A pair of lovers plot to kill the woman’s rich husband.

(In)Visible Portraits shatters the too-often invisible otherizing of Black women in America and reclaims the true narrative as told in their own words.

Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.

Overlooked by history, Pauli Murray was a legal trailblazer whose ideas influenced RBG’s fight for gender equality and Thurgood Marshall’s landmark civil rights arguments. Featuring never-before-seen footage and audio recordings, a portrait of Murray’s impact as a non-binary Black luminary: lawyer, activist, poet, and priest who transformed our world.

Mehmet is a man living with his family in a mountain village in the Black Sea region. He earns his living by breeding a few animals, while passionately looking for a mineral reserve on the mountains, but his pursuit is seen useless by his family. Devastated by vain efforts, his hope is renewed with a competition. Mehmet will attend the bull fight held in Artvin, but he returns from Artvin completely lost, once again. This simple story pictures the naive portrait of a touching life, a life struggle in hardship and the relationship between nature, animals and human beings.

A remarkably intimate portrait of an artist on tour navigating identity, family, expectations, and acceptance, all while reflecting on his place within the legacy of Black, queer performers.

Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. The only place she feels home is the Neo-Nazi gang she belongs to, where hate, violence, and heavy parties are the daily rules. When 14-year-old Svenja joins the group, Marisa appears like a role model to her: she fits the purest idea of a combat girl fighting for the group’s ideology. But Marisa’s convictions will slowly evolve when she accidentally meets a young Afghan refugee. Confronted to him, she will learn that the black and white principles of her gang are not the only way. Will Marisa ever be able to get out of this group?

Rachel Dolezal became infamous when she was unmasked as a white woman passing for black so thoroughly that she had become the head of her local N.A.A.C.P. chapter. This portrait cuts through the very public controversy to reveal Dolezal’s motivations.

Having made nearly 200 low-budget movies in just two decades, Utah writer-director Stephen Groo is now seeking production funds and the involvement of celebrity fan Jack Black for a remake of his 2004 human/elf fantasy drama ‘The Unexpected Race’. Scott Christopherson’s hilarious yet sincere portrait depicts this uphill battle, while examining the unusual methods of a determined DIY auteur.

The lives of four twenty-somethings collide one fateful New Year’s Eve in this twisty, blackly comic crime thriller set amidst the ancient walls of Derry, Northern Ireland, in a night of fast talk, accidents and intrigue. Johnny, a small-time crook, and Marie, a dissatisfied shop assistant, are both looking for a fresh start. Greta is on the verge of taking her own life and Pearse has a bounty on his head for asking difficult questions about his missing brother Eddie Kelly. As the clock ticks down to midnight and the night’s events expertly fall into place, Jump weaves an existential portrait of the characters’ lives as their hopes, fears and secrets are revealed

For a seventy-year period, when America cared little about the education of African-Americans, and discrimination was law and custom, The Bordentown School was an educational utopia. An incubator for black pride and intellect, it taught values, discipline, and life skills to generations of black children. This is the story of that remarkable school, as told by Bordentown alumni, historians, and remarkable archival footage. It is also the story of black education in America across three centuries, presenting a nuanced, rarely seen portrait of a separate black space; and a much-needed preface to the growing national discussion about historically black institutions and their role in nurturing identity and accomplishment. What was lost and what was gained in the march toward equality?

From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.