Growing up in Granada, Spain, young David Fandila always dreamed of being a matador. This documentary captures the rise of “El Fandi,” one of Spain’s most renowned bullfighters, who first entered the ring at age 14. While it’s never in doubt that Fandila is at the top of his game, filmmakers Stephen Higgins and Nina Gilden Seavey weigh the significance of bullfighting as a cultural tradition against its inherent danger and cruelty.

The life of Danny Wright, a salesman forever on the road, veers into dangerous and surreal territory when he wanders into a Mexican bar and meets a mysterious stranger, Julian, who’s very likely a hit man. Their meeting sets off a chain of events that will change their lives forever, as Wright is suddenly thrust into a far-from-mundane existence that he takes to surprisingly well … once he gets acclimated to it.

Scandal erupts over a famous bullfighter’s affair with a left-wing actress.

La Fiesta de Santa Barbara is a 1935 American comedy short film directed by Louis Lewyn. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Color). It features a young, pre-stardom 13-year-old Judy Garland singing “La Cucaracha” with her two sisters (billed as “The Garland Sisters”). In the film, Hollywood stars participate in a Mexican-themed revue and festival in Santa Barbara. Andy Devine, the “World’s Greatest Matador,” engages in a bullfight with a dubious bovine supplied by Buster Keaton, and musical numbers are provided by Joe Morrison and The Garland Sisters. Comedy bits and dance numbers are also featured.

Mater is a matador fighting a herd of bulldozers in Spain. When Lightning McQueen enters the story, the bulldozers begin to chase him due to his red paint.

An outrageous erotic poem focusing on the daydreams of a beautiful boy prostitute who, from the seclusion of his ultra-kitsch apartment, conceives a series of interlinked narcissistic fantasies populated by matadors, dancing boys, slaves, and leather-clad bikers.

This Oscar-winning short tells of a bull who preferred to sit under trees and smell flowers to clashing horns with his fellow animals. As luck would have it, an untimely bee reveals Ferdinand’s ferocious side via pained howls and wild stomping. This lands him in the bull-fighting arena amidst characters based on Walt’s animators with a matador reportedly modeled after Walt himself.

A young Mexican boy tirelessly tries to save his pet bull from death at the hands of a celebrated matador.