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The mating rituals of two teenage surf chicks from the southern suburbs of Sydney.Meet Sue, a teenage Australian girl in the late 70s, whose life mainly consists of doing what everyone else does – watch the surfing boys and have sex with the same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices – being bitches and hate boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of car or at home-alone-parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but that is not easy.
Critically acclaimed comedian, Adam Devine, knows that growing up sucks and is here to tell you why. Filmed in front of a packed house at The Orpheum Theater in his hometown of Omaha, Nebraska, Devine’s new Netflix comedy special will give a comedic take on the worst parts of growing up including puberty, parental judgment, and almost dying on your 21st birthday.
A sex therapist goes through puberty after the successful removal of a benign tumor resting against his pituitary gland. He experiences all the changes and effects of puberty over a three-week period.
John James is a writer; his wife has left him. He moves with his two middle-school children to an isolated house off a dirt road in South Carolina. The property has an Indian burial mound, which fascinates his daughter, Louisa, who’s entering puberty.
Waxing nostalgic about the bittersweet passage from childhood to puberty in this tender coming-of-age tale, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.
Bong-yong Kim is one of a modest Korean dad who struggles to survive from the work place without any time to get along with his family. He has to work over than he had to, since the boss treat him like his servant – drink late every night, drive the boss to his home. His wife, Hwayeon, blames him for his indifference to family, and twins in puberty, Woo-joo and Dal-nim, also in trouble with their father. The late child ‘Byeol-nim’ is his only one who acts charm and shows cuteness to him..
MY LAST LOVE, when every family member starts to share with caring each other at last…
The year is 2XXX and Keiko Town is an over-industrialized stretch of blackened factories pumping out thick layers of smoke that cast it in a perpetual state of semi-darkness. The citizens of Keiko Town fare no better and walk around their dilapidated town in a stupor of hopeless despair. In an abandoned factory in an obscure corner of town lies the secret base of Hikari Club. The teenage boys of Hikari Club despise the adults of their community and have taken it upon themselves to eradicate what they perceive to be the evil and filth of the grown-up world. To accomplish this, they build a machine with artificial intelligence and dub it “Litchi”. However, with the boys on the cusp of puberty and turning into adults themselves, their own world has begun to collapse around them.
Max is hitting puberty, and foxy Ofelia from class has touched his heart. He now plans to spend Christmas break with her or, at the very least, New Year’s Eve. Watching her little boy grow up, his mother Agnete doesn’t know what leg to stand on. Trying to give Max the best Christmas possible, she makes a mess of things, as usual. With his friends, Hassan and Ester, Max eventually tamps down the chaos and throws a super New Year’s Eve bash. Everyone is there, and Ester seizes the moment to hook up with Max ahead of Ofelia.
J is in their early teens and lives in the countryside. J has been diagnosed with Gender Identity Disorder, goes by the selected pronoun “they”, and takes hormone blockers to suspend puberty. While J’s parents are away, their older sister and her Iranian boyfriend are assigned the duties of house-sitting and looking after J.
Zach and Ben are two nerdy childhood best friends with a dream to go to Comic Con. When Ben is forced to move with his dad to Antarctica, the two make a vow that when Ben comes back they will finish writing their own comic book and get it into the hands of their hero, Marvel creator Stan Lee. Yet, plans change when after five years of total isolation and extreme puberty, Ben returns as the same geek now trapped inside the body of an Abercrombie model. With his new “golden ticket,” Zach uses Ben to do what was once thought impossible – get girls.
Jodie Baxter is a Captain returned home from Afghanistan after being injured in a rigged booby trap that has left her scarred both physically and on a deep psychological level. She struggles to reconnect with her husband on a sexual and emotional accord and begins to realise the distance between herself and her child as her daughter hides pivotal moments of puberty that a mother should be there to support. In the middle of moving out of their Service Family Accommodation, Jodie escapes to her one place of solace, a hotel where she resides to be free and remember the past. It is there she notices and becomes obsessed with a couple, an abusive older man and a young prostitute who he humiliates and debases. Following them back to their room, Jodie enters into the situation and it is through an extreme act of violence, lust and in her eyes ‘protection’ she has a revelation concerning what she has experienced and what has been haunting her deep within her cognisance.
Pierre is seventeen and in the middle of puberty. He plays in a band, has sex at parties and secretly tries on women’s clothing and lipstick in front of a mirror. Ever since his father’s death, his mother Aracy has looked after him and his younger sister Jacqueline, spoiling them both. But when he discovers that she stole him from a hospital when he was a new born baby, Pierre’s life changes dramatically. In her new film, director Anna Muylaert explores the mother-child relationship through the eyes of a rebellious son whose whole world unravels overnight.
On the beaches of Kenya they’re known as “Sugar Mamas” — European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise. She goes from one Beach Boy to the next, from one disappointment to the next and finally she must recognize: On the beaches of Kenya love is a business.
Teenage friends find their lives upended by the wonders and horrors of puberty in this edgy comedy from real-life pals Nick Kroll and Andrew Goldberg.
A bold, feminist film about how the vagina has shaped our view of the world and the shame around female sexuality. Women from 19 to 77 years old talk about puberty, menstruation, birth, motherhood, infertility, menopause, pleasure, sex, pain, trauma, gender, sexuality, cancer, rape and FGM.
The film is based on a series of immensely popular Swedish children’s books, about the boy Bert, who is just hitting puberty and having the usual problems with it. But that’s where the usual ends abruptly.
