapted from the lauded feminist novel and set in a colorful academic community in Marfa, Texas, this is the story of a struggling married couple, Chris and Sylvere, and their obsession with a charismatic professor named Dick. Told in Rashomon-style shifts of POV, the series charts the unraveling of a marriage, the awakening of an artist and the deification of a reluctant messiah.