This documentary follows the cast, crew and staff of the world-famous Public Theater as they prepare to mount an all-black adaptation of Shakespeare’s “Merry Wives,” at the open-air Delacorte Theater in New York City. Contending with the ever-present threat of COVID-19 and one of the rainiest Julys on record, the production marks the return of live theatre following more than a year of closures in the city.

An actress suffers an emotional uproar in her personal life after a fan dies trying to see her.

A failed Broadway singer who now works as a production manager must save opening night on his new production by wrangling his eccentric cast and crew.

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Ricardo, an amusing grumpy middle-aged man, decides to travel overland to India, as he used to do, shipping hippies in the sixties. Only now he has other things on his mind. He has been in a wheelchair for 10 years, suffering from a degenerative disease, that’s pushing into its final stages. This is to be his last journey. Accompanied by his housekeeper Dana he sets off, crossing Europe, through Turkey, Iran, Pakistan. It turns out to be a funny and inspiring journey, opening doors both Ricardo and Dana thought were closed forever. As the landscape widens ahead, all of the crucial things of life unfold before them. Most importantly, Ricardo finds a reason to live.

In the summer of 1982, as all of Staten Island anticipates the opening of a blockbuster boxing movie, an Italian-American family must confront its greatest challenges.

A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the “one great idea” for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night .

Crystal Pite and the artists of the National Ballet return to the stage to remount the critically acclaimed Angels’ Atlas after a nearly two-year shutdown due to the pandemic. Crystal Pite: Angels’ Atlas grants audiences unprecedented access into Pite’s creative process, through intimate rehearsal footage and candid interviews, as the film builds towards an emotional opening night marking the National Ballet’s first performance onstage at the Four Seasons Centre for the Performing Arts after lockdown.

Thomas looks for love in all the wrong places and struggles to find someone who will commit. Will he learn to love himself by opening night? Thomas Banks searches on internet dating sites, inside sleazy nightclubs and seedy gay saunas. He struggles to disclose his disability to potential lovers and experiences many dates that go wrong. As his own personal story unfolds, so does his autobiographical play, The Power of Love, in a life meets art story.

This is the day when the lives of an intertwined group of people take a new direction. Everything they have taken for granted starts to change. While Anne and Ask’s relationship succumbs to ‘metal fatigue’, Charlotte has to realise that her husband Carl may not be right for her. At the same time Bente has to decide if she is prepared to wait for ever for her lover, while her ex-husband Bjørn must face the pain of finally letting Bente go. The characters and their children are twirled around in an ever-increasing drama which peaks during the opening night of Hamlet. Anne is on stage as Ophelia, and the question remains: to be or not be responsible for one’s own happiness.

As beloved Broadway star Lillian Hall pours her heart, soul, and time into preparing for her next big role, she finds herself blindsided by confusion and forgetfulness. Battling against all odds to make it to opening night, while holding on to her fading memories and identity, she must navigate a tumultuous emotional journey – balancing her desire for the spotlight and the stark demands of the real world.

As Cirque du Soleil reboots its flagship production, O, more than a year after an abrupt shutdown, performers and crew members face uncertainty as they work to return to their world-class standards in time for the (re)opening night in Las Vegas. With unfettered access, filmmaker Dawn Porter captures the dramatic journey of the world’s most famous circus act on its way back from the brink.

Love Island winner Amber Davies has landed the role of a lifetime in Dolly Parton musical 9 to 5, and ITVBe’s cameras are on hand to capture every moment, from audition to opening night. As Amber achieves her dreams of West End stardom in the hotly anticipated stage show, ITVBe has access all areas, following Amber as she heads to Nashville to meet Dolly Parton herself, and sets about preparing for the biggest moment of her life. Having trained in musical theatre before embarking upon her Love Island journey, Amber is going back to her first love, to rekindle her passion for the stage, working ‘9 to 5’ to make her big dream come to fruition. This one off special will feature appearances from Amber’s co stars Louise Redknapp and Brian Conley, both of whom will perform alongside Amber in the musical when it opens at the Savoy Theatre in January 2019.

When Denver’s preeminent sportscaster, competitive single-mother Piper, is called to her son’s school for a bullying incident, she dreads her time wasted. But when she meets the victim’s equally-stubborn single father, Erik, the principal demands they give their kids the attention they deserve – by teaming up to stage the school play, Romeo and Juliet. Piper must get past her immature ego, face her burgeoning feelings, and figure out how to operate a hot-glue gun – and all before opening night!

Jesse Freeman is a former special forces officer and explosives expert now working a regular job as a security guard in a state-of-the-art basketball arena. Trouble erupts when a tech-savvy cadre of terrorists kidnap the team’s owner and Jesse’s daughter during opening night. Facing a ticking clock and impossible odds, it’s up to Jesse to not only save them but also a full house of fans in this highly charged action thriller.

Young writer, Richard Collier is met on the opening night of his first play by an old lady who begs him to, “Come back to me.” Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s. Becoming more and more obsessed with her, he manages – by self-hypnosis – to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their ‘time” difference, and can Richard remain in a time that is not his?

Curtis Duffy, a teen who fought and stole for the thrill, discovered his place in the kitchen after a home economics teacher nurtured his talents. After an unimaginable tragedy involving his parents, Duffy doubled down on his cooking career. Soon, his intense drive earned him accolades as one of the country’s most renowned chefs. But as he began building his dream restaurant in Chicago, called Grace, Duffy found himself in another point of personal crisis: His laser focus cost him his marriage and two young daughters. For Grace is a documentary about food, family, sacrifice, and the journey from concrete box to opening night of one of the world’s most acclaimed restaurants.

A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.

Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play. A fight on the opening night threatens the production, as well as two thugs who have the mistaken idea that Fred owes their boss money and insist on staying next to him all night.

Five years after an unexplained malfunction causes the death of 15 tour-goers and staff on the opening night of a Halloween haunted house tour, a documentary crew travels back to the scene of the tragedy to find out what really happened.

One year ago, Agnes Rickover attended opening night at the Bates Motel and Haunted Hayride to see her best friend Lily’s dramatic debut. A horrific accident resulted in Agnes witnessing Lily’s fiery death in a spectacle gone wrong. After a year of obsessing over a murder investigation everyone else thinks is open and shut, Agnes goes to work at the Haunt in an attempt confront her trauma. Horrific events begin to claim the lives of her coworkers and Agnes must figure out what is behind all of the “accidents” before more people die.

Dead West – or The Rise of the Horror Genre and the Fall of the Western. The story of a western movie actor (Johnny Dust) still trying to make it big in a western film studio and theme park, when a ‘new management team’ takes over the park and turns the film studio into a fright-fest for the month of Halloween. Haunted by the image of his dead western movie hero, who appears to him on the little screen, Johnny unravels the real intent of management and its opening night ‘spectacular’, which takes place in the depths of the park’s cave.

The sequel picks up eight years since the opening night tragedy of HELL HOUSE LLC and still many unanswered questions remain. Thanks to an anonymous tip, an investigative journalist is convinced that key evidence is hidden inside the abandoned Abaddon Hotel – evidence that will shed light on the hotel’s mysteries and many unsolved deaths and disappearances. She assembles a team to break into the hotel in hopes of discovering the truth. But the source of the tip and the secrets of the Abaddon Hotel are more horrifying than any of them could have imagined.

Australia’s acid tongued prince of comedy, Joel Creasey, takes to the Sydney Opera House stage for a sizzling night of no-holds barred, adults-only stand up. With his unique brand of sass, Joel takes the audience on a roller-coaster ride through his celebrated “coming out”, his Twitter beef with Russell Crowe, Zumba classes with his mum, partying with Carrie Fisher and opening for Joan Rivers in New York. Joel’s journey will leave his reputation in tatters and the rest of us in stitches.

A tragic love story set against the always volatile and oftenviolent backdrop of Shanghai during the Japanese occupation and at the opening of the Pacific Theater of the Second World War. A nightclub singer becomes involved with both a member of the Chinese resistance and an officer of the Japanese army.

Karen is a refreshingly normal and charmingly unfashionable young woman – slick, maverick cop she is not – but her quick mouth and ingenuity make her an impressive investigator. Following her promotion to Police Scotland’s Historic Cases Unit, Karen is tasked with reopening the investigation into a murder that has been the subject of a provocative true crime podcast. When teenage barmaid Rosie Duff was stabbed to death in 1995, suspicion fell on the three drunken students who discovered her body. But despite police suspicion, the boys were never charged.

Nearly 25 years on, DS Karen Pirie is determined to uncover what happened that fateful night. Do the men know more than they previously revealed? When Karen uncovers flaws in the initial investigation, she finds herself in conflict with the very officers who led the original hunt for the killer.

Set in New York City, the film follows a naive fashion school graduate named Lily who finds her world turned upside down when her reckless best friend Kat announces she’s moving away to London in a matter of days. At a Lower East Side art opening the next night, they meet the enigmatic rising artist Henri, who Lily quickly takes a liking for. With less than seven days left and a new attractor between them, Lily and Kat will find their “unbreakable” friendship put to the test.

Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out

Jack Thornton has trouble winning enough at cards for the stake he needs to get to the Alaska gold fields. His luck changes when he pays $250 for Buck, a sled dog that is part wolf to keep him from being shot by an arrogant Englishman also headed for the Yukon. En route to the Yukon with Shorty Houlihan — who spent time in jail for opening someone else’s letter with a map of where gold is to be found — Jack rescues a woman whose husband was the addressee of that letter. Buck helps Jack win a $1,000 bet to get the supplies he needs. And when Jack and Claire Blake pet Buck one night, fingers touch.

Twenty-year-old Cal returns from France to Britain after receiving news that his mother is ill. His finds his home city of Bristol facing hard economic times brought on by the global economic crisis, with poverty and crime on the rise and rioting and looting almost a nightly occurrence. It is not a warm homecoming as his sick mother remains stubbornly homophobic and wants nothing to do with the now openingly gay Cal while his battered Auntie Jane, now living in a run down council house, dulls her stagnation with welfare funded booze and disturbing attempts to sexually seduce her nephew. Navigating his way across this new landscape he meets a young student who needs his help. However his act of kindness brings him into contact with a lawless drug dealing pimp and a race against time to make peace with his mother and get out of town as quickly as possible. An intense tale of a family mired in poverty, angry and lost but still searching for love, respect and acceptance.

When event planner Chloe is hired to plan the local Christmas Festival, she is beyond thrilled to embrace the challenge. Professionally, everything is going great, but much to the dismay of her mother, Chloe confesses she has given up on ever finding Mr. Right. That all changes the night of the opening of the festival when she meets Evan. The two begin a whirlwind romance, but as Christmas Day nears, Chloe learns that Evan is being transferred overseas for work. What follows is three more Christmases where Chloe and Evan cross paths at the annual festival, but each year something – or someone – stands in the way of true love. Will a touch of Santa’s magic on their fourth Christmas Eve finally bring them together?

David and Brenda are perfect for each other, and everyone knows it except David and Brenda. After a break-up, they each experience their own rough patch. For David, a self-destructive artistic endeavor and a relationship with an immature beauty—for Brenda, a failing acting career, an eviction notice, and a boyfriend who just doesn’t do it for her. A chance encounter brings them together on the streets of New York at a particularly bad time. David invites Brenda to the opening of his first photography exhibit and the stage is set for a night of drinking and flirting which leads to an untraditional proposal of how they can be together without getting back together. A sharply observed, un-romantic comedy by writer/director Mel Rodriguez III, IN STEREO is a stylish and striking first feature that offers an unflinching look at the complexity of modern relationships.