A story that embodies the tenacity and passion of the American Dream, this documentary is a portrait of the pioneering activist Luis A. Miranda Jr. Luis is a decades-long fighter for Latino communities, a key player in the New York and national political arena, and a loving father of three – including the award-winning composer, lyricist and actor, Lin-Manuel Miranda.

The story 11-year-old Luis who makes friends with three loveable little aliens, who crash their UFO into his house. In return for Luis’ help in finding the home-shopping channel stuff they came for, they save Luis from boarding school – and an exciting adventure follows.

Luis, an 18-year-old Mexican boy with indigenous roots, enters the Heroico Military College with the hope of securing a better future. There, he encounters a rigid and institutionally violent system designed to make him a perfect soldier.

An aspiring twentysomething writer hesitantly accompanies her equally reluctant younger sister on vacation with their deliriously happy parents, in Luis De Filippis’ resonant, cliché-free debut feature.

Everyone in Marco’s life seems constantly restless, from his brilliant but unhappily married parents to his own wife Marina, or even Luisa, the real love of his life, a girl he met during a fateful summer in the ’70s and always stayed in touch with. Tragedy and fate seem to haunt him, yet he somehow manages never to get ensnared in the chaos—like his namesake, “the hummingbird”, he focuses all his energy at standing still.

Five Years North is the coming-of-age story of Luis, an undocumented Guatemalan boy who just arrived alone in New York City. He struggles to work, study, and evade Judy – the Cuban-American ICE officer patrolling his neighborhood.

Argentina, 1985 is inspired by the true story of Julio Strassera, Luis Moreno Ocampo and their young legal team of unlikely heroes in their David-vs-Goliath battle in which, under constant threat, they dared to prosecute Argentina’s bloodiest military dictatorship against all odds and in a race against time to bring justice to the victims of the Military Junta.

José Luis has been jilted at the altar but everything has its bright side, and he goes on a honeymoon with his mother. On this trip, he discovers he doesn’t know his mother and he loves her.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.

If Harmony Korine and Luis Bunuel had taken a crack at co-directing Office Space it still wouldn’t be as bizarre as filmmaker Juan Ortiz’s crime/comedy/body horror filled debut.

When a young Afghan immigrant named Mina gets her first job in a nursing home, an unexpected friendship with Luis, a resident with dementia, reignites her love of music and changes her life forever.

Claudia shows up at a bar to meet Luis, a doctor who contacted her through a dating app. Claudia doesn’t suspect what fate has in store for her. A kidnapping that ends with an inevitable and unpredictable death. A suspense story with surprising twists until the last second, narrated in a sequence shot without cuts.

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?

After his father passes away at age 10, the lives of Luis Palau and his family are changed forever. Within a few years of his father’s death, Luis, his siblings, and his mother are left nearly destitute. Luis is forced to discontinue his education at an elite boarding school in Argentina and provide for his family as they slip into poverty.

The story of a reality T.V. crew of paranormal researchers who journey to Colorado’s San Luis Valley in order to investigate the unexplained phenomena of cattle mutilations. Over the course of their three day investigation they find much more than they ever could have bargained for.

NYPD detectives Luis and Eddie visit Paris to help gorgeous French designer Colette catch the black market thief who’s ripped off her new handbag design. While Luis’ girlfriend Vanessa and Eddie’s wife Gloria remain in New York, the hopelessly unhip odd couple stumble through a glamorous high-fashion world brimming with charming cafes, wild nightclubs and corporate treachery.

Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a homosexual, is found guilty of immoral behaviour and Valentin is a political prisoner. To escape reality Luis invents romantic movies, while Valentin tries to keep his mind on the situation he’s in. During the time they spend together, the two men come to understand and respect one another.

Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia’s fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

Henry & Me tells the courageous story of Jack (AUSTIN WILLIAMS), a brave young boy who is dealt a life changing blow. Low on confidence and filled with self-doubt, hope seems lost until a mysterious stranger named Henry (RICHARD GERE) appears. With the touch of his pin, Henry sweeps Jack away to a magical world where illness no longer exists and New York Yankee legends play forever. The incredible journey brings Jack face to face with Babe Ruth (CHAZZ PALMINTERI), Thurman Munson (PAUL SIMON), Lefty Gomez (LUIS GUZMAN) and Mickey Mantle (DAVID MANTLE) – who all teach Jack to face his fears and never give up. The movie climaxes at Yankee stadium, where Jack must test his newfound courage to save the season and find his way home. Featuring an all star-cast of unforgettable characters, Henry & Me is heartwarming movie experience for the entire family with a message of hope… when life throws a curve… swing away!

Kermit the Frog is persuaded by agent Dom DeLuise to pursue a career in Hollywood. Along the way, Kermit picks up Fozzie Bear, Miss Piggy, Gonzo, and a motley crew of other Muppets with similar aspirations. Meanwhile, Kermit must elude the grasp of a frog-leg restaurant magnate.

Princess Luisa and knight Gabriel must face a dragon to save their kingdom.

The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.

Front of Aragon, 1937. Lluís (Marcel Borràs), a young republican officer destined for a temporarily dormant position, meets an enigmatic widow of whom she falls in love, Carlana (Núria Prims), who manages to fool him to falsify a Document that makes it the lady of the region. The best friend of Lluís, the Soleràs (Oriol Pla), a degraded officer, discovers the fraud and, in exchange for not exposing him, he demands that he move away from the bombings of Barcelona his son and his wife, from whom he is Secretly in love When Trini (Bruna Cusí) arrives at the town, it does not take long to discover the betrayal of Lluís and establishes between them two a “state of war” that will make all moral bases stagger.

Inspired by author Eric Schlosser’s New York Times best-seller of the same name, director Richard Linklater’s ensemble drama examines the health issues and social consequences of America’s love affair with fast food and features an all-star cast that includes Greg Kinnear, Ethan Hawke, Kris Kristofferson, Patricia Arquette, and Luis Guzman.

About the young life and loves of artist Salvador Dalí, filmmaker Luis Buñuel and writer Federico García Lorca.

One summer, Dario flees the hellish environment of his home. Luismi, unconditional friend, a poor devil with pretensions of winning, and Antonia, an old woman who collects abandoned his motorcar furniture, become his new family. Three generations living together in a city too big to be alone.

In a bleak Inverness midwinter, Luisaidh is careering off the rails after the suicide of her best friend. She medicates her misery with joyless sex, chips and a belief in the power of positive drinking. Surrounded by bittersweet memories, she struggles to find someone to talk to or some reason to make life worthwhile at the most stressful time of the year.

Horror – Buried beneath the Mexican desert for 50 years, vampire Luis Diego (Justin Quinn) wakes with a thirst for vengeance when a treasure hunter unearths him. But after falling for a beautiful mortal (Brenda Romero), he begins to believe he may have a second chance at life and love. While trying to quell his inner demons, however, the lovelorn bloodsucker finds that the monster within is not so easily subdued. – Justin Quinn, Brenda Romero, Naím Thomas

Morir revolves around the couple Luis and Marta, whose lives are paralyzed by the outbreak of a disease that is accompanied by guilt, lies and fear, testing the stability and love between them.

One year after the violent death of Carlos’; (Luis Alandy) girlfriend Beatrice, Anna (Precious Lara Quigaman), Carlos current love starts experiencing supernatural events. Afraid and surprised, Anna thinks that Beatrice’;s ghost is haunting her. Anna approaches an espiritista, Idang (Angelika dela Cruz), and the medium tells her that Beatrice, powered by her Babang Luksa, is possibly haunting Anna to extract her revenge, as Anna is the main cause of her suicide. Anna performs a ritual to speak to the dead girl’;s spirit, and to pacify Beatrice’;s anger.

Martin (Luis Fernandez) is the star of “Camp Blood”, a hit TV show and one of the biggest teen idols of the time. One morning wake up locked in a huge house after a wild party with three girls I met last night. Through a mobile from which can´t call, start receiving videos showing the deaths of younger locked in the house, run by a mysterious figure dressed as the murderer who appears in the series starring Martin.

Julian (Álex González) and his friend Luis (Miguel Angel Silvestre) are two neighborhood boys who are part of a gang of violent neo-Nazis, led by Solis (Javier Bardem). After start training in a gym, Julian is transformed gradually thanks to the discipline of boxing, the nobility of his coach (Carlos Bardem) and the love of a young latin girl (Judith Diakhate). All of this takes away from the group, but Luis is not ready to accept that leave the “herd”.