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Night Labor follows Sherman Frank Merchant, a forty-six year old 6’6″ Downeaster during his transition from an independent and rugged clam digger by day to manning a factory at night. With his white smock, arsenal of knives, and signature black beret, Sherman performs the tasks of preparing and arranging tools for the day laborers who arrive to their 6am shift.
I is a university, who came to Tokyo from his hometown. I lives alone and doesn’t have friends or a girlfriend. I’s university life is boring and he doesn’t have a dream. I supports himself by working as a day laborer at a construction site. I meets two people at a hide-and-seek club. One is his Senior and the other person is Black Suit. By meeting them, I’s boring life changes. They start the “Midnight Maiden War,” which is their plan to destroy Tokyo.
September 1980. Mustafa ‘Mehmet Ali Alabora’ and his wife, who’re both laborers are married for 5 years. The couple has nothing to do with politics and spend their days happily with their 3 year old daughter and their TV, despite the clamor of guns clashing outside every night. One Friday morning, they wake up and hear the voice of Hasan Mutlucan on radio and observe soldiers marching through the streets, the very confirmation of the military coup that has taken place. Arrests begin instantly in workplace and neighborhood. Yet Mustafa, far from being disturbed, assumes that all apprehensions must have rightful reasons. Until the night he’s taken into custody, charged with the crimes of a militant code named “Sehmuz”.
What is supposed to be an educational and collaborative weekend professional development session for the English Department of Prescott High School instead turns into a blood soaked nightmare when a masked killer targets them.
During the Second World War, the son of a Grenoble collaborator went up to his grandmother’s house on the Vercors plateau to wait for the war to end without him. On July 21, 1944, German troops overran the plateau. Forced to flee, he joins a small group of Resistance fighters and civilians, and struggles to survive for three days and nights.
Cynthia Kyle enters puberty with a vengeance, murdering her parents as they make love: she’s wanted her father to love only her. Eight years later, she’s free and wants to marry, but nightmares plague her so she seeks psychiatric help. The doctor asks her to describe a dream: it’s long and elaborate with dreams within dreams of Lucifer, Hell, and her parents in various guises. To shed her guilt, the shrink recommends that she commit suicide in her next dream. In it, she falls in love with an artist who reminds her of her father, responds to a woman who finds her attractive, and celebrates her first school-yard kiss. The dream takes her back to her parents’ bedside. Is any cure possible?
When Bowe Bergdahl infamously walked off his base in Afghanistan in 2009 he was captured by the Taliban and held for five years, tortured and kept in a tiny cage. But the nightmare only continued when he was freed by President Obama in exchange for five Taliban prisoners from Guantanamo. Arriving home, he was vilified in the media as a deserter who collaborated with the enemy. Donald Trump called for him to be shot as a “dirty rotten traitor”. So what is his side of the story? Film-maker Sean Langan gets exclusive access to Bowe Bergdahl and to his parents, presenting a moving story of a family caught in a storm of false allegations, and a soldier who made a mistake and paid a terrible price.
Filmed in Modena, Italy across two nights in November 1993 as part of Peter Gabriel’s acclaimed Secret World Live tour in support of the Us album, the show is elaborately presented and choreographed with two stages joined by a narrow pier. Peter Gabriel has always been a charismatic live performer with the ability to draw his audience into the onstage world he has created and rarely has this been better captured than on Secret World Live.
A yearly high-stakes poker game between childhood friends turns into chaos when the tech billionaire host (Russell Crowe) unveils an elaborate scheme to seek revenge for the ways they’ve betrayed him over the years. But as his plans unfold, a group of thieves hatch plans of their own breaking into the mansion thinking it is empty. The old friends quickly band together and the years of playing the game help them win their way through a night of terror.
West Point graduate lieutenant Jeff Knight meets cynicism when taking command of sergeant Michael McNamara’s tour veterans platoon in a Vietnamese trench camp. Unlike his predecessor, who hid till the end of his tour, Jeff takes charge, experiences the manual doesn’t allow coping with all realities and gets wounded. He returns, now fully respect by men and superiors. Besides the Vietcong, the platoon wrestles with the inscrutable villagers, which the G.I.’s officially protect, but also fear as some collaborate with them, other covertly with the Cong, either way subject to bloody reprisals.
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.
2AM, closing time: A cocky bar manager with a shady past and a young handsome bartender discover a beautiful woman bloodied and unconscious in the bathroom of a late night lounge. When she awakens, Tony, Matt and the mysterious Rose are plunged into a stirring evening of dangerous role playing in an ever-escalating game of cat and mouse that forces them to face the dark shadows of themselves. As we begin to piece together the elaborate puzzle, nothing is what it seems. However, one thing is for certain: this Rose is full of thorns.
Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out
Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his beautiful, socialite wife, Amanda, (Terri Polo) a wealthy timber heiress. Unlike most, who would remain content to enjoy a life of luxury and privilege, Brooks continues to risk everything by having extramarital affairs. Brooks’ philandering, in addition to humiliating Amanda, has driven her to the point of a mental breakdown. Having been pushed over the edge, Amanda orchestrates a just and elaborate plan to bring her husband down. When Brooks leaves for a weekend romp with his latest squeeze, (Agnes Bruckner) his life quickly descends into a bizarre, nightmarish, downward spiral.
This comedy follows Sam, as her life is turned upside down on a big night out. When reunited with her old college friends, Sam is forced to re-evaluate her life and constructs an elaborate façade in order to convince herself and her friends that she has it all. But once her dysfunctional yet devoted trio of best mates intervene, her carefully crafted charade begins to crumble amidst the shots, cigarettes, ciders and toilet transgressions. Faced with some very harsh realities, Sam must struggle to remain true to herself and reassess exactly what she wants from life.
When a top-secret laboratory is unexpectedly breached, thousands of rampaging raptors are unleashed on Los Angeles! A black-ops unit is mobilized to contain the creatures before they cause city-wide chaos. Simultaneously, a truckload of raptors is rerouted to a nearby prison. Upon their escape, these ferocious flesh-eaters are beyond containment. This is Jurassic judgment night for smoking hot sorority girls, sinister scientists, muscle-bound military and doomed death-row inmates! It’s about to get bloody in Jurassic City!
In medieval Europe, crusading knights massacre a village full of suspected devil worshipers and build a large Gothic church above the cursed remains. It is now present day, and this elaborate cathedral still stands. But when its sealed crypt is accidentally reopened, a group of people trapped inside the church become possessed by the fury of the damned! Can the blood of the innocent survive this unholy communion, or will the ultimate demonic evil be unleashed upon the world?!
Four directors collaborated to remake four episodes of the popular television series ‘The Twilight Zone’ for this movie. The episodes are updated slightly and in color (the television show was in black-and-white), but very true to the originals, where eerie and disturbing situations gradually spin out of control. “A Quality of Mercy”, “Kick the Can”, “It’s a Good Life”, and “Nightmare at 20,000 Feet”.
Encomium to Larry Hart (1895-1943), seen through the fictive eyes of his song-writing partner, Richard Rodgers (1902-1979): from their first meeting, through lean years and their breakthrough, to their successes on Broadway, London, and Hollywood. We see the fruits of Hart and Rodgers’ collaboration – elaborately staged numbers from their plays, characters’ visits to night clubs, and impromptu performances at parties. We also see Larry’s scattered approach to life, his failed love with Peggy McNeil, his unhappiness, and Richard’s successful wooing of Dorothy Feiner.
In the early 19th century, Dr. Frankenstein (Patrick Bergin, Sleeping with the Enemy) discovers the secret of life – how to create a perfect man – powerful, intelligent and immune to disease. But something goes wrong in the laboratory and the doctor’s hideous creation (Randy Quaid, National Lampoon’s Vacation) disappears into the night. At first, Frankenstein hoped that the horrible monster would perish in the wilderness, but now he senses that it’s alive and sets out for him. Dr. Frankenstein tracks the creature to the Arctic, where the two must battle to decide who will become the master of the other’s life…or death. “Nobody’s ever done a Frankenstein like this one and nobody’s ever done a better one” (Houston Chronicle).
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
On their first night at a new, secluded house, a couple (Esin Harvey, Gorkem Mertsoz) encounter the mysterious woman (Derya Alabora – A Most Wanted Man, When We Leave) who claims it to be her home.
A former bodyguard who chained small security jobs in nightclubs to raise his 8-year-old daughter finds himself forced to collaborate with the police. His mission: infiltrate the organization of a dangerous Flemish gang leader.
Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid
