In a world where the Metaverse has become widely adopted, four couples go to ridiculous lengths to find true love in a virtual world. Love Virtually is a retro future satirical rom-com for the Metaverse era, blending live action and 3D animation as It explores and exposes the absurd reality of our world and where we are heading, while probing life’s deepest questions such as: How does a celebrity find someone who loves them for their true selves? Is it cheating if it’s in VR? and, Is it cheating if it’s with an AI?

Rival Chicago reporters Sabrina Peterson (Roberts) and Peter Brackett (Nolte) reluctantly join forces to uncover a train wreck conspiracy and bite off more than they can chew while pursuing the story and bickering along the way – and falling in love, despite the fact that he’s many years older than she.Sabrina is an ambitious, gifted reporter willing to do whatever it takes to learn the truth about the train accident, which leads her into conflict, then reluctant partnership, with fading star newsman Peter who works for a rival paper. He is her polar opposite: he chases women, smokes cigars, and has just published his first novel. During their pursuit of the story, Peter and Sabrina clash over virtually everything – he also subjects Sabrina to indecent exposure in front of a group of boy scouts after he catches her skinny dipping.

A London art broker goes to Copenhagen where he requires the services of a secretary fluent in Danish, English, and German. He falls deeply in love with the woman, despite the fact that he knows virtually nothing about her. She insists on not being married in a church, and after they are married, some bad things from her past begin surfacing in subtly supernatural ways, and he must find the best way to deal with them without destroying their relationship.

Based on the amazing true story of a marine biologist (Robert Lansing) who befriends a six-ton Orcawhale, this “honest, fascinating and vigorously wholesome film” (Citizen-News) is heartwarming fun for the whole family. Like all close pals, Hank (Lansing) and Namu love spending time together. Whether sharing a morning swim or soaking up the afternoon sun, these two are virtually inseparable. Trouble is, the local fishermen mistakenly think that Namu is a threat. Racing against time, Hank must enlist the help of a young widow and her daughter to save Namu and prove that he’s a gentle giant!

Russell has two passions: watching television and farting! He also loves Heather. Heather HATES farting. The eternal triangle! One day she warns him, “if they ever allow farting on television, you’ll never leave the house!” One evening he goes to sleep in front of the TV, and “it” happens. Virtually everything on TV is fart related, from sitcoms and commercials, to newscasts and dramas.

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.

With credits including Strictly Ballroom, Muriel’s Wedding, The Dish, Moulin Rouge!, Romeo + Juliet and Road to Perdition Jill Bilcock is regarded as one the world’s great film editors. Axel Grigor’s hugely entertaining documentary traces Bilcock’s journey from Melbourne film student in the 1960s to working as an extra in Bollywood movies and learning her craft when Australia had virtually no feature film industry. Bilcock’s cheeky charm and illuminating appearances by key collaborators make this a must-see for film lovers.

With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?

“Aliens Stole My Boyfriend” – Two cute alien chicks crash land their space buggy in the parking lot of the motor court looking for Earth boyfriends. “Coma Girl” – A macabre maintenance man falls in love with a comatose patient at the convalescent home where he works much to the dismay of her faithful husband. “Brain Robbers In Love” – A powerful older woman steals the body of a young woman using a top-secret brain-swapping devise stolen from a government vault. “The Problem With Clones” – A skip-tracer must search through a family of clones to find the sister who murdered her look alike. “Four-Eyes” – A paraplegic hit man is encouraged to pursue his gruesome talent by a man who wants to murder his ex-wife. “Life After Men” – In the near future, males are virtually extinct from disease and are tracked down my man hunters working for the new government.