In the heart of Paso Robles Wine Country there is a concentrated village—a wine region within a wine region—populated by rebellious, creative winemakers, brew and cider masters and distillers working at the razor’s edge of their craft. These are not the privileged ones who own vast estates of lush vineyards and land. These are the bootstrap entrepreneurs who, despite not having deep pockets, are living the dream. Through blood, sweat and tears, they are sourcing fruit from vineyards around California and building edgy and creative wine, beer and spirits brands. Now, you can dive into the dark cellars with the upstarts and industry veterans working to thrive together and make history. Welcome to Tin City, as detailed in the new documentary film by director Dina Mande. Over the past five years, this industrial epicurean playground has grown into a mecca for food and wine travelers from around the world.

Tatiana is a journalist with a routine life in all its aspects and a recently failed love relationship. Motivated by her best friend, she decides to make a stop and travel around Costa Rica to find herself and inner peace.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

An advocate of sex, but not of marriage, bachelor Daegyu (played by singer-turned-actor Im Changjeon), 26, produces bootleg music albums for a living. One day, he comes across a plucky, nine-year-old boy named Jeon Ingwon (played by Lee Inseong) who insists that he is Daegyu’s son born out of wedlock. Daegyu tries every possible means to send the bold boy back to where he came from, including reporting him to the police, deserting him on the street and even pretending not to have known him, but to no avail. Ingwon makes an offer to Daegyu: he will leave him forever if they first travel across the country together. During the journey, Daegyu comes to learn Ingwon’s secret and finds a reason not to continue their cross-land journey.

After a Russian bioweapon turns humans into half-dead killing machines, a group of highly trained Special Operators must defend a remote outpost in Far West Texas. While fighting off the infected, the group must also defend against a band of anarchist rebels who threaten to destroy the last remaining signs of civilization. In a race to preserve humanity only the strongest can survive.

The final part of Pasolini’s Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.

When police raid a house in El Paso, they find it full of dead Latinos, and only one survivor. He’s known as The Traveler, and when they take him to the station for questioning, he tells them those lands are full of magic and talks about the horrors he’s encountered in his long time on this earth, about portals to other worlds, mythical creatures, demons and the undead. Stories about Latin American legends.

This documentary follows five friends on an immersive adventure through the unknown wilds of the Texas borderlands as they travel 1200 miles from El Paso to the Gulf of Mexico on horses, mountain bikes, and canoes. They set out to document the borderlands and explore the potential impacts of a border wall on the natural environment, but as the wilderness gives way to the more populated and heavily trafficked Lower Rio Grande Valley, they come face-to-face with the human side of the immigration debate and enter uncharted emotional waters.

Sisters Myra and Ellie have finally had enough of their miserable, dead-end lives. When their stepfather Charley (the titular “Bonnie” being long dead) tried to rape Myra, Ellie ventilates him with a shotgun, and the pair run off to their wealthy uncle’s mansion in El Paso. From that point on, the two undergo a transformation in their personalities, and start to enjoy living their lives on the wild side.