Set in Kyoto, Japan, a love story takes place between Hajime and Reika. Hajime is a handsome young man, who is usually a second quicker than everyone else and straightforward. He works at the post office. Reika is a young woman, who is usually a step slower than everyone else. After Valentine’s Day, Hajime wakes up and is unable to remember what happened that day.

Director and Writer Eric Dow (“Honor in the Valley of Tears”) brings us his second documentary as he goes behind the scenes of the fan fiction short film, “Batman: Dead End.” In the winter of 2003 commercial director Sandy Collora and some of his friends set out to make a low-budget short film for his demo reel. What they wound up actually doing was making one of the most elaborate, most watched, most talked about and most controversial short films ever made: Batman Dead End. Considering the amount of press and admiration Batman: Dead End garnered,

Jonathan Agassi is a superstar in the world of gay porn. He lives the wild life in Berlin and Tel Aviv, where he works in films and live shows and has a second job as an escort. Sex, drugs and rock ‘n’ roll – and all of it in large quantities. But the industry is tough, and behind the confident smile is an insecure boy with an absent father and a very close relationship to his broad-minded mother. The contrast to the superficial success grows and grows, but in the world of porn there is no room for crises. Here, you must deliver the goods, every single time – and every single day. Otherwise you are done. The identity crisis is smouldering, Agassi is floundering and drugs become tempting as an easy way out. But how long can he hold onto himself? Over the course of eight years, and with much mutual trust, the director Tomer Heymann has followed Agassi right up to the culmination of his life’s biggest crisis.

A contemporary who-dunnit, with a splash of supernatural, set in a college campus somewhere in India (a la Indian Institute Of Technology) where a few mysterious deaths occur and the only common link between the victims is that, seconds before their deaths, they all accepted a ‘facebook friend request’ from a certain profile page of Mona_Darling. The person behind the said page, Mona happens to be missing. Her friend, and a fellow student, Sarah recruits the help of a classmate, Wiki – a borderline sociopathic genius. This odd-couple of amateur sleuths carry on their investigation as the story leads them into unexpected corners and terrifying revelations. It’s a pacy thriller, confined to limited locations on one single campus, populated by fresh, sexy, young characters that can be executed on a fairly shoestring budget. More importantly it captures the present zeitgeist of young India and its obsession with social networking.

“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

Leslie is a West Texas single mother struggling to provide for her son when she wins the lottery and a chance at a good life. But a few short years later the money is gone, and Leslie is on her own, living hard and fast at the bottom of a bottle as she runs from the world of heartbreak she left behind. With her charm running out and with nowhere to go, Leslie returns home. Unwelcome and unwanted by those she wronged, it’s Sweeney, a lonely motel clerk, who takes a chance when no one else will. With his support, Leslie comes face to face with the consequences of her actions, a life of regret, and a second chance to make a good life for her and her son

Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth – the dashing one she once sent away – crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.

Brian Regan is back in his second all-new Comedy Central special, “The Epitome of Hyperbole.” Watch as he exposes the truth behind psychics, discusses the stupidest crimes, and offers his suggestions on how to improve the opera. With his easygoing manner and physical brand of humor, it’s clear why Brian Regan is one of today’s most respected comedians.

The gripping, decades-spanning inside story of Her Majesty Queen Elizabeth II and the Prime Ministers who shaped Britain’s post-war destiny.

The Crown tells the inside story of two of the most famous addresses in the world – Buckingham Palace and 10 Downing Street – and the intrigues, love lives and machinations behind the great events that shaped the second half of the 20th century. Two houses, two courts, one Crown.