A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

A mother who will stop at nothing to get her daughter back and exposes the intricate seductive power of Allison and Keith and the mental and physical abuse India fell victim to.

The film is set during the period of growing influence of the Indian independence movement in the British Raj. It begins with the arrival in India of a British woman, Miss Adela Quested (Judy Davis), who is joining her fiancé, a city magistrate named Ronny Heaslop (Nigel Havers). She and Ronny’s mother, Mrs. Moore (Peggy Ashcroft), befriend an Indian doctor, Aziz H. Ahmed (Victor Banerjee).

Mauji stays in a village near Delhi with his wife Mamta, father and mother. Varun works at a shop that sells sewing machines, owned by Bansal and his son Prashant. Both have a habit of ill-treating Mauji and make him do fun antics. When Prashant gets married, Bansal invites Mauji and his entire family. Mamta feels humiliated when she sees Mauji being asked to imitate a dog by the Bansals.

Ming Wang is an impoverished Chinese prodigy who flees Communist China to become a pioneering eye surgeon in America. When tasked with restoring the sight of an orphan in India, who was blinded by her stepmother, Wang must confront the trauma of living through the violent uprising in his youth, the Cultural Revolution.

Despite her fame and fortune, Mina, a successful Indian actress in Mumbai, can’t forget her little sister Sita, from whom she was forced to separate after their mother’s death in a village. Thirty years later she will finally find out that Sita is alive and well in Barcelona. However, Sita’s adoptive parents have erased all traces of her past. She is now called Paula, works as a researcher in Biology and has no recollection of her Indian background, let alone of Mina. Faced with the shocking truths of her past, Paula begins a long journey of self-discovery, aided along the way by her budding romance with the handsome Indian immigrant Prakash. A story of hope and love across Mumbai and Barcelona; from India to the Mediterranean and all the way back.

Ben Archer is not happy. His mother, Sandy, has just met a man, and it looks like things are pretty serious. Driven by a fear of abandonment, Ben tries anything and everything to ruin the “love bubble” which surrounds his mom. However, after Ben and Jack’s experiences in the Indian Guides, the two become much closer.

This documentary lifts the veil on our planet’s most revered and charismatic animal, inviting viewers to journey alongside Ambar, a young tigress raising her cubs in the fabled forests of India. Curious, rambunctious and at times a bit clumsy, the cubs have a lot to learn from their savvy mother who will do all she can to keep them safe from pythons, bears and marauding male tigers. “Tiger” is the groundbreaking culmination of 1,500 days of filming.

Set against the pulsating backdrop of rustic North India, Love Hostel traces the volatile journey of star-crossed lovers, being hunted by a ruthless mercenary on the orders of the area’s MLA, who also happens to be the girl’s grandmother.

Jack and Diane are forced to leave Indiana after discovering secrets about the death of Diane’s mother. When their worst fears are confirmed by the chief of police, Jack and Diane create a “Hit List” and exact revenge on everyone involved.

An immigrant Indian mother fights the Norwegian foster care system and legal machinery to win back custody of her children.

Ana Alvarez is a single mother from Nicaragua living in Northern Indiana with her teenage daughter, Izzy. When a routine check in leads to a deportation order, life as Ana knows it ends. The timing could not be worse as Izzy has just been accepted to Indiana University. Faced with an impossible reality of a lifetime away from her daughter, Ana decides to risk everything in a last chance effort to leave Izzy’s tuition paid before her time runs out.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.

Rhea lives with her tight-knit multigenerational family. After her mother’s death, she has been her father’s emotional rock, and her life revolves around her family’s restaurant, her eclectic group of friends, and her after-school coding club. Everything changes when she falls for aspiring DJ Max and a long lost passion for music is reignited. Rhea discovers that she has a natural gift for creating beats and producing music that blends her Indian heritage, but must find the courage to follow her true inner talent.

A London-based millionaire, deaf-mute, Surbhi (Tamannaah Bhatia) makes multiple enemies when she decides to use the property she inherits from her adoptive mother towards the betterment of kids living in an Indian orphanage.

After India’s father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.

It’s death-by-fear (aka scared-to-death) in this deceptively psychological thriller. The hero, Mike brings his friends to his grandparents’ house for a Halloween party wherein they will all dress up as their innermost fears. Mike’s fear is that he’s inherited a homicidal legacy from his father. Mike’s father was a serial killer who murdered his mother right in front of him when Mike was five before committing suicide. Mike’s fear manifests itself in his inability to commit to his girlfriend of 4 1/2 years, Peg for fear that he will kill her too. Everything gets rolling when an ancient Indian totem wooden figure named Morty comes to life and starts killing off Mike’s friends by making their worst fears come true. The ultimate confrontation comes when Mike has to face his greatest fear – his own father.

Nani is a trepid and fearful guy who works as a software engineer. Bullet is a mafia don in Dubai. Her mother doesn’t know about Bullet’s profession. Bullet is forced to come back to India when her mother falls ill. Her mother’s last wish is to get Bullet married. That’s when Nani falls in love at first sight with Bullet when she visits a temple wearing a traditional dress. Rest of the story is all about what happens when a coward like Nani marries a gangster girl without knowing her real profession.

The film is a coming-of-age story of a young boy named Apu, and life in his small Indian village in the early years of the 20th century. Apu is born to a poor Brahmin family in Bengal. His father Harihar is a priest who dreams of becoming a successful poet and a playwright; he does not earn enough, but the mother Sarbajaya keeps the family going. Because of their limited resources, Sarbajaya resents having to share her home with Harihar’s elderly cousin: the old and helpless cripple Indir. Apu’s sister Durga is always getting into trouble for stealing guavas from the neighbour’s orchards for Indir. She cares for Apu like a good older sister but loves to affectionately tease him. Together, they make do with what they have and enjoy the simple joys of life.

Finding love is never easy. For Ravi Patel, a first generation Indian-American, the odds are slim. His ideal bride is beautiful, smart, funny, family-oriented, kind and—in keeping with tradition—Indian (though hopefully raised in the US). Oh, and her last name should be Patel because in India, Patels usually marry other Patels. And so at 30, Ravi decides to break up with his American girlfriend (the one who by all accounts is perfect for him except for her red hair and American name) and embark on a worldwide search for another Patel longing to be loved. He enlists the help of his matchmaker mother, attends a convention of Patels living in the US and travels to wedding season in India. Witty, honest and heartfelt, this comedy explores the questions with which we all struggle: What is love? What is happiness? And how in the world do we go about finding them?

A whiplash thriller in the lean, mean TAKEN tradition from Howard J. Ford, Director/Co-Writer, of the past FrightFest favourites THE DEAD and THE DEAD 2: INDIA. Former FBI agent, now single mother Lisa Brennan, takes a holiday to escape an unhappy love affair and painful family memories. But in a heartbeat is not only faced with a daughter kidnapped by human traffickers, but also faces murder charges and must keep one step ahead of the foreign police. Fasten your seatbelts for spectacular twists, startling turns and breathless suspense in a jolt-a-minute journey no mother should go on!

Jai Singh is one of the richest Indians in the world who loves to live life on the edge. A conspiracy suddenly changes his life and brings him back to his motherland – India. What does he have to deal with? Will he give everything he has earned?

The movie begins as an old English woman Amy Wilkinson (Carole Trungmar) almost at her death bed in London, wants to come down to Chennai in search of a young man Parithi (Arya) whom she last saw on 15 August, 1947 to return Thali necklace (sacred thread tied around the neck of the bride by her groom) of his mother, which he gives as a sign of stating that she belongs to India and nobody can separate them. She wants to return that back to him, as she gets married to other man in her home town and it no more belongs to her.

A young mute girl from Pakistan loses herself in India with no way to head back. A devoted man with a magnanimous spirit undertakes the task to get her back to her motherland and unite her with her family.

Hamari Adhuri Kahani (English: Our Incomplete Story) is a 2015 Indian romantic drama directed by Mohit Suri and produced by Mahesh Bhatt under the banner Vishesh Films and Fox Star Studios. The film stars Emraan Hashmi, Vidya Balan, and Rajkummar Rao. It is based on the love story of Bhatt’s parents, Nanabhai Bhatt, Shirin Mohammad Ali and his stepmother.

The truth of the past come to light in a series of haunting visions in this drama. The strange visions grow more vivid with each passing day, a young woman of Native American heritage begins piecing together a Catholic priests diabolical plot to prevent her mother from revealing the atrocities that unfolded at a Native Indian boarding school.

The story is based on the conviction Dhananjoy, accused for the gruesome murder of Hetal Parekh, which took place in the year 1990. On the basis of circumstantial evidence and on the basis of the deceased mother’s statement, Dhananjoy Chatterjee- a security guard, was executed and hanged to death on the early hours of 15th August 2004, after serving imprisonment for 14 long years and after having appealed to all levels of court in the country; and finally, to the President of India.

Inspired by an actual friendship between the director’s mother and his mother’s best friend, ‘The Tree’ is a poignant, heart-warming story about an 88 year-old widow (Dorothy Thorp) who takes a road trip from Wamego, Kansas, back to Terre Haute, Indiana, to visit her oldest and dearest childhood friend.

India, 1918. On the outskirts of Tumbbad, a cursed village where it always rains, Vinayak, along with his mother and his brother, care of a mysterious old woman who keeps the secret of an ancestral treasure which Vinayak gets obsessed with.

At an isolated log cabin in the harsh wilderness of Indiana circa 1817, the rhythms of love, tragedy, and the daily hardships of life on the developing frontier shaped one of our nation’s greatest heroes: Abraham Lincoln. Abe is a thoughtful and quiet boy who spends his days at the side of his beloved mother while learning to work the land from his stern father. When illness takes his mother, Abe’s new guardian angel comes in the form of his new stepmother, who sees the potential in the boy and pushes for his further education.

London-raised Ronnie returns to his home in India to discover his mother Suleka has died in mysterious circumstances. As he uncovers a series of similar past murders, Ronnie’s own inner-darkness come to light.

Nevada Smith is the young son of an Indian mother and white father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.