A society girl tries to reform her playboy husband by making him jealous.

Judy at the Palace. Sinatra at Carnegie Hall. Streisand at the Garden. Stritch on Broadway. Legendary performances come along so rarely. Elaine Stritch At Liberty is an autobiographical one-woman show written by Elaine Stritch and John Lahr. The show consists of spoken monologues from Stritch following her life and career, interspersed with showtunes and pop standards which compliment her stories. Many of these songs had been originated by Stritch in major Broadway productions, such as “The Ladies Who Lunch” from Company and “Civilization” from Angel In The Wings. Her experiences and relationship with show business are focal points, but she also explores more intimate, personal themes like her alcoholism and romantic relationships.

Errol Flynn, the swashbuckling Hollywood star and notorious ladies man, flouted convention all his life, but never more brazenly than in his last years when, swimming in vodka and unwilling to face his mortality, he undertook a liaison with an aspiring actress, Beverly Aadland. The two had a high-flying affair that spanned the globe and was enabled by the girl’s fame-obsessed mother, Florence. It all came crashing to an end in October 1959, when events forced the relationship into the open, sparking an avalanche of publicity castigating Beverly and her mother – which only fed Florence’s need to stay in the spotlight.

It’s been more than 10 years since our last appointment at Calvin’s Barbershop. Calvin and his longtime crew, including Eddie, are still there, but the shop has undergone some major changes. Most noticeably, our once male-dominated sanctuary is now co-ed. The ladies bring their own flavor, drama and gossip to the shop challenging the fellas at every turn. Despite the good times and camaraderie within the shop, the surrounding community has taken a turn for the worse, forcing Calvin and our crew to come together to not only save the shop, but their neighborhood.

Broadway producer, Max Bialystock and his accountant, Leo Bloom plan to make money by charming little old ladies to invest in a production many times over what it will actually cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.

It’s Christmas time in Cleveland, Ohio and four young ladies are on the verge of completing their mandatory thirty days of community service. With only one night to go, they are required to make a series of in-home visits to the older and less fortunate. Upon arriving at their final stop for the night, they become introduced to a pleasant older woman who graciously welcomes them into her home for the evening. However, as darkness falls and the cold settles in, they begin to realize that there is far more to their seemingly innocent host than meets the eye.

Strange attacks plague the township’s women, leaving the town leaders at a loss to defend them. At the same time Mthnuzi, a shrewd businessman, is becoming wealthier and more popular with the ladies – something is amiss. The local reverend, Simon Nkosi, learns that Mthunzi is controlling a Tokoloshe to fulfill his greedy desires. In his greed he breaks a golden rule of maintaining control over the beast and it goes on a rampage. Now its thirst for blood is strong and comes after Mthunzi’s women, saving the one he loves for last. Together with Reverend Simon they must take on a mythical beast that has never been defeated, to try and save.

Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man’s world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.

Ah, the Pennytree Golf Club…lavish clubhouse, manicured greens, 18 holes of golfing paradise… NOT! Tattered and almost without any customers, Pennytree has become the target of a takeover by it’s neighbor and competitor, Bentwood Country Club, owned and operated by the conniving Simon Roosevelt (Dan Barkley). Inspired by a freak accident, Liberty Pennytree (Christy Tummond) hatches a plan to bring in more golfers and crush Simon’s takeover plans. Gorgeous ladies, hot bods and the fun filled “cart wash” are the attractions as busloads of new customers flock to the “new” Pennytree Golf Club. The ladies of Pennytree, led by “Barbara the Bod” (Amy Lynn Baxter), are a hit with the customers, money is rolling into Pennytree and Simon is steaming. Simon’s not giving up and issues the ultimate challenge, a winner-take-all-match between Pennytree and Brentwood, “your pro against my pro.” The winner