Sidney is a warm and deeply quixotic man who sends his lost love a plane ticket to New York along with a letter asking her to meet him at the top of the Empire State Building. With a vintage Polaroid camera in hand, he takes to the New York streets, stopping occasionally at tourist attractions and coffee shops. Along the way, he unexpectedly meets a distraught woman who left her boyfriend that very morning after discovering that he had been unfaithful. Like Sidney, she too is drifting around Manhattan, as she waits for a flight to take her back to San Francisco.

In the thick heat of central Florida, Rosie, a musician fresh out of high school, can’t shake her boredom. Before long, she meets Jules, a hustler from New York. She falls hard for his streetwise charms and his easy confidence. On the other side of town, Brandon returns home after a decade in prison, but his transition to life on the outside is dogged by the scars of his past. The summer drags on, pushing these three characters together down a dangerous path.

Three New York drag queens on their way to Hollywood for a beauty pageant get stranded in a small Midwestern town for the entire weekend when their car breaks down. While waiting for parts for their Cadillac convertible, the flamboyant trio shows the local homophobic rednecks that appearing different doesn’t mean they don’t have humanity in common.

Television’s “King of Queens” reigns again in this Comedy Central special — the network’s first-ever hour-long show devoted entirely to one comic, taped live in July 2001 at New York City’s Hudson Theatre. James riffs on life’s many “royal” pains, including waiting in line with strangers, negotiating with the airport ticket counter clerk, underwear wedgies, boringly slow answering machine messages and more.

Nickie Ferrante’s return to New York to marry a rich heiress is well publicized as are his many antics and affairs. He meets a nightclub singer Terry McKay who is also on her way home to her longtime boyfriend. She sees him as just another playboy and he sees her as stand-offish but over several days they soon find they’ve fallen in love. Nickie has never really worked in his life so they agree that they will meet again in six months time atop the Empire State building. This will give them time to deal with their current relationships and for Nickie to see if he can actually earn a living. He returns to painting and is reasonably successful. On the agreed date, Nickie is waiting patiently for Terry who is racing to join him. Fate intervenes however, resulting in misunderstanding and heartbreak and only fate can save their relationship.

Good-natured astronomer Sam is devastated when the love of his life, Linda, leaves him for a suave Frenchman named Anton. He therefore does what every other normal dumpee would do; go to New York and set up home in the abandoned building opposite his ex-girlfriend’s apartment, intent on winning her back and waiting until she decides to leave her current lover.

Mia (Duff), the loyal and hard-working manager of her small town’s Christmas hat shop, is blindsided when her boss of over ten years asks her to train his son, Nick (Cupo), for a vacant upper-management position that Mia had been coveting. Although Nick is a handsome, successful New York City business consultant, Mia finds training him frustrating until Nick takes an interest in Mia’s son Scotty, helping Scotty with a pumpkin carving contest. However, Mia’s faith in Nick quickly diminishes when Nick fails to show up at the contest. To protect her son from further disappointment, Mia tries to keep Nick out of her and Scotty’s fragile life, and Nick must decide if staying in the small town of Wilsonville is worth giving up the big-city perks he once had in New York. As Mia struggles to find a way to convince Scotty to return to physical therapy so he can walk again, she soon realizes that Nick may be the Christmas miracle she has been waiting for.

In “A Mighty Wind”, director Christopher Guest reunites the team from “Best In Show” and “Waiting for Guffman” to tell tell the story of 60’s-era folk musicians, who inspired by the death of their former manager, get back on the stage for one concert in New York City’s Town Hall.

Nate Shepherd, late 40’s, and Jenny Sparks, early 30’s, meet in a fancy New York eatery. Complete strangers who have had a rotten day, waiting for their better halves, they reveal to one another that they are going to meet new people tonight. They quickly realize they are waiting for each other. When Nate loses his girlfriend (after getting fired from his cushy job at an ad agency) and Jenny loses her boyfriend to a drug overdose, Nate’s girlfriend suggests that they should move in together as friends to split the rent and ease each others pain. As their friendship grows into something more, their relationship becomes a loving but complicated experience.

Adah and Aaron are recovering addicts who are struggling to stay sober. After meeting in their psychoanalyst’s waiting room, they fall in love, relapse on poppers, and become the biggest assholes in New York City.

Alana and Lori were just two LGBT 20-somethings looking for love on Tinder when a casual right swipe made a match that would bind them together forever. Within a few weeks of meeting, Lori learned that Alana suffers from Lupus and has been waiting on the kidney transplant list for years. The state of New York, where Alana lives, has the lowest number of organ donors in the country, and because of her complex medical background, her chances of finding a donor match were incredibly slim. Against all odds, Lori found that she was a candidate for donation and decided to give Alana the ultimate gift. If the transplant is a success, Alana will triple her life expectancy and be freed from nightly dialysis. But if it fails, Lori will go through risky surgery and lose a healthy organ in vain. BEAN is an emotional medical journey for two families that tests the true limits of love and sacrifice.

Aspiring but less than ambitious photographer Nate clumsily navigates the New York City art world in a post-grad haze, waiting for his breakthrough project to fall into his lap. During a drug-fueled wormhole through the annals of YouTube, Nate discovers his next subjects when an arbitrary click lands him on a crude music video by the Young Torture Killaz—an Insane Clown Posse knock-off group of jaded Delaware teens with a lot to scream about—and the inspiration (and exploitation) flows