In the early eighteenth century, foreign rule means dark times for the Hutsuls of the Carpathians. The two Dovbush brothers become opryshkos – mountain outlaws. But the two brothers become enemies – one cares only about money, the other – Oleksa – fights for his people. The Carpathians are convulsed with a wave of uprisings. The aristocracy uses its military might to try to kill Dovbush and destroy his legend. But Dovbush outwits them. The desperate lords devise a devious plan and attack the invincible outlaw’s Achilles heel – his love for his childhood sweetheart, Marichka. Who will be the assassin to attack the Opryshko whose immense strength and bravery inspired folk tales? Will the lords’ treacherous plan destroy the hero before he can lead his people to freedom?

Pastor Joe, is a young family man who leads a church in an active city where he reaches out to the poor and destitute in any way he can. One day, a woman named Tasha comes to his church seeking for help. Pastor Joe sits down with her and she shares an intense life story. She shares how she was born, how she was set free from a world of drugs, racism, theft, and human trafficking. Her story becomes increasingly complex as people from her past come in contact with Pastor Joe with their own life struggles of suicide, teen pregnancy, and abortion. As their stories tie together it brings hope, redemption, and salvation to the forefront and gives us a picture of what it means to experience the transformation of God, going from darkness to light, and to continue on the narrow path each and every day.

Irreverent freelance investigative reporter Tom Maguire hits rock bottom when bigot editor in chief Ivan refuses to print his pieces anymore and his bad back most be operated, but his health insurance just expired. Sympathetic editor Irene Dunbar, feeling guilty she didn’t save his job, volunteers for a fake marriage so he can use her insurance. The ‘happy couple’ in now constantly beleaguered by her mother and an insurance inspector, while each has his own affairs, but the co-habitation also seems to generate meaningful affection.

Paris, 1993. Selma, 17, lives in a bourgeois and secular Berber family. When she meets and is strongly attracted to Julien, a dashing young man, she realizes for the first time the heavy rules of her patriarchal family and how they affect her intimacy. As Islamism takes over her country of origin and her family crumbles, Selma discovers the power of her own desire. She must resist and fight. Through the strength of her people, she starts walking down the path of what it means to become a free woman.

In the Tale of the Voodoo Prostitute, a master manipulator and hustler by the name of Fleetwood Deville dispenses heinous wrong-doings to nearly everyone that crosses his path. One particular female managed to meet and exceed any expectation of evil. She cursed Fleetwood to a fate even worse than death: impotence. With his harem of beautiful women and killers, Fleetwood must rival neighboring pimps to free himself from a curse that if left undone would not only take his manhood, but possibly his life. This film is based in the mean streets and interminglings of the Dallas/Ft. Worth area.

Jack is just an ordinary sparrow who wishes he could be more exotic and vibrant like so many of his friends. So when a coincidental accident involving colorful paint changes the way he looks, Jack is thrilled about his new appearance. But little does he know that his new look will soon lead him down a path of mistaken identity, adventure and danger. Aurora is a beautiful yellow canary that has been locked up her whole life. When she manages to escape from the mean network tycoon that has kept her caged up, she has trouble adjusting to this life of newfound freedom. When Jack and Aurora fortuitously meet, they will need to rely on each other, as well as their wacky friends (Larry the pigeon, Pete, the hummingbird and Claire, the bat) as their case of mistaken identity leads them on a thrilling adventure. And along the way, Aurora and Jack will learn that it’s not who you are on the outside, but who you are on the inside that matters.