Making of documentary on the set of New Zealand’s first epic Utu (1983), working with little money and dealing respectfully with matters of cultural protocol. Merata Mita discusses complex issues of inter-cultural conflict.

Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.

The film is submerging in the world of YouTube and internet amateur-made-films posting through the eyes of Bahoi, one of Romania’s most viewed filmmakers. The first part of the movie deeply analysis his films by going to his hometown village in Romania, Peninsula, and meeting Bahoi’s most famous characters. Also through Bahoi’s own words we are trying to find out why is he filming so much brilliant material, why is he posting it on the internet and how he took this passion with him to the West. In the second part we are traveling along with Bahoi throughout Europe to discover more talented people and make some sense of this huge boom in filmmaking.

After the death of her husband, Autumn Carlisle sells her ranch to handsome carpenter Jake Stevens, who promises to leave it untouched except for some changes. His true intentions, however, are to completely change the property, making huge renovations.

Exclusive behind-the-scenes footage offers a glimpse into the comic minds behind a “Wet Hot” summer-camp cult hit featuring many future stars.

We follow Otto Baxter, a 35-year-old man with Down Syndrome, over six years, as he writes and directs a foul-mouthed, autobiographical comedy-horror-musical set in Victorian London. Otto, who has always struggled to explain how he feels, uses his film The Puppet Asylum to explore his birth, adoption and his epic battle with ‘The Master’ – an evil magician hell-bent on controlling his life. During the filmmaking process Otto’s birth mother dies and he finds himself confronting life in the real world, including his future. Otto’s filmmaker friends Bruce Fletcher and Peter Beard help him to bring his vision to life, but also learn more about his unique perspective on the world and how they can play a role in his future.

“A Grain of Wheat” is a story of two bakeries in Yokohama. A French baker, Eriko, makes a sudden visit to Honda who is the owner of a historical bakery in Yokohama. They have different attitudes towards the craft of bread making but they start to feel mutual respect as they make bread together.

When his attempt to save his family inadvertently alters the future, Barry Allen becomes trapped in a reality in which General Zod has returned and there are no Super Heroes to turn to. In order to save the world that he is in and return to the future that he knows, Barry’s only hope is to race for his life. But will making the ultimate sacrifice be enough to reset the universe?

In the city that never sleeps, Olivia is taking the modeling world by storm. A cover girl in the making, Olivia is booking big clients and bringing her YouTube audience along for the ride. With newly earned cash, she moves into a fashionable loft apartment. Its glossy facade, however, conceals a sinister secret born years before. Suddenly overwrought, her tenuous grip on reality begins to slip away. Beautiful, yet increasingly unstable, Olivia makes a shocking choice that leads to a battle for her soul.

St. Elsewhere is an American medical drama television series that originally ran on NBC from October 26, 1982 to May 25, 1988. The series starred Ed Flanders, Norman Lloyd and William Daniels as teaching doctors at a lightly-regarded Boston hospital who gave interns a promising future in making critical medical and life decisions. The series was produced by MTM Enterprises, which had success with a similar NBC series, the police drama Hill Street Blues, during that same time; both series were often compared to each other for their use of ensemble casts and overlapping serialized storylines. St. Elsewhere was filmed at CBS/MTM Studios, which was known as CBS/Fox Studios when the show began; coincidentally, 20th Century Fox wound up acquiring the rights to the series when it bought MTM Enterprises in the 1990s.

Known for its combination of gritty, realistic drama and moments of black comedy, St. Elsewhere gained a small yet loyal following over its 6-season, 137-episode run; the series also found a strong audience in Nielsen’s 18-49 age demographic, a young demo later known for a young, affluent audience that TV advertisers are eager to reach. The series also earned critical acclaim during its run, earning 13 Emmy Awards for its writing, acting, and directing. St. Elsewhere was ranked #20 on TV Guide’s 2002 list of “The 50 Greatest TV Shows of All Time.”, with the magazine also selecting it as the best drama series of the 1980s in a 1993 issue.

After a decade of making music together, Jim and Sam, a recently married singer/songwriter duo from Los Angeles, were not the conventionally successful band they hoped they’d be. Feeling stuck and anxious about their future, the duo made a spontaneous decision to go “all in,” making a pact to play one show every day for a year. With suitcases and a guitar, the troubadours ventured out for a 365-day tour down unexplored roads, and onto unexpected stages, bringing their music to new audiences throughout 14 different countries. After So Many Days, is an intimate front row seat to the highs and lows of what it’s like for two people to pursue a dream, together.

David’s turning 50 and having a Mid-life Crisis! He isn’t sure his “perfect husband” loves him, and if he’s chosen the right career. Aging is something he never thought about, but now he is faced with making the rest of his life count and hopes his close friends can help. Realizing that he may only have about 35 years left, he must figure out his life to ensure happiness and fulfillment. Fate changes everything when he meets a 15-year younger man who shows him that age does not matter, and that maybe his future happiness is right in front of him.

Mitchie can’t wait to go back to Camp Rock and spend the summer making new music with her friends and superstar Shane Gray. But the slick new camp across the lake, Camp Star, has drummed up some serious competition — featuring newcomers Luke (Matthew “Mdot” Finley) and Dana (Chloe Bridges). In a sensational battle of the bands, with Camp Rock’s future at stake, will Camp Star’s flashy production and over-the-top antics win out, or will Camp Rockers prove that music, teamwork, and spirit are what truly matter?

Pride & Prejudice is a humorous story of love and life among English gentility during the Georgian era. Mr. Bennet is an English gentleman living in Hertfordshire with his overbearing wife and five daughters. If Mr. Bennet dies their house will be inherited by a distant cousin whom they have never met, so the family’s future happiness and security is dependent on the daughters making good marriages.

Mary Fiore, San Francisco’s premiere wedding planner is rescued from an accident by the man of her dreams, pediatrician Steve Edison, only to find he is the fiancé of her latest client, wealthy Fran Donnolly. As Mary continues making the wedding arrangements, she and Steve are put into a string of uncomfortable situations that force them to face their mutual attraction.

In 2001, Lenny Cooke was the most hyped high school basketball player in the country, ranked above future greats LeBron James, Amar’e Stoudemire and Carmelo Anthony. A decade later, Lenny has never played a minute in the NBA. In this quintessentially American documentary, filmmaking brothers Joshua and Benny Safdie track the unfulfilled destiny of a man for whom superstardom was only just out of reach.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.

Anna is stuck: she’s approaching 30 and has just moved back to her rural home-town, and into a shed in her mother’s backyard. She spends her time working a menial job at a local boating center and hides in the depths of her imagination, making movies with her thumbs. Irritated by her childish behavior, Anna’s mother insists that she move out of her shed and on with her life. When a troubled young boy starts hanging around, the two form an unlikely bond. Through their strange yet mutually beneficial friendship, Anna slowly begins to confront her perpetual state of arrested development.

It had all the makings of a huge television success: a white-hot comic at the helm, a coveted primetime slot, and a pantheon of future comedy legends in the cast and crew. So why did The Dana Carvey Show—with a writers room and cast including then unknowns Steve Carell, Stephen Colbert, Louis C.K., Robert Smigel, Charlie Kaufman, and more— crash and burn so spectacularly? TOO FUNNY TO FAIL tells the hilarious true story of a crew of genius misfits who set out to make comedy history… and succeeded in a way they never intended.

For the last two years, Fairclough and Porter have traveled to every inhabited continent on the planet with a simple goal: to show the world a new vision of mountain biking. Joined on this quest by a collection of the most progressive and influential riders that this generation of mountain biking has to offer, Fairclough and Porter have embarked on an all-out assault on the bleeding edge of the sport’s limits. DEATHGRIP is a relentless mission to challenge the limits of creativity, technology, and the human potential. DEATHGRIP is a creative oasis for Fairclough and Porter – a place where the raw expression of Fairclough’s riding ability is captured with the most progressive filmmaking technology against the backdrop of the most visually engaging locations in the world. The future is now. #DEATHGRIPMOVIE

Although evidence of meat consumption’s negative impact on the planet and on human health continue stacking up as animal welfare is on the decline, humanity’s love affair with hamburgers, steaks, nuggets and chops just doesn’t end. In The End of Meat, filmmaker Marc Pierschel embarks on a journey to discover what effect a post-meat world would have on the environment, the animals and ourselves. He meets Esther the Wonder Pig, who became an internet phenomenon; talks to pioneers leading the vegan movement in Germany; visits the first fully vegetarian city in India; witnesses rescued farm animals enjoying their newly found freedom; observes the future food innovators making meat and dairy without the animals, even harvesting “bacon” from the ocean and much more. The End of Meat reveals the hidden impact of meat consumption; explores the opportunities and benefits of a shift to a more compassionate diet; and raises critical questions about the future role of animals in our society.

In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel, “Deep Throat,” starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film’s star.

YouTube is not just an amateur video site. The third most trafficked site on the Internet is among of a handful of mediums building the careers of independent artists who are making over six figures a year by just uploading videos to the internet. PLEASE SUBSCRIBE is a feature-length documentary that gives an exclusive look and explores the phenomenon behind of some of the most influential and unique content creators currently taking the world of online entertainment by storm.

After 15 years of marriage, David and Marianne have grown apart. David has had an affair with a patient of his and Marianne has got herself involved with her former lover Carl-Adam, who’s also David’s best friend. When she travels to Copenhagen to meet Carl-Adam, David takes the same train as she does, making it look coincidental. Spending time together remembering their past and talking about their future, they come to understand each other again, which leads to a reconciliation.

Pete, Tom, Claire and Jay are university graduates having trouble making the move into adult life. Beneath the hanging out and the daily routines simmers Pete’s desire to find a spiritual answer to life’s meaning, Jay’s desperate need not to get hurt again, and Tom and Claire’s ever increasing mutual attraction.

‘THE UPPER FOOTAGE’ is the first film experience of its kind. The film is an edited version of 393 minutes of recovered footage documenting a young girl’s tragic overdose death and subsequent cover up by a group of affluent socialites. What started as a blackmail plot played out over YouTube, became Hollywood’s biggest drug scandal, turned into a heavily controversial film property that was rumored to be held by some of the biggest names in Hollywood. Now, after playing itself out in the media for 3 years it is finally making its way to the public.

Roger Mason is a prisoner locked away in a futuristic fortress of a jail. Desperate to escape and see his daughter, he keeps making attempt after attempt to break free, but each one is foiled just as he’s about to gain his freedom. As his punishments include being frozen in suspended animation for years at a time, he stays the same age while his daughter grows older. As more time keeps being added to his sentence, he despairs of ever getting out.

‘The Marathon’ is a feature film which contains humour in combination with impressive drama. The garage of four jass playing, smoking and beer drinking mechanics is threatened to be closed. The ‘genius’ idea to run the marathon of Rotterdam while being sponsored seems to be the only solution. The condition of the sponsor deal; making it to the finish line. However, training is difficult for the hedonists and it changes relationships, and even their future. Are all the efforts worth the fight when their seems to be more to it then just making it to the finish line…?

London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one’s life – when you have to find a career, you have your first significant relationship and most importantly form your identity in this world. This is story about Lalitha, a middle class south Indian girl from Chembur (an eastern suburb in Mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a Punjabi, rich kid from Bandra (a posh western suburb of Mumbai) who is going to study Film Making in London on 100% dad’s money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents. The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter is shot in a manner that mirrors the mental state of Nikhil and Lalitha.