While escaping from Nazis during the WWII, a Jewish man dug suitcases full of things dear to his heart in the ground two. The war deprived him of his family, and afterwards he endlessly turns over the soil of Antwerp to find the suitcases, which makes him look obsessed. He keeps checking old maps and keeps digging, trying to find, in fact, those he lost. His daughter Chaya is a beautiful modern girl looking for a part-time job. She finds a place as a nanny in the strictly observant Chassidic family with many children, although her secular manners clearly fly in the face of many commandments. One of the reasons she is accepted is that mother of the family is absolutely overburdened by the household, so she stays despite the resistance of the father, normally – an indisputable authority in the family. She develops a special bond with the youngest of the boys, four-year old Simcha, so far incapable of speaking.

Tired of her family constantly nagging her to get married, spoiled heiress Yeh Fenfen (Shu Qi) books a stay at a beautiful villa on the Penghu Islands, which are the subject of a classic song on a tape left for her by her mother. When she arrives at her destination, she’s dismayed to find that the gorgeous villa is actually a rundown B&B owned by Wu (Richie Jen). It turns out that Wu’s friends, hoping to drum up some business for the B&B, falsified a few details about the state of the property on the internet. Angered by the deception, Fenfen packs her bags and leaves the next day. But, when she loses all of her luggage on the boat ride, Fenfen has no choice but to head back to the island.