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In a small town in central France, Simon is a priest devoted to his parish. During a mass, Louise, whom he hadn’t seen since his seminary years ago, reappears. She introduces him to Aloé, an 11-year-old child, who is his son. This news will disrupt his daily life: can he be a good priest for his parishioners and a good father for his child? Simon will try to convince the highest authorities of the Church that his vocation is compatible with paternal love.
Heidi is orphaned and her uncaring maternal Aunt Dete takes her to the mountains to live with her reclusive, grumpy paternal grandfather, Adolph Kramer. Heidi brings her grandfather back into mountain society through her sweet ways and sheer love. When Dete later returns and steals Heidi away to become the companion of a rich man’s wheelchair-bound daughter, the grandfather is heartsick to discover his little girl missing and immediately sets out to get her back.
Marly, an emotionally unavailable disabled veteran is plagued by the weight of unresolved paternal issues. Marly receives a profound revelation from a divine being: his estranged mother is gravely ill in her homeland of Jamaica. Determined to uncover his ancestral roots and confront his own inner demons, Marly sets out on an extraordinary quest that not only has the power to change his own destiny, but perhaps the very fabric of the world itself.
John (Venkat Reddy), who lives alone in a posh villa in ECR. After his paternal uncle siphons off their property after cheating Johnandapos;s parents, his mother passes away and his father goes missing.
While on Christmas vacation, a young couple contemplates their future together. Ashley is interested in getting married and having kids which terrifies Sam. When the more attractive and paternal Nolan enters the picture, Sam’s life spirals out of control as Ashley questions their relationship. Chaos reigns as Sam desperately clings to Ashley while fending off the threatening Nolan.
Ada, a reserved young woman with a passion for entomology, travels north with Marissa, her free-spirited musician girlfriend. She’s finally meeting the three brothers who helped raise Marissa: the paternal Ozzie, sensitive Arthur, and wild child Wren. As Marissa and her kin settle into their familial dynamics, Ada finds herself on the outside looking in. Desperate to make a good impression over the course of a weekend packed with fun and frivolity, Ada instead struggles to find common ground, opening fissures in the one relationship she needs the most.
Literature professor Jim Bennett leads a secret life as a high-stakes gambler. Always a risk-taker, Bennett bets it all when he borrows from a gangster and offers his own life as collateral. Staying one step ahead, he pits his creditor against the operator of an illicit gambling ring while garnering the attention of Frank, a paternalistic loan shark. As his relationship with a student deepens, Bennett must risk everything for a second chance.
The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
When mysterious foreign entrepreneurs appear with the intention of tearing down Treasure Town and replacing it with an amusement park, Black and White face their greatest adversaries yet. It is up to the destructive Black to save the fate of the city and up to the gentle White to save Black from his own dark nature. On the street of an unnamed city, literally high-flying urchins Black and White look to protect their turf from invasion from other gangs. While he can be tough in a fight or wielding a weapon, White is an 11-year-old who can’t even dress himself. Slightly older, Black is more worldly and treats his buddy with paternal love. Both look on their city as “our town.” Also prone to seeing the city as his property is world-weary yakuza leader Suzuki, aka the Rat. Feeling the town has become too placid, Suzuki plots his return, much to the consternation of local police.
