A kidnapper disappeared 15 years ago without a trace. Five days before the case’s statute of limitations expires, someone anonymously leaves a flower at the crime scene. A few days later, another kidnapping takes place using the same method on a similar target.

The authorized documentary on late Guitar/lead singer Kurt Cobain from his early days in Aberdeen Washington to his success and downfall with Grunge band Nirvana.

A movie that starts out with the “Man in the Mirror” music video, it then changes to a montage of video clips of Michael’s career. Next comes a parody of his Bad video by children, and then Michael is chased by fans in a fantasy sequence. 2 more videos are shown, and then a movie in which Michael plays a hero with magical powers. In it he is chased by drug dealer Mr. Big and saves three children. Videos included in the movie are “Smooth Criminal” and “Come Together”.

Kicking Off starts with the most important game of the season. Loyal fans Wigsy and Cliff watch in trepidation as their football team score the goal that will save them from relegation. Victory is bliss as a chorus of supporters chant and cry with elation. However, this frenzy of happiness quickly turns ugly as the referee disallows the deciding goal. With their hearts and fists pumping, adrenalin running and fury racing through their bloodstream, the fans take matters into their own hands and Cliff makes the fatal mistake of planning while intoxicated. Wigsy, a confirmed idiot, follows through with the said plan and in the darkest hours of the night he commits a crime that will cause chaos and catastrophe for him and his best mate Cliff. Kicking Off is cleverly filmed with split screen shots and slow motion montages. The characters are lovable thugs who will leave you laughing and grimacing at their lack of common sense. The beautiful game just got ugly.

A visual montage portrait of our contemporary world dominated by gobalized technology and violence.

A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.

Paradise Found is a biography about the painter Paul Gauguin. Focusing on his personal conflict between citizen life and his family life and the art scene in Frane. In an incredible imagery montage Gauguin manages to make a successful living in the South Pacific, while being in opposition to France.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

Winter of starvation, 1947. In Austria desertion from the Wehrmacht is still a crime even after the war. The cook, the farmer, the altar boy, and the head pig keeper give insight into the military terror they were subjected to and their reasons for fleeing. The documentary-style film is a montage of the real fates of young deserters and shows moving moments of traumatic memories and the social ostracism experienced after the war.

Recording a 24-hour period throughout every country in the world, we explore a greater diversity of perspectives than ever seen before on screen. We follow characters and events that evolve throughout the day, interspersed with expansive global montages that explore the progression of life from birth, to death, to birth again. In the end, despite unprecedented challenges and tragedies throughout the world, we are reminded that every day we are alive there is hope and a choice to see a better future together. Founded in 2008, it set out to explore our planet’s identity and challenges in an attempt to answer the question: Who are we?