Set roughly a million years ago and revolves around a species of proto-homonids – basically our ape

When a career criminal’s plan for revenge is thwarted by unlikely circumstances, he puts his intended victim’s son in his place by putting him in prison…and then joining him.

Jackie (Ken May), a morgue worker in a small town leads a personal life of chaos and violence! As more than half of the bodies coming through the morgue, are by his helping hand. This killer may think he’s going about his murders under the radar, but a small town disgraced Detective (Shane Ryan) is hot on his trail.

A demobbed soldier, Gordon Laid, returning from World War II meets Maxine Lupercal, a member of a traveling troupe of actors returning to England on the same ship. As Gordon closely resembles a member of the troupe of actors, mistaken identity causes him to become embroiled in various murders and an international espionage plot involving a cigarette lighter that strangely affects electricity. The action reaches its comical climax on stage with Gordon and his double as the spies and the police converge on the theatre is a desperate attempt to retrieve the missing cigarette lighter.

Let’s Play Two is a documentary film that chronicles Pearl Jam’s legendary performances at Wrigley Field during the Chicago Cubs historic 2016 season. With Chicago being a hometown to Eddie Vedder, Pearl Jam has forged a relationship with the city, the Chicago Cubs and Wrigley Field that is unparalleled in the world of sports and music. From Ten to Lightning Bolt, the documentary film shuffles through Pearl Jam’s ever-growing catalog of originals and covers – spanning the band’s 25-year career. Through the eyes of renowned director/photographer Danny Clinch and the voice of Pearl Jam, the film showcases the journey of this special relationship.

When his father dies, young lad travels to Milan to attend the funeral and decides to follow in his father’s footsteps as a gigolo. He is successful at finding rich women to prey on, but finds himself caught up in a bidding war.

A company of actors arrive at a castle deep in the Irish countryside and set into motion the story of Shakespeare’s Hamlet. The lives of the actors and their characters intertwine as Prince Hamlet confronts the ghost of his father and seeks revenge on the treacherous Claudius, his uncle and newly appointed king. Hamlet’s pursuit of vengeance scorches the lives of everyone inside the castle walls and lays bare the many contradictions and ambiguities of human existence. At the play’s end, seven days have passed and the actors emerge, leaving the castle and characters behind.

It’s summer and Sune Andersson’s family is planning a holiday in Greece. Sune’s father, Rudolf is sulking because then he won’t be able to go on his beloved fishing trip. But after seeing how much the Greek trip is going to cost, he comes up with a great idea: Let’s go on a camping trip instead. A lot is happens during this trip and after a while Rudolf discovers that the camping trip might not be as cheat as he thought.

A cinematic version of the Royal Winnipeg Ballet’s adaptation of Bram Stoker’s gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.

Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Fleeing the wrath of man-eating vixens who’ve taken over the world, a ragtag caravan of refugees (Ben Sheppard, Maren McGuire, Jamison Challeen and Ileane Herrin) makes its way across the country to the relative safety of the West Coast. But en route, they’re attacked by unrelenting waves of starving strippers. If looks could kill … well, let’s just hope they can’t. Gilbert Gottfried and Daniel Baldwin co-star.