Mortal World 2 tells the story of the Mermer family, who now continues their lives as outlaws, struggles with their own problems. Serhan has difficulty adjusting Begüm, who is pregnant, to their new life. While Serhat is now missing a woman in his life, Gazanfer struggles to keep his family together against the organization. However, Zafer’s fall into the hands of the organization turns everyone’s lives upside down. Looking for a way to reach Zafer, Gazanfer finds the solution by asking for help from an old friend. This time, the Mermer family will have to make one last heist to reunite with their children.

Silver-tongued Jimmy Skinford is on the run with the only person he can trust, Zo-phia, a woman hunted by every underworld crook in town for her coveted curse of immortality. To stop the relentless onslaught of violence and get their lives back they must search through Zophia’s past to fnd a cure. But what future can you have when your survival depends on losing the one thing keeping you alive?

Hamlet has the world at his feet. Young, wealthy and living a hedonistic life studying abroad. Then word reaches him that his father is dead. Returning home he finds his world is utterly changed, his certainties smashed and his home a foreign land. Struggling to understand his place in a new world order he faces a stark choice. Submit, or rage against the injustice of his new reality. Simon Godwin (The Two Gentlemen of Verona 2014) directs Paapa Essiedu as Hamlet in Shakespeare’s searing tragedy. As relevant today as when it was written, Hamlet confronts each of us with the mirror of our own mortality in an imperfect world. Hamlet played in the Royal Shakespeare Theatre, Stratford-upon-Avon until throughout summer 2016.

Act I is the first live album released by the Finnish soprano Tarja Turunen at the El Círculo Theatre in Rosario, Argentina on March 30th. and 31st. 2012. Set-List: 1. If You Believe (Intro) / 2. Anteroom of Death / 3. My Little Phoenix / 4. Dark Star / 5. Naiad / 6. Falling Awake / 7. I Walk Alone / 8. Orpheus Hallucination / Orpheus in the Underworld / 9. Little Lies (Instrumental) / 10. Little Lies / 11. Into The Sun / 12. Nemo / 13. Acoustic Set: Rivers of Lust / Minor Heaven / Montañas De Silencio / Sing For Me / I Feel Immortal / 14. Never / Enough / 15. In For a Kill / 16. Toccata and Fugue D-minor, BWV 565 / The Phantom of the Opera / 17. Die Alive / 18. Until My Last Breath / 19. Over The Hills and Far Away (Gary Moore Cover).

Pulp found fame on the world stage in the 1990s with anthems including ‘Common People’ and ‘Disco 2000’. 25 years (and 10 million album sales) later, they return to Sheffield for their last UK concert. Giving a career-best performance exclusive to the film, the band members share their thoughts on fame, love, mortality — & car maintenance. Director Florian Habicht (Love Story) weaves together the band’s personal offerings with dream-like specially-staged tableaux featuring ordinary people recruited on the streets of Sheffield. Pulp is a music film like no other — by turns funny, moving, life-affirming & (occasionally) bewildering.

After six weeks of gruelling competition, England battle reigning champions Australia. The two teams are inseparable after eighty minutes. Deep into extra time, there are just two minutes left on the clock. England rumble to within 40 yards of the posts. The ball is sent spiralling back to Jonny Wilkinson, the golden boy of English rugby, in a split second he drop kicks for goal and a chance for sporting immortality. It is an astonishing story of pressure, expectation and courage, tracing the roots of success back to the professionalization of the game in the 90s and culminating in that glorious World Cup campaign of 2003 that turned Woodward’s poisoned chalice into a golden cup.

Albert and David Maysles’ classic GREY GARDENS immortalized the estate of Edith and Little Edie Beale, relatives of Jacqueline Bouvier Kennedy, who lived in alarmingly poor conditions. But there is more to the story: it was Lee Radziwill and Peter Beard who first brought the Maysles to the Beales, when the two set out to make a film about Radziwill’s childhood. The reels of that first contact were shelved for 45 years. This documentary recovers the lost footage. Anchored in Beard’s recollections and artistic vision, we are returned to “that summer” in 1972, a seductive dream world and collage of radically unconventional creative personalities—Warhol, Bacon, Jagger, Capote—practicing the art of living amidst oppressive forces of class expectation and prejudice.