The film is a violent, edgy ride focusing on down and out Reagan Tyler, a man who is troubled by visions and premonitions that ultimately lead him to old school Las Vegas. It’s there that Reagan meets the beautiful and mysterious Monika, a young woman who turns out to have been killed the night before he even met her. Reagan is then forced to put the puzzle together of what happened, how she is still present, and help Monika with her revenge on the killers of her younger sister.

Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?

Monika, a middle-aged wealthy woman, goes through a marriage crisis with her younger husband Linas. A car accident leads Monika to meeting three young girls, Kristina, Egle and Gitana, who happen to be ex-prostitutes extradited from Germany. The lady and the girls settle down in a country mansion, to form a relationship that will change their lives forever