Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists’ agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.

Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school’s operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There’s a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?

A light-hearted romantic drama starring Cary Grant & Irene Dunne as a couple who meet, fall in love, quarrel and reunite. While listening to a recording of “Penny Serenade”, Julie Gardiner Adams (Irene Dunne) begins reflecting on her past. She recalls her impulsive marriage to newspaper reporter Roger Adams (Carey Grant), which begins on a deliriously happy note but turns out to be fraught with tragedy. Other songs remind her of their courtship, their marriage, their desire for a child, and the joys and sorrows they have shared. A flood of memories come back to her as she ponders on their present problems and how they arose.