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A french club kid wakes up from a night of partying looking to score, whether that’s with the latest drug or romantic conquest. On his way back home, he encounters an escaped patient who alters the course of his life.
When Hollywood icon Michael Madsen goes missing presumed dead, they call in Rick Blaine (Tom Sizemore) to investigate. A Tarantino-style murder mystery, that is, Once Upon a Time in Hollyweird.
In the quiet foothills of Turkey, Faik lives an isolated existence. When his second son brings his boys for a visit, Faik takes the opportunity to pontificate about the law of the land, as he sees it. He shares one unsolicited thought after the next, most particularly focusing on the elusive nomads whom he suspects have been trespassing on his property. The day and night wear on, and each member of the clan takes his turn entrusting the film’s audience with his own dark secret.
Mads moves into a house with his lovely girlfriend Marie when a sudden pang of doubt strikes him. Is this the meaning of life? Has he lived out all his dreams? He drops everything, moves away from his girlfriend and throws himself into a desperate quest to live out his greatest dreams; a quest to find the meaning of life and the one and only.
During the 1990s, at a Scandinavian psychiatric hospital, a man known as Mads Lake confessed to multiple murders and was convicted. However, the uneasy triumvirate of Mads, therapist Anna Rudebeck and policeman Soren Rank, all have a vested interest in unearthing the truth, and a deepening co-dependency threatens to consume them all.
Teenage Nola grew up living out of a van with her charismatic father, Clint; two nomads against the world. When tragedy strikes, Nola must confront the reality of life on the road alone. She’ll need to take the wheel for the first time learning to own her grief, her past and her new destination.
ARMADILLO is an upfront account of growing cynicism and adrenaline addiction for young soldiers at war. Mads and Daniel are on their first mission in Helmand, Afghanistan. Their platoon is stationed in Camp Armadillo, right on the Helmand frontline, fighting tough battles against the Taliban. The soldiers are there to help the Afghan people, but as fighting gets tougher and operations increasingly hairy, Mads, Daniel and their friends become cynical, widening the gap between themselves and the Afghan civilisation. Mistrust and paranoia set in causing alienation and disillusion. Armadillo is a journey into the soldier’s mind and a unique film on the mythological story of man and war, staged in its contemporary version in Afghanistan.
Ndola, Northern Rhodesia (currently Zambia), September 18th, 1961. Swedish Dag Hammarskjöld, UN Secretary-General, mysteriously dies in a plane crash. Decades later, Danish journalist and filmmaker Mads Brügger and Swedish researcher Göran Björkdahl investigate the case looking for a definitive closure.
Driving to a weekend getaway, a car breakdown strands young couple Don and Nancy (David James Elliot and Heather Marsden) while passing through a small, rural Louisiana town. Finding the couple on the roadside, the towns inhospitable Sheriff Taylor (Jeff Fahey) tells them therell be no one to repair their car before morning. He directs them to a nearby motel for the night run by Carter (Michael Madsen). Checking into the seedy, rundown establishment, Don and Nancy have no way of knowing how this place deals with outsiders. Badge aside, the Sherriff answers to Carter, as do a gang of twisted, masked kidnappers, torturers, and killers. By the time Don and Nancy realize whats happening, its too late to flee. They must fight to survive the night, or be the next victims of the Terror Trap…
After his movie and television career has run dry, Bruce Madsen (Adam Carolla) is forced to go back on the road playing one dingy comedy club after another, spending endless nights in budget hotel rooms and always flying coach. Amidst trying to revitalize his career, rekindle his love life and put his daughter through college, Bruce knows one thing for sure – he must get off the road. ROAD HARD is the story of that journey.
In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.
A large man-eating crocodile terrorizes tourists and locals near Krabi, in Thailand. Michael Madsen plays a hunter stalking the immense reptile, while sub-plots include a rivalry between a foreigner, who owns a crocodile-farm, and a Thai man who plays a part in framing the foreigner for the crocodile’s rampage.
It’s a romantic triangle with a lot of heat when a psychologist (JoBeth Williams) falls in love with a widowed professor (Pierce Brosnan) who’s having an affair with one of her patients (Virginia Madsen). Williams turns a dangerous page when she uncovers that Brosnan is not only the root of Madsen’s emotional turmoil, he also murdered his wife in order to be with Madsen. Better up that day rate.
This darkly comic, genre-bending piece of gonzo journalism from international provocateur Mads Brügger (filmmaker of Sundance Grand Jury Prize winner Red Chapel) rips the corroded lid off the global scheme of political corruption and exploitation happening in one of the most dangerous places on the planet: the Central African Republic. Armed with a phalanx of hidden cameras, black-market diplomatic credentials and a bleeding-edge wit, Brügger transforms himself into an outlandish caricature of a European-African consul. As he immerses himself in the life-threatening underworld of nefarious bureaucrats, Brügger encounters blood diamond smuggling, bribery, and even murder — while somehow managing to crack amazing razor-sharp barbs at every step along the way. From each absurdly terrifying/hilarious situation to the next, The Ambassador is a one-of-a-kind excursion from the man whom The Huffington Post has called “the most provocative filmmaker in the world.”
CIA Agent Martin Keele (Michael Madsen – Reservoir Dogs Kill Bill) sets the wheels spinning in this gritty urban action thriller, as mysterious gangster J.D. goes on the rampage in Amsterdam, stopping at nothing to uncover those who have betrayed him
The skyscrapers of New York glisten like golden lights on an Xmas tree, but all is not well in the city and violent corruption runs amok. After a high speed chase through the city streets ends in his partner’s death, Detective Frank McMillian (Michael Madsen) decides to take the law into his own hands. After retiring from the NYPD he transforms nightly into “The Enforcer”, a masked vigilante with his own brand of justice.
Michael Madsen stars as Max Walker, a down-and-out cop who becomes the target of a bloodthirsty drug cartel after he leads a narcotics bust to intercept a large shipment of heroin. When someone starts picking off his team members — and the drugs seized in the raid suddenly disappear — Walker pairs up with one of his detectives (Daryl Hannah) to uncover a conspiracy that may go straight up the chain of command.
Two rival gangs in Los Angeles and Las Vegas, led by Gino (Robert Miano) and Cole (Michael Madsen), are vying for control. Danny (Michael Masini), an LAPD undercover police detective, goes deep into gangland to infiltrate one gang to bring down both.
How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.
The bar in an old Pennsylvania steel town, housed with many of life’s losers and disillusioned men, is the main setting for this slice-of-life film. Michael Madsen is the bar owner, who is deep in debt to the town’s book-maker and loan shark Burt Young. Chris Penn is one of the bar’s main inhabitants as he hides from his failing marriage to Mary Stuart Masterson. The bartender’s sister (Virginia Madsen) is about to be married, and her former fiancé (Tom Sizemore) shows up in town, after leaving her at the altar years before. Con man James Belushi runs a con on Perry to steal the money for the wedding caterer. As every plot in this multi layered story seems to be at it’s worst, things look up because of an unlikely hero.
Madsen plays an assassin who’s hired to kill the woman he loves.
In 1969, a young Beijing student, Chen Zhen, is sent to live among the nomadic herdsmen of Inner Mongolia. Caught between the advance of civilization from the south and the nomads’ traditional enemies – the marauding wolves – to the north; humans and animals, residents and invaders alike, struggle to find their true place in the world
