The two sides of Frida Kahlo’s spirit: on one side the revolutionary, pioneering artist of contemporary feminism and on the other, the human being, victim of her tortured body and a tormented relationship.

Aldo, an exuberant 80-year-old man, and Gabriella, his introverted wife for the better part of five decades, candidly reflect on the deterioration of their marriage, much of which Aldo has captured on video. Watching these evocative home movies, looking through photos and hearing the couple’s stories, we are transported through the glorious and dreamy moments of a young, beautiful couple in love. But as the façade of those picture-perfect moments fades away, Aldo and Gabriella are forced to ruminate on the mistakes they’ve made and the people they no longer are. Adriana Loeff and Claudia Abend have crafted a heartfelt film about the power of love, the universality of heartbreak, and an inescapable truth: We all will grow old with less-than-perfect grace.

Epecuén was one of the most important touristic villages of Argentina. Thousands of people concurred, attracted by the healing properties of its thermal waters. On November 10th 1985, a huge volume of water broke the protecting embankment and the village was submerged under ten meters of salt water. Epecuén disappeared. Thirty years later, the waters receded and the ruins of Epecuén emerged exposing a bleak and deserted landscape. The residents never returned. The plot revolves around a group of young people that take a trip to the ruins in order to film a documentary about Epecuén. Ignoring the warnings, and after a brief tour, they get stranded in the abandoned village. Contrary to what they thought, they begin to realize that they are really not alone…

A story about a chance encounter that momentarily destroyed a successful and happy family life. All of a sudden the woman found passion and desire more important than her loving husband and cherished child. The father and son suffer from the realization that they are no longer needed, but try to understand and forgive. The woman, who failed to become happy, is in turmoil.

Ángela Vidal the young television reporter who entered the building with the fireman, manages to make it out alive. But what the soldiers don?t know is that she carries the seed of the strange infection. She is to be taken to a provisional quarantine facility, a high-security installation where she will have to stay in isolation for several days. An old oil tanker, miles off shore and surrounded by water on all sides, has been especially equipped for the quarantine.

A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers and luxuriates in the language and the theater of their debates, begging the question, ‘What has television done to the way we discuss politics in our democracy today?’