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The citizens of Gwangju lead a relatively peaceful life, until one day the military takes over the city, accusing the residents of conspiracy and claiming that they are communist sympathisers preparing a revolution against the current government. Seeing as the soldiers beat defenceless people, mainly students, to death, the citizens are in for retaliation and form a militia.
On May 5th, 1862, a few thousand Mexican soldiers put their lives on the line against the world’s largest and most powerful army in one legendary battle for freedom and for Mexico.
It’s 1918, the height of United States involvement in World War I – Liberty Bonds are sold, German immigrants are suspected as traitors or saboteurs, young men everywhere succumb to the patriotism and propaganda and enlist. In a small Texas town, Horace Robedaux feels the pressure – he doesn’t want to leave his young wife Elizabeth and their young child Jenny – but Elizabeth’s can’t-do-anything-right little brother is constantly talking about the war, and Elizabeth’s stern father, who opposed the marriage initially, now has plans to take care of his daughter and the child so Horace can fight for his country. However, the influenza epidemic sweeping the town (and the nation) may change everyone’s plans.
A revenge plot traps 3 sisters and their getaway driver in a safe house until they can escape the country, but they may be running from so much more than just the police.
On May 18, 2018, Christian Riley Garcia was among the 10 who were shot and killed in the Santa Fe high school shooting. This film will examine the impact of his heroic actions and his families fight for healing in the wakes of their loss.
The film tells about the tragic date in the history of the Crimean Tatar people — May 18, 1944 — Stalin’s deportation of the Crimean Tatars. The plot of the film — a pilot, twice Hero of the Soviet Union, Amethan Sultan. In May, 1944, a year after liberation of Sevastopol Amethan goes on vacation to his native town Alupka. On May 18 his eyes witness begining of deportation of the Crimean Tatars.
The film centers mostly around the personal and professional life of Thomas “Stonewall” Jackson, a brilliant if eccentric Confederate general, from the outbreak of the American Civil War until its halfway point when Jackson is killed accidentally by his own soldiers in May 1863 during his greatest victory.
Álvaro is a marketing manager, divorced with a son who he can barely talk to, living a mediocre life and doing a mediocre job, until his bosses tell him he needs to improve his marketing campaigns for the next 2018’s World Cup. He’ll soon launch a plan with Argentina’s National Football Team and the upcoming qualifiers that may become a lot more risky that he planned.
May, the daughter of a wealthy Vietnamese businessman, wants to celebrate her 18th birthday in Bangkok and is willing to spend a lot of money to have dinner with her favorite Thai actor, Mr. Park (Puttichai Kasetsin). However, she starts to question whether money can bring true happiness and decides to meet Mr. Park as a regular person instead of a wealthy heiress. Her parents send a housekeeper and four bodyguards to watch over her, making it difficult for May to meet Mr. Park privately. She teams up with a friend, Dua Hau, to sneak out and meets a motorcycle biker named Boy (Vachiravit Paisarnkulwong), who helps her evade her bodyguards and get closer to Mr. Park. As May spends more time with Boy, she begins to question her feelings for Mr. Park and must decide who she wants to spend her special day with.
A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”
In the Wild West in the 1860s and 1870s, Sarah and John have founded New Babylon, a city of outcasts of all backgrounds. Haunted by the murder of his family eight years earlier, Django is still looking for his daughter, believing she may have survived the killing. When Django shockingly finds her in Babylon, about to marry John, Sarah – now a grown woman – wants Django to leave fearing he’ll put Babylon in jeopardy. But Django, believing the city is in danger, is adamant that he will not lose his daughter twice.
In 1882, Joseph and Elizabeth Cooley head West to reunite with family she never knew. But when she, Joseph, and her older brother, Millard, are stranded in a logging camp just outside Tucson a wounded Indian stumbles into their camp and they must defend him against Doc Holliday, his would-be killer. Elizabeth considers Doc a stone-cold killer — but may find, during the course of their tense stand-off, that this courtly, ailing man has a surprisingly well-honed sense of justice, frontier-style…
She’s been around for so many decades but hasn’t aged a day. She’s had more than 180 different jobs; she’s been president, she’s been to the moon, and she’s done all the things that women aspire to do. She has a massive closet, and thousands of different outfits. Barbie is way more than just a 12-inches long piece of plastic, she is way more than a toy. The legendary blond bombshell has grown into a phenomenon and a children’s sensation. Wildly revolutionary, Barbie broke barriers, shattered glass ceilings, and has inspired countless dreams, wonder and imagination, with her signature color: Pink. The history of the doll is a testament to its enduring appeal and impact. Things have changed for her the same way things changed for women. Whatever we may think about Barbie – love or loathe her – it is impossible to ignore her worldwide impact. Let’s step into the beautiful world of Barbie and take a look at her cultural revolution through the decades.
18th century Austria. Villages surrounded by deep forests. A woman is sentenced to death after killing a baby. Agnes is marrying her loved one and candidly prepares herself for a spouse life. Soon after, her head and heart start to feel heavy. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts. Maybe not just thoughts…
The plot take place in 1883 in a small provincial town in Romania, where the corrupt establishment decide everything, including – of course – who will be the “elected” representative to the national Senate. A love letter from the bachelor mayor to the wife of the local party chief, gets lost and found by a drunk party supporter. The letter finds its way to the opposition party, which decide to use the letter by blackmailing the powerful local “camarilla”, and to get his own man to represent the county. What follows is not easy to guess….
In the 1860s, fiercely independent French-Canadian Vivienne Le Coudy embarks on a journey with Danish immigrant Holger Olsen, attempting to forge a life together in the dusty town of Elk Flats, Nevada. When Holger decides to go fight for the Union in the burgeoning Civil War, Vivienne must fend for herself, which isn’t easy in a town controlled by a corrupt mayor.
Italian immigrant Francesca Cabrini arrives in 1889 New York City and is greeted by disease, crime, and impoverished children. Cabrini sets off on a daring mission to convince the hostile mayor to secure housing and healthcare for society’s most vulnerable. With broken English and poor health, Cabrini uses her entrepreneurial mind to build an empire of hope unlike anything the world had ever seen.
In a world where everyone develops a power on their 18th birthday, Jen didn’t. She’s turning 25 and is still waiting to get hers. Adrift in a big, confusing world and armed with nothing but a bit of hope and a lot of desperation, Jen begins her journey to find her maybe-superpower. But in doing so, she might discover the joy of being just kind of ok.
The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters.
The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner’s pilot script, written in March 2001, posited a re-invented CIA tasked with a “War on Terror” after Osama Bin Laden’s Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season.
The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and “The Agency”, at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season’s final episode.
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
St. Elsewhere is an American medical drama television series that originally ran on NBC from October 26, 1982 to May 25, 1988. The series starred Ed Flanders, Norman Lloyd and William Daniels as teaching doctors at a lightly-regarded Boston hospital who gave interns a promising future in making critical medical and life decisions. The series was produced by MTM Enterprises, which had success with a similar NBC series, the police drama Hill Street Blues, during that same time; both series were often compared to each other for their use of ensemble casts and overlapping serialized storylines. St. Elsewhere was filmed at CBS/MTM Studios, which was known as CBS/Fox Studios when the show began; coincidentally, 20th Century Fox wound up acquiring the rights to the series when it bought MTM Enterprises in the 1990s.
Known for its combination of gritty, realistic drama and moments of black comedy, St. Elsewhere gained a small yet loyal following over its 6-season, 137-episode run; the series also found a strong audience in Nielsen’s 18-49 age demographic, a young demo later known for a young, affluent audience that TV advertisers are eager to reach. The series also earned critical acclaim during its run, earning 13 Emmy Awards for its writing, acting, and directing. St. Elsewhere was ranked #20 on TV Guide’s 2002 list of “The 50 Greatest TV Shows of All Time.”, with the magazine also selecting it as the best drama series of the 1980s in a 1993 issue.
The original adventure-comedy follows Op and Ed, two adorable donut-shaped animals – flummels – who accidentally time-travel from 1835 to modern-day Shanghai. There they discover traffic, trans fats, and worst of all, that flummels are now extinct. It’s up to this bumbling pair to save themselves and their species…and, just maybe, change the course of history.
Deep in the heart of the English countryside lies the enchanting village of Gladbury. Legend has it every 25 years an angel visits the village candlemaker and touches a single candle. Whoever lights this candle receives a miracle on Christmas Eve. But in 1890, at the dawn of the electric age, this centuries old legend may come to an end.
In 1885, a female doctor helping a group of people with their phobias becomes embroiled in a murder mystery surrounding a patient that may or may not be a vampire.
The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
The 1800s: scholarly Karl Schiller believes he’s found the ring of the Nibelungen, which holds great power. It’s at Castle Dracula. His twin, Franz, a gambler, asks if vampires frighten Karl; Karl shows him an Egyptian amulet, which may protect him. Franz takes the amulet and sets out ahead of his brother, arriving at the castle first. There he finds a countess who invites him to dine. Later that night, Karl arrives. Coincidently, it’s the Night of the Virgin Moon, a night that falls every fifty years and draws five virgins from the surrounding village to the castle not be heard from again. Can Karl protect his brother, find the ring, and rescue any of the women?
Pierre-Auguste Renoir is known and loved for his impressionist paintings of Paris. These paintings count among the world’s favourites. Renoir, however, grew tired of this style and changed course. This film, based on the collection of 181 Renoirs at the Barnes Foundation in Philadelphia,– examines the direction he then took and why it provokes such extreme reactions right up to today. Some claim they are repulsed by Renoir’s later works and some claim they are seduced. What may surprise many is that among the many artists who sought Renoir’s new works out and were clearly highly influenced by them were the two giants of the 20th century – Picasso and Matisse.
When teenage Molly Hartley moves to a new town, she’s haunted by terrifying visions that may have to do with dark secrets from her past. Something evil lurks just beneath the lush surfaces of her private-school world, and it holds the rights to her very soul. On the eve of her 18th birthday, Molly is about to discover the truth of just who or what she is destined to become.
From Living Waters, creators of the award-winning TV program The Way of the Master and the popular movies “180” and “Evolution vs. God,” comes the riveting and hope-inspiring film “EXIT.” Before you finish reading this, one individual will have ended their life by suicide—because they think they have no other choice. According to the World Health Organization, a massive 800,000 people take their lives every year—one death every 40 seconds. That’s 3,000 a day. For millions who suffer from depression and despair, “EXIT” points to a better way. This compelling movie shines a powerful light in the darkness and offers true hope to those who think they have none. Someone you know may be secretly considering their final exit. Watch “EXIT,” and share it with those you love.
Louisa May Alcott’s autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth are at home with their mother – a very outspoken women for her time. The story is of how the sisters grow up, find love and find their place in the world.
A taut reinvention of vampire lore, Shadowland opens in modern day North America, where construction workers uncover an old stone cross and what appears to be a wooden stake. They remove the stake from the ground, allowing Laura (Caitlin McIntosh), a slumbering vampire, to revive and rise from the earth. Beaten and weak, Laura is unable to speak, remember who she is, or even the fact that she is a vampire! As Laura attempts to make sense of the strange new world around her, she begins to remember not only an idyllic human life in 1897 but the handsome Lazarus (Carlos Antonio León), a mysterious lover who may not have had her best interests in mind. Soon Julian (Jason Contini), a world-weary vampire hunter employed by the church, begins tracking Laura, but as he closes in for the kill he learns that things are not what they seem.
For Robbing the Dead is a story of compassion – compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises – an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look after this man, Henry Heath becomes Baptiste’s sole defense against the hostile isolation of Antelope Island and the contempt of an entire community. Through his somewhat reluctant service, Heath’s heart softens and his own sorrows find relief.
The film begins with his capture by Philippine and US forces under Frederick Funston’s command in 1901, then flashes back to 1886, when an old woman gives Aguinaldo and his childhood friend Candido Tirona cryptic prophecies. Ten years later, Aguinaldo is inducted into the Katipunan and later assumes leadership of its Cavite chapter while becoming mayor of Cavite El Viejo. When the trouble breaks out in Manila in late August 1896, Aguinaldo tries to assure the Spanish provincial government of non-interference and covertly marshals his forces despite a lack of weapons. Learning that the Spanish mostly put their forces in Manila, Aguinaldo finally mobilizes his troops and take the command of the Katipunan forces in Cavite
In the 18th Century, John Cavendish, a Scottish adventurer, arrives in Tuscany and makes his fortune from his expert knowledge of botany and agriculture. In the present day, Marcus Cavendish, an American painter and playboy with mounting debts, receives a letter from Chiara Conti, an Italian solicitor, who reveals to him that he is of the Cavendish blood line. She tells him that he is the heir of Peter Cavendish, the last descendant of John Cavendish. Believing that this potential fortune may solve his money problems – and may even sort his head out – Marcus travels to Tuscany to get his inheritance. Having arrived at Cavendish Castle, Marcus thinks he has solved all of his problems, but discovers that he has to fight an ancient evil that has tormented his family for centuries, so he realizes that money, property and land mean little when faced with a blood curse as a surprise inheritance.
A dark, twisted retelling of “Dante’s Inferno,” done in the torture-porn style of “Hostel” and “High Tension.” To escape her abusive foster home, headstrong 18-year-old Danielle Hitches a Ride with an affable psycho who calls himself Virgil and has an axe to grind against women based on his warped religious beliefs. She realizes she hasn’t quite found her knight in shining armor when she awakens half-naked, chained to a post in Virgil’s basement. As Virgil, puts Danielle through a sadistic “moral cleansing” of debauched torture sessions that could kill her at any moment, she must choose either to fight back or to become as inhuman and deranged as Virgil himself. What Virgil doesn’t know is that Danielle may be more than up to the challenge of his psychotic head games.
