A tale of love and violence when a man on his emotional last legs finds a savior seductively dancing in a run-down strip club. And a life most certainly headed off a cliff suddenly becomes redirected – as EVERYTHING is now worth dying for.

Forlorn heiress Penelope Wilhern is cursed, and the only way out is to fall in love with someone of suitable stock. But how can she find her soul mate when she’s sequestered inside her family’s estate with only her parents to keep her company. This untraditional fairy tale about a girl who bucks convention to create her own happy ending.

When James met Penelope at a club, it took all of three weeks before they were married. But after the marriage, other women became attracted to James and he kept getting promoted, which took him away from Penelope. So Penelope puts on a disguise and robs her husband’s bank. Her psychiatrist, Greg, believes that this condition is caused by James being over worked and under romantic with Penelope. She also tells Greg that she robs the business associates of James. But Greg is in love with Penelope – in fact everyone likes her. The problem is when she confesses to her crimes, no one believes her.

Penelope becomes obsessed with finding her children as her world crumbles and she succumbs to the emotional stress and the silent voices of her new reality. Her husband believes she has lost her mind and watches her deteriorate into a world of darkness.

Penelope Keeling, a sixty-four-year-old daughter of a famous artist, reflects on her life, and the fate and choices that defined it, when she arrives in the Mediterranean to stay with her headstrong daughter. Shifting through time, and falling into place like the pieces of a jigsaw, the truth of Penelope’s rich, heartbreaking and surprising life unfolds.

The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.

Raimunda (Penélope Cruz) works and lives Madrid with her husband Paco and daughter Paula. Her sister Sole (Lola Dueñas) lives nearby and they both miss their mother Irene (Carmen Maura), who died several years ago in a house fire along with their father. A former neighbor from their hometown reports that she has seen the ghost of Irene and both daughters do not believe her. After a murder and a family tragedy, Irene’s spirit materializes around her daughters to help comfort them.

The International Rescue team is faced with one of its toughest challenges yet, as the revolutionary lighter-than-air craft Skyship One is hijacked while on her maiden voyage around the world. Against backdrops including the Statue of Liberty and the Sphinx, Lady Penelope, Parker, Alan and Tin-Tin fight the hijackers from on-board, while the rest of the team tries to stop the airship crashing.

Angela Lansbury, Tony Award-winning star of stage and screen, gives a touching performance as a woman who gets a second chance at life and love in this remarkable adaptation of Rosamunde Pilcher’s best-selling novel. After a mild heart attack at 63, Penelope Keeling is not ready to be an invalid yet…despite her children’s attempts to take control of her life. She’s given them everything she could over the years, but now they want Penelope to sell her most prized possession. Torn between the selfish demands of her children and her desire to hold onto cherished mementos of the past, Penelope must learn what is really important to her. She returns to the seashore, the only place she was ever truly free, in an unforgettable odyssey that will take her back to her home, her heart and another chance for happiness.

In this re-telling of Iliad, set in 1174 B.C. after ten years of fighting in the Trojan War, the Greek warrior Odysseus decides to travel for home, but instead finds a string of mis-adventures over the sea and land as he, along with a captive Trojan warrior named Circe as well as a group of loyal Greek soldiers, venture on the sea and land to get home to the island kingdom of Icarus and fighting sea sirens, and other mystical creatures to get home to his wife Penelope who is being hounded by a group of suitors hoping she will chose to make one of them their bride.

Joshua and Penelope are survivors of a deadly infection that laid waste to humanity 25 years ago. When they encounter fellow survivor Abira, their lives are forever changed as they fight off the remnants of the infected.

Penelope, better known as Polka-Dot, is a spunky young girl who has a knack for helping people, particularly her ailing mother. While out looking for a part-time job, Polka-Dot befriends a hard-nosed police officer and his tracking dog, Luey. When Polka-Dot’s mother’s condition worsens, Luey helps Polka-Dot find the strength and faith inside to help her move forward.

The Wild West, circa 1870. Samuel Alabaster, an affluent pioneer, ventures across the American frontier to marry the love of his life, Penelope. As his group traverses the west, the once-simple journey grows treacherous, blurring the lines between hero, villain and damsel.

Notorious shootist and womanizer Quirt Evans’ horse collapses as he passes a Quaker family’s home. Quirt has been wounded, and the kindly family takes him in to nurse him back to health against the advice of others. The handsome Evans quickly attracts the affections of their beautiful daughter, Penelope. He develops an affection for the family, but his troubled past follows him.

This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists’ thoughts are rendered as inner monologues in voiceover, all set to striking documentary images. Sandy represents all the women willing to give themselves to strange men, the perfect complement for the desire of all those roaming restlessly from port to port. The film has an affectionate eye for this eccentric former prostitute, for her body marked by life, lust, and the men she’s met, as well as for her free, yet romantic idea of love. She is a siren and Penelope in equal measure.

When the newlywed wife of a Minnesota police chief accuses a new officer on his force of raping her several years earlier, it sets the stage for a tense confrontation in this riveting story. Penelope Ann Miller and Reed Diamond star as Kathy and Doug Clifson, a hard-working couple whose lives are torn apart when a new officer, John McCrane, joins the force. Kathy recognizes him as the man who raped her when she was a teenager, and while other women soon come forward saying that McCrane also raped them, the police force closes ranks to protect one of their own.