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Tegan Quin (from Tegan and Sara) has been the victim of identity theft and an ongoing catfishing scam for over 15 years. While investigating, she shares for the first time, how she was ensnared in toxic fan culture that revealed the dark side of fame.
An inexplicable archeological find leads Dr. Peter Kenner to conclude that we are not alone, aliens have visited the Earth in the distant past and have now returned. Struggling to reconcile the evidence with his once held religious views, Peter turns to his uncle, Josh Sanders, a retired scientist and a man of strong Christian faith. Meanwhile, Sarah Pennington seeks protection for her young daughter, Kara, believing the extraterrestrials are bent on abducting the gifted nine-year-old as they did Sarah’s husband three years earlier. When the four are brought together by Ethan, a mysterious stranger, Peter and Sarah wrestle with their own beliefs as Josh seeks to convince them of the truth. It becomes clear that Kara has a very special gift-one that can expose the true nature of the extraterrestrials.
In Philadelphia, the psychologist Dr. Liz Manners is the host of the WLOR Talk Radio Show giving advices about relationships to her audience. When she suggests to her listener Sara Jane to leave her abusive and obsessive husband Kyle Lundstrom, Sara runs away home chased by Kyle and is hit by a car, immediately dying. The psychopath Kyle decides to use his money to destroy Dr. Manners’ life, and assuming the fake identity of the investor James, he meets her husband Rob and poisons her marriage
The Gingerdead Man seeks revenge against Sarah Leigh for causing him to live his life in the body of a gingerbread man. Her only hope is to team up with Larnell who has problems of his own in the form of a magical talking bong named Eebee.
Karate and K1 champion, Claudio Del Falco is ready for his last fight, a memorable event, followed live worldwide, with a prize money of 10 million euros. The enormous sum is tempting to Apha, the boss of a criminal organization who, while Claudio is busy fighting, breaks into his villa with his cruel and ferocious men to take his second wife, Camila, hostage, unaware that in the villa there is also the 14-year-old daughter Sara. When Claudio learns that Alpha is responsible for the death of his first wife, he secures Sara and decides to face the entire organization alone to take his revenge.
Ten years have passed. Nikki’s daughter Sarah, now 19 and heading West for college, is at her own spiritual crossroads. To make matters worse, her mother has recently revealed that, nearly a decade ago, she was the dinner guest of the Almighty himself. Thinking her mom is certifiably insane, Sarah strikes up an unlikely friendship with a travel companion who shares her disdain for religion.
Following a daring raid on a harbor drug deal, Sarah, an operative of the Black Lotus triad, is betrayed and left for dead by her associates. After several months of recovery she returns to seek revenge against the crime syndicate that attempted her murder. She soon crosses paths with Claire, a young cop with a strong sense of justice and her own reasons for pursuing the triads. The two form an unlikely partnership to track down Sarah’s betrayers. With the stakes rising, the one-time gangster and former cop find themselves caught in the middle of an all out war between two crime syndicates, with both of their lives on the line.
In an attempt to pull her family together, Adèlle travels with her young daughter Sarah to Wales to visit her father. The morning after they arrive, Sarah mysteriously vanishes in the ocean. Not long after, a little girl bearing a striking resemblance to their missing daughter reveals that she has retuned from the dead — and that Sarah has been taken to the Welsh underworld.
The Great American artist Oliver Black (Xander Berkeley) wakes to discover his wife Evelyn (Sarah Clarke) has died in their bed overnight. Brimming with magical realism, we enter a world in which the misconceptions of our belief in a solid reality are revealed. Space and time bend in a way to challenge the audience with what is real, what is illusion, and what is beyond… “Alchemy of the Spirit” explores the mysteries which transcend our physical universe and open a doorway into a different dimension, where ultimately, in the aftermath of death, there is an evolution of life which expands awareness, serenity and inner peace.
Introducing Hellarious: a once-in-a-lifetime feature collection that brings together seven of the most legendary horror comedy shorts ever made. The stories, from some of the world’s best genre filmmakers, feature a hilarious menagerie of zombie wives, amateur satanists, reverse werewolves, cannibal lunch ladies and more — along with gust-busting gags, gross-outs and gore. Included in Hellarious: Lunch Ladies by Clarissa Jacobson and J.M. Logan, Horrific by Robert Boocheck (ABCs of Death 2), Death Metal by Chris McInroy, Born Again and ‘Til Death by Jason Tostevin and Randall Greenland, Killer Kart by James Feeney, and Bitten by Sarah K. Reimers.
A contemporary who-dunnit, with a splash of supernatural, set in a college campus somewhere in India (a la Indian Institute Of Technology) where a few mysterious deaths occur and the only common link between the victims is that, seconds before their deaths, they all accepted a ‘facebook friend request’ from a certain profile page of Mona_Darling. The person behind the said page, Mona happens to be missing. Her friend, and a fellow student, Sarah recruits the help of a classmate, Wiki – a borderline sociopathic genius. This odd-couple of amateur sleuths carry on their investigation as the story leads them into unexpected corners and terrifying revelations. It’s a pacy thriller, confined to limited locations on one single campus, populated by fresh, sexy, young characters that can be executed on a fairly shoestring budget. More importantly it captures the present zeitgeist of young India and its obsession with social networking.
April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.
On holiday in Yalta, Muscovite banker Dimitri Gurov contrives to meet a young woman who walks her dog. She’s Anna Sergeyevna, trapped in a loveless marriage to a lackey. He’s unhappy in an arranged marriage. With neither spouse at hand, Dimitri and Anna begin an affair. After a short time, she returns to Saratov, he to Moscow, believing it’s good-by forever. All winter he is miserable, enervated, distracted by tristesse. In desperation, he contrives to go to Saratov, surprising her at a concert. Fearing discovery in her home town, she promises to come to Moscow. Will they cast aside reputation to live together, or will theirs be an affair of infrequent encounters in hotel rooms?
James Allen “Laurence O’Fuarain” is a successful, controlling, thirty-something banker living alone and working in Dublin city at the tail-end of the recession. When a family tragedy occurs at the hands of his employer he decides to take action which forces him to face a terrible childhood secret. Meanwhile, his mysterious co-worker Alison “IFTA – nominated – Sarah Carroll” has her own agenda, which puts her on a collision course with James, triggering a dark spiral of deceit, revenge, and murder. Director Alan Mulligan’s first feature is a deliberate and slow-paced look at modern day greed and desire, and society’s ever-growing need for control.
More than two decades have passed since Sarah Connor prevented Judgment Day, changed the future, and re-wrote the fate of the human race. Dani Ramos is living a simple life in Mexico City with her brother and father when a highly advanced and deadly new Terminator – a Rev-9 – travels back through time to hunt and kill her. Dani’s survival depends on her joining forces with two warriors: Grace, an enhanced super-soldier from the future, and a battle-hardened Sarah Connor. As the Rev-9 ruthlessly destroys everything and everyone in its path on the hunt for Dani, the three are led to a T-800 from Sarah’s past that may be their last best hope.
Donnie’s wife Sara is kidnapped. He’s left video messages by Noah, the man that took her showing her held in captivity. Noah gives Donnie one week to find Sara or she’ll disappear. Noah presents all of his motivations upfront to Donnie showing him he has nothing to lose. How far will a man go for revenge when he does not fear consequences? How far will Donnie go to save Sara? Or will Sara save herself?
Soul Surfer is the inspiring true story of teen surfer Bethany Hamilton. Bethany lost her left arm in a shark attack and courageously overcame all odds to become a champion again, through her sheer determination and unwavering faith.Bethany (AnnaSophia Robb) was born to surf. A natural talent who took to the waves at a young age, she was leading an idyllic life on Kauai, participating in national surf competitions with her best friend Alana (Lorraine Nicholson), when everything changed. On Halloween morning, a 14-foot tiger shark came out of nowhere and seemed to shatter all her dreams.Soul Surfer reveals Bethany’s fight to recover from her ordeal and how she grappled with the question of her future. Strengthened by the love of her parents, Tom (Dennis Quaid) and Cheri (Helen Hunt), and supported by her youth group leader Sara (Carrie Underwood), Bethany refuses to give in or give up, and begins a bold return to the water.
The movie covers the events which occurred in between the downfall of The Company and the finale of the series. It details the arrest and incarceration of Sara Tancredi, the final escape plan which Michael devises for Sara. It also reveals the ultimate fate of Gretchen Morgan.
Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. Nelson causes her to miss out on taking the test and later that day she tracks him down. One thing leads to another and Nelson ends up living with her through a November that will change his life forever.
Sara and Brian live an idyllic life with their young son and daughter. But their family is rocked by sudden, heartbreaking news that forces them to make a difficult and unorthodox choice in order to save their baby girl’s life. The parents’ desperate decision raises both ethical and moral questions and rips away at the foundation of their relationship. Their actions ultimately set off a court case that threatens to tear the family apart, while revealing surprising truths that challenge everyone’s perceptions of love and loyalty and give new meaning to the definition of healing.
When his brother asks him to look after his young son, Clifford, Martin Daniels agrees, taking the boy into his home and introducing him to his future wife, Sarah. Clifford is fixated on the idea of visiting a famed theme park, and Martin, an engineer who helped build the park, makes plans to take him. But, when Clifford reveals himself to be a first-rate brat, his uncle goes bonkers, and a loony inter-generational standoff ensues.
An ancient urn is found in a cemetery outside Rome. Once opened, it triggers a series of violent incidents: robberies, rapes and murders increase dramatically, while several mysterious, evil-looking young women coming from all over the world are gathering in the city. All these events are caused by the return of Mater Lacrimarum, the last of three powerful witches who have been spreading terror and death for centuries. Alone against an army of psychos and demons, Sarah Mandy, an art student who seems to have supernatural abilities of her own, is the only person left to prevent the Mother of Tears from destroying Rome.
Ally (Emmanuelle Vaugier) is a smart young career woman who needs a new job. Samantha (Cynthia Gibb) is a busy Beverly Hills advertising executive/mom whose too-well-mannered kids need some fun in their lives. And Danny Donner (Dean Cain) is the tough-guy owner of a chocolate company who wants a major ad campaign immediately. Could it all somehow lead to the Christmas that changes everyone’s lives forever? Richard Ruccolo, Sierra McCormick, Jared Gilmore and Sarah Thompson co-star in this surprising comedy about little white lies, big holiday wishes, and a woman who may just find love in the most unexpected places by becoming A NANNY FOR CHRISTMAS.
When a series of young women are brutally killed, one of the spirit of those women seek to exact revenge on the killers as it work through the body of Sara, an unsuspecting newlywed.Sara’s husband must navigate a terrifying sequence of murder, exorcism and revenge in a race to solve the murders and bring the killers to justice. Once the killers have been identified, Sara and her husband face the ultimate test — to stave off her demonic possession before she kills again.
High school friends TJ, Sarah, and Jenny reunite years after high school graduation to host the extravagant Nella’s bachelorette party. When the seemingly timid evening ends in disaster and with the bride nowhere in sight, the girls, along with the future sister-in-law, must devise a plan to find Nella and reveal the truth. In Speak Now, loyalties are tested along with the ability to grow in a stagnant relationship. The girls are soon to learn when enough is enough.
Newlyweds Sarah and Cory Morgan have decided to take a relaxing holiday with Cory’s 7 year old son Liam to try and smooth over some of the teething problems Liam is having with his new Mom. Despite the idyllic location of Cory’s isolated and luxurious country house, the family soon realize they have made a mistake in going there. Someone has been using the house in their absence. Their unwanted house guests will soon reveal themselves and the family will find itself caught up in a fight for their lives. What was planned as a relaxing getaway quickly turns into their worst nightmare as the family find themselves on a holiday from hell.
Xabi and Sara break up just before their holiday trip. She leaves the house and Xabi stays alone. At first he doesn’t seem to be affected, but soon weird things will start to happen as he feels sick with a strange disease. When he finally understands what is going on he’ll have to make a decision that could change his life forever.
For some married couples, sex is an obsession that overwhelms their belief in strict monogamy. The ability to act out their sexual fantasies is more important than upholding any convention of love or marriage. Sex with Strangers paints an authentically intimate portrait of three such couples, from the euphoria of fantasies fulfilled to the desperation of splintering relationships, showing how their lives are profoundly affected by the lifestyle they lead. James and Theresa, a couple in their thirties, use their motor home as a pleasure palace travelling from club to club seducing couples wherever they go. Calvin and Sarah are thinking about getting married when they meet Julie, who doesn’t swing, and isn’t bisexual – until she falls for Calvin. Psychodrama almost displaces sex for Shannon and Gerard, who are passionate about swinging, even as they question whether the lifestyle is really for them…
A harsh dose of cinematic realism about a harsh time-the Bosnian War of the 1990s-Juanita Wilson’s drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable