Dr. Alvaro Cruz, a neuroscientist, disillusioned by the death of his mother and his inability to help her, finds redemption and reward by helping Una Vida, a jazz singer he discovers performing on the streets of New Orleans. Her health declining and her singing partner and her adopted daughter unable to help, Cruz seeks out her long lost son in an effort to bring resolution to the grief, loss and longing that has overshadowed her hard but beautiful life.

David Morales (Mario Lopez), an Arizona high school principal and single dad, has lost the holiday spirit after also losing his wife a few years ago during the Christmas season. Now, David will do anything to avoid Christmas so he moonlights as a delivery driver during the holidays. But this year David’s 14-year-old daughter, Noel (Paulina Chavez), and his live-in sister, Marissa (Marycarmen Lopez), are determined to bring the yuletide spirit back to the family and, with a little luck, also help David find love again via online dating. So when Sophie (AnnaLynne McCord), a witty musician and customer on David’s delivery route, swipes right on him, something magical happens between them.

Desperate to avoid his family’s judgment about his perpetual single status, Peter convinces his best friend Nick to join him for the holidays and pretend that they’re now in a relationship. But when Peter’s mother sets him up on a blind date with her handsome trainer James, the plan goes awry.

Follows Callie and Joseph one year after they fell in love, now running a dairy farm and winery, but their romance is threatened when business and family obligations call Joseph back to the city.

An auditor who completely despises Christmas is sent to a small town for work, where he meets a woman determined to change his view about the holiday.

A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers and luxuriates in the language and the theater of their debates, begging the question, ‘What has television done to the way we discuss politics in our democracy today?’

A story about a chance encounter that momentarily destroyed a successful and happy family life. All of a sudden the woman found passion and desire more important than her loving husband and cherished child. The father and son suffer from the realization that they are no longer needed, but try to understand and forgive. The woman, who failed to become happy, is in turmoil.

Devathai, who is the daughter of the ex minister Chitravel comes across her first love Kaushik at her grandmother’s death.She starts her love adventure to know more about Kaushik. Meanwhile her elder sister Nithya develops a relationship with her father’s rival Paddi Alandhan’s son Prakash. A special investigating officer Nagaraj is set to unravel the clues and discover the man behind the four mysterious murders which occurred in Chitravel’s house.

There is a long night when Hugo, a civil servant, is sitting on the stairs of the Ministry where he works. He can’t face going home. The images of the mysterious 8 mm films he found in António’s house after he passed away keep coming back to his mind. Hugo remembers the day when Antonio, his superior at the Ministry, told him that he was going to die. Indirectly, Antonio seemed to want to tell him something about Hugo himself. Hugo’s desire to understand what had remained unsaid between the two of them, triggers other memories from the past. Hugo unexpectedly thinks back on the last time he saw the woman he loved, Adriana, and relives once more what he feels has been his unlived life.

‘Smiling Through the Apocalypse’ chronicles a man whose editorial instincts produced one of the greatest magazines ever: Harold Hayes, the swinging editor and cultural provocateur of the iconic Esquire Magazine of the Sixties. Through the narrative of his son Tom, a journey ensues opening unprecedented access to some of the Esquire magazine’s most compelling talents, from Nora Ephron to George Lois, and Tom Wolfe to Gore Vidal. The film is a story of risk, triumph, and challenge told by the people that helped make the magazine great, and a son who only come to understand his father’s editorial greatness 23 years after his passing.

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Anchored by intimate, one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time.

After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge Suttel, with whom he first discovered prison life – for stealing cherries. The two of them inevitably got involved in organized crime. The team they formed, the Ganf Des Lyonnais, made them the most notorious armed robbers of the early 1970s. Their irresistible rise ended in 1974 with a spectacular arrest. Today, as he nears 60, Momon would like to forget that part of his life. He has found peace by retiring from the “business”. He tends to his wife Janou, who suffered so in the past, and to his children and grandchildren, all of whom have great respect for this man of simple and universal values, so clear-headed and full of kindness. But then Serge Suttel, who has disowned nothing of his past, comes back into the picture.

The Vidal family is spending a summer on Catalonia’s gorgeous Costa Brava with their Alzheimer-affected grandmother Ángela. Overprotected and shy, 14 year-old Nora goes through a difficult time after her parents’ separation, but what looked like another tedious, sad summer for Nora, turns into a dangerous coming of age experience with the arrival of Libertad, the wild 15-year daughter of Ángela’s Colombian caretaker.

The Super Monsters celebrate Día de Los Muertos in Vida’s hometown with her magical family, some new monster friends and a spooktacular parade.

Ángela Vidal the young television reporter who entered the building with the fireman, manages to make it out alive. But what the soldiers don?t know is that she carries the seed of the strange infection. She is to be taken to a provisional quarantine facility, a high-security installation where she will have to stay in isolation for several days. An old oil tanker, miles off shore and surrounded by water on all sides, has been especially equipped for the quarantine.

Vida and Arthur come from vastly different backgrounds. Sensitive and touching, sometimes quirky and tragic, always uncompromisingly truthful, a fresh look how conflicting family ties challenge love in a modern day Romeo and Juliet tale.

Kiki Melendez presents Hot Tamales Live ll and brings together seven of today’s most talented and diverse comedians for one hot and hilarious stand-up comedy special. From sizzling Brazilian dancers to hilarious performances by Amy Anderson (Premium Blend), Kira Soltanovich (Tonight Show Phone Booth Girl), Canada’s own Nikki Payne (The Naughty Show & The Next Big Thing), Valentino (The Ambassador of Love), Jill Michelle Melean (Mad TV & Reno 911), Nadine Rajabi (Skinny Fat Free News), and the incomparable Thea Vidal (ABC’s THEA and Ugly Betty).

Billy Jump is electrocuted by his guitar. Alexander has his head chopped off by a samurai. And Vida is mysteriously poisoned by tapioca pudding. Then the dead randomly start coming back to life.

Quatro amigos que só pensam em curtir a vida, com grandes farras, mulheres e bebidas, são surpreendidos com uma ação de despejo. Precisando de dinheiro, a turma é obrigada a pensar naquilo que mais abominam: trabalhar! A confusão está formada quando cada um busca um meio fácil de conseguir dinheiro, com o mínimo de esforço. Os dias se passam as confusões hilárias só aumentam!