Featuring the Shocklosers from Super Science Showcase, this new adventure finds the gang shipped off to Camp Analog– a summer camp that specializes in “rehabilitating” young people with destructive tech habits– after a prank for their online channel goes too far. But everything is not quite what it seems at Camp Analog, and the Shocklosers find themselves fighting the established conformity to preserve who they really are.

Four door-to-door salesmen struggle to get by while pursuing an analog profession in a digital world. They unwittingly begin selling propaganda for a cult, whose popularity sweeps the city, leaving the salesmen as the only people who can stop it.

Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.

Matt Ryder is convinced to drive his estranged and dying father Benjamin Ryder cross country to deliver four old rolls of Kodachrome film to the last lab in the world that can develop them before it shuts down for good. Along with Ben’s nurse Zooey, the three navigate a world changing from analogue to digital while trying to put the past behind them.

Disaster strikes when a criminal mastermind reveals the identities of all active undercover agents in Britain. The secret service can now rely on only one man — Johnny English. Currently teaching at a minor prep school, Johnny springs back into action to find the mysterious hacker. For this mission to succeed, he’ll need all of his skills — what few he has — as the man with yesterday’s analogue methods faces off against tomorrow’s digital technology.

At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.

After their overenthusiastic RA is imprisoned in Mexico, a group of college freshmen are plunged into their first semester under a renegade Resident Advisor, Dean “The Dean” Slater. The boys battle viral video stigma, psychotic girlfriends, and hangovers on their way to creating a more analogue college experience.